In a series of stories, she describes the ordinary people's response to this situation - how it destroys everyday lives, disrupts relationships and turns close friends into bitter enemies. She also wonders if we ourselves are all responsible for allowing this war to start. The collection is filled with stories about her daughter, her friends, about the day her father frightened her with his World War II pistol and about her journey on the Balkan Express which heads southwards from the comparative sanity of Vienna into the heart of the Yugoslavian conflict.

    A magnificent blend of travel journal, cultural commentary, and historical insight, Black Lamb and Grey Falcon probes the troubled history of the Balkans, and the uneasy relationships amongst its ethnic groups. The landscape and the people of Yugoslavia are brilliantly observed as West untangles the tensions that rule the country's history as well as its daily life.

    But under this façade lies a country still haunted by its years of terror. Joel Brinkley won a Pulitzer Prize for his reporting in Cambodia on the fall of the Khmer Rouge regime that killed one quarter of the nation's population during its years in power. In 1992, the world came together to help pull the small nation out of the mire. Cambodia became a United Nations protectorate--the first and only time the UN tried something so ambitious. What did the new, democratically-elected government do with this unprecedented gift?In 2008 and 2009, Brinkley returned to Cambodia to find out. He discovered a population in the grip of a venal government. He learned that one-third to one-half of Cambodians who lived through the Khmer Rouge era have P.T.S.D.--and its afflictions are being passed to the next generation. His extensive close-up reporting in Cambodia's Curse illuminates the country, its people, and the deep historical roots of its modern-day behavior.

    The crisis seemed to expose the disaster of small-state, free-market liberalization and deregulation. Keynesian political economy, in contrast, could put the state back at the heart of the economy and arm it with the knowledge needed to rescue us. But what it was supposed to rescue us from was not so clear. Was it the end of capitalism or the end of the world? For Keynesianism, the answer is both. Keynesians are not and never have been out to save capitalism, but rather to save civilization from itself. It is political economy, they promise, for the world in which we actually live: a world in which prices are “sticky,” information is “asymmetrical,” and uncertainty inescapable. In this world, things will definitely not take care of themselves in the long run. Poverty is ineradicable, markets fail, and revolutions lead to tyranny. Keynesianism is thus modern liberalism’s most persuasive internal critique, meeting two centuries of crisis with a proposal for capital without capitalism and revolution without revolutionaries.If our current crises have renewed Keynesianism for so many, it is less because the present is worth saving, than because the future seems out of control. In that situation, Keynesianism is a perfect fit: a faith for the faithless.

    Written by a seasoned journalist who witnessed the Balkan conflagration and its aftermath, it presents an analysis of the origins of the Serb-Albanian conflict, the course of the battle, the issues and personalities, and options for the future. In this second edition Tim Judah updates the story to, and beyond, the fall of Milosevic.

    A revealing biography of Tito, the Yugoslav leader who was a partisan against the Germans and the first Communist head to break with the Soviet Union, considers his role in the breakup of Yugoslavia after his death.

    The gift is a perfect example of what Mauss calls a total social phenomenon, since it involves legal, economic, moral, religious, aesthetic, and other dimensions. He sees the gift exchange as related to individuals and groups as much as to the objects themselves, and his analysis calls into question the social conventions and economic systems that had been taken for granted for so many years. In a modern translation, introduced by distinguished anthropologist Mary Douglas, The Gift is essential reading for students of social anthropology and sociology.

    . . presented with sympathy and frequently with humor . . . [of] a disparate people who were never united except by their resentment of a foreign conqueror." - Atlantic MonthlyIn The Impossible Country, Brian Hall relates his encounters with Serbs, Croats, and Muslims-- "real people, likeable people" who are now overcome with suspicion and anxiety about one another. Hall takes the standard explanations, the pundits' predictions, and the evening news footage and inverts our perceptions of the country, its politics, its history, and its seemingly insoluble animosities.

    This study surveys the history of the social movement, puts forward a theory of collective action to explain its surges and declines, and offers an interpretation of the power of movement that emphasizes its effects on personal lives, policy reforms and political culture. While covering cultural, organizational and personal sources of movements' power, the book emphasizes the rise and fall of social movements as part of political struggle and as the outcome of changes in political opportunity structure. This second edition has an entirely new chapter, major additions to the bibliography, new illustrative materials in many of the chapters and a new conclusion.

    Perhaps the most notorious and disputed outrage of the war was the massacre of as many as 8,000 Muslims in Srebrenica. Although previously designated a safe area by the United Nations Security Council, Srebrenica was overrun by General Ratko Mladic's Bosnian Serb forces while U.N. peacekeeping troops stood by impotently.With novelistic eloquence and journalistic acumen, Sudetic follows several generations of the Celiks, the Muslim family he is related to by marriage, which met their tragic destiny at Srebrenica. His indelible portrait of these inhabitants of a remote mountaintop village outside of Srebrenica not only illumines the historical context of the tragedy but, more important, reveals the human impact of the horror. Blood and Vengeance contains the sweep and power of a panoramic historical painting, yet possesses the heartbreaking intimacy of a family snapshot.

    "An essential resource for anyone of the conflict."—The New York Times Book Review.

    The Death of Yugoslavia is a survey of the pressures and events that contributed to the break-up of former Yugoslavia, considered from a historical rather than a political or sociological point of view.

    The author shows that no matter how bizarre a people's behavior may seem, it always stems from concrete social and economic conditions. It is by isolating and identifying these conditions that we will be able to understand and cope with some of our own apparently senseless life styles. In a devastating attack on the shamans of the counterculture, the author states the case for a return to objective consciousness and a rational set of political commitments.

    Anderson explores the impact of avant-garde European literature and politics on Rizal and his contemporary, the pioneering folklorist Isabelo de los Reyes, who was imprisoned in Manila after the violent uprisings of 1896 and later incarcerated, together with Catalan anarchists, in the prison fortress of Montjuich in Barcelona. On his return to the Philippines, by now under American occupation, Isabelo formed the first militant trade unions under the influence of Malatesta and Bakunin.Anderson considers the complex intellectual interactions of these young Filipinos with the new “science” of anthropology in Germany and Austro-Hungary, and with post-Communard experimentalists in Paris, against a background of militant anarchism in Spain, France, Italy and the Americas, Jose Marti’s armed uprising in Cuba and anti-imperialist protests in China and Japan. In doing so, he depicts the dense intertwining of anarchist internationalism and radical anti-colonialism.Under Three Flags is a brilliantly original work on the explosive history of national independence and global politics.

    A funny and cynical collection of essays, observations, and sketches denouncing the perversions of political and cultural life in Croatia.