First published in 1968, Jack Scarisbrick's Henry VIII is a book which focuses on the personality of this flamboyant and forceful monarch, exploring an impulsive interventionist king whose impact on the government, society and religion of England is felt more than four centuries on.

    This radical reinterpretation focuses instead on the many intrigues that pervaded Henry's court.It looks at opinions only of Warnicke - for example, the idea that Anne Boleyn was deformed and had a sixth finger and a wen under her chin.

    In his 100th novel, master historian Paul Doherty weaves his magic in an epic tale of murderous schemes and a bloody political order.King Henry VIII, a fearsome figure of power and stature, lies upon upon his deathbed diminished by sickness and haunted by ghosts from his past. Only Will Somers, long-serving jester and confidant, sees all. While Henry is confined to his chamber, Will begins a journal that will document his king's last turbulent days.The country is fraught with tension. The king's son and heir just nine years old, there are many power-hungry councillors who will stop at nothing to better themselves. Now as the king's health falls, rebellion threatens amidst widespread rumours of plots against him. With few allies remaining, will Henry himself become the final victim of his reckless, bloody reign?'

    So when twenty-five-year-old Anne's star begins to ascend, of course she takes Meg along for the ride.Life in the court of Henry VIII is thrilling... at first. Meg is made mistress of Anne's wardrobe, and she enjoys the spoils of this privileged orbit and uses her influence for good. She is young and beautiful and in favor; everyone at court assumes that being close to her is being close to Anne.But favor is fickle and envy is often laced with venom. As Anne falls, so does Meg, and it becomes nearly impossible for her to discern ally from enemy. Suddenly life's unwelcome surprises rub against the court's sheen to reveal the tarnished brass of false affections and the bonafide gold of those that are true. Both Anne and Meg may lose everything. When your best friend is married to fearsome Henry VIII, you may soon find yourself not only friendless but headless as well.A rich alchemy of fact and fiction, To Die For chronicles the glittering court life, the sweeping romance, and the heartbreaking fall from grace of a forsaken queen and Meg, her closest companion, who was forgotten by the ages but who is destined to live in our hearts forever.

    Monarchs such as Henry VIII and Queen Elizabeth I have become a part of modern pop culture, resulting in endless parodies, satires, rumors, and urban legends that grace our television screens. But as with all urban legends and parodies, facts surrounding the lives of these rulers are greatly exaggerated. In this entertaining guide, Barb Alexander serves to debunk those rumors and educate you about the dynasty.History doesn’t have to be dry, boring, and difficult to read. As an educator, Barb knows exactly how to engage an audience. This pocket-sized guide is not only informative, but also filled with cheek, snark, and wit. With 50 beautiful illustrations that depict Tudor Monarchs and key players during their rule, this book is guaranteed to garner a chuckle or two. So sit back, relax, and enjoy the lesson. Before long, you’ll be sharing Tudor history facts that will be sure to impress your less-informed peers.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    In this crisis, one man stood out as the great defender of tradition: Sir Thomas More.Portrait of an Unknown Woman is historical fiction at its best, rich in detail and observation that dares to choose as its setting the household of More. It is a novel that unfolds from an oblique angle, revealing itself not through More's eyes but through the eye of his young ward, Meg Giggs -- the unknown woman. Meg is a wholly realized creation, a young, headstrong woman schooled from childhood in the healing arts. A woman who, in time, will be torn between her loyalty, duty, and devotion to the More family and the call of her passions and conscience. Two men will vie for the heart and mind of young Meg: John Clement, her former tutor, a quiet man with a past shrouded in mystery; and Hans Holbein, the famous artist who twice painted portraits of More and his family.In Portrait of an Unknown Woman, Bennett has penned a suspenseful family drama with countless twists and turns, a revealing lesson on art and painting, and a most satisfying love story, all set against and within the rich historical time and tapestry of Tudor England. A remarkable debut novel.

    Hers was certainly a dramatic life with dizzying reversals of fortune; from poverty in 1461 to queenship in 1464, followed by deposition, restoration, and conflicts with Richard III and Henry VII before spending her final years in religious seclusion. There is also the issue of her two sons, the infamous 'Princes in the Tower', and the controversy surrounding their disappearance.

    Devious, na�ve, beautiful and sexually voracious, often highly principled, she secured the Scottish throne and bolstered the position of the Catholic Church in Scotland. Her plotting, including probable involvement in the murder of her husband Lord Darnley, led to her flight from Scotland and imprisonment by her equally ambitious cousin and fellow queen, Elizabeth of England. Yet when Elizabeth ordered Mary's execution in 1587 it was an act of exasperated frustration rather than political wrath.Unlike biographies of Mary predating this work, this masterly study set out to show Mary as she really was - not a romantic heroine, but the ruler of a European kingdom with far greater economic and political importance than its size or location would indicate. Wormald also showed that Mary's downfall was not simply because of the 'crisis years' of 1565-7, but because of her way of dealing, or failing to deal, with the problems facing her as a renaissance monarch. She was tragic because she was born to supreme power but was wholly incapable of coping with its responsibilities. Her extraordinary story has become one of the most colourful and emotionally searing tales of western history, and it is here fully reconsidered by a leading specialist of the period. Jenny Wormald's beautifully written biography will appeal to students and general readers alike.

    He takes a fresh look at the life and beliefs of the young king and of the ruthless politicians who jostled for power around him. He analyzes the single-minded strategy of the Protestant Revolution and assesses the support it had among the people of England.

    "In the last millennium there have been only six English female sovereigns: Mary I and Elizabeth I, Mary II and Anne, Victoria and Elizabeth II, who celebrated her eightieth birthday in 2006. With the exception of Mary I, they are among England's most successful monarchs. Without Mary II and Anne, the Glorious Revolution of 1688 might not have taken place. Elizabeth I and Victoria each gave their name to an age, presiding over long periods when the country made significant progress in the growth of empire, prestige, and power. All of them have far-reaching legacies. Each faced personal sacrifices and emotional dilemmas in her pursuit of political power. How to overcome the problem of being a female ruler when the sex was considered inferior? Does a queen take a husband and, if so, how does she reconcile the reversal of the natural order, according to which the man should be the master? A queen's first duty is to provide an heir to the throne, but at what cost? In this richly compelling narrative, Maureen Waller delves into the intimate lives of England's queens regnant in delicious detail, assessing their achievements from a female perspective.

     James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.

    When the young queen is smitten by the dashing Robert Dudley, Katherine must choose between duty and desire-as her secret passion for a handsome earl threatens to turn Elizabeth against her. Once the queen becomes a bitter and capricious monarch, another lady-in-waiting, Mistress Mary Rogers, offers the queen comfort. But even Mary cannot remain impervious to the court's sexual tension-and as Elizabeth gives her doomed heart to the mercurial Earl of Essex, Mary is drawn to the queen's rakish godson...

    But this was far from the only difference between him and his predecessors. Neither of the previous Georges was faithful to his wife, nor to his mistresses. Both hated their own sons. And, overall, their children were angry, jealous, and disaffected schemers, whose palace shenanigans kick off Hadlow's juicy narrative and also made their lives unhappy ones.Pained by his childhood amid this cruel and feuding family, George came to the throne aspiring to be a new kind of king—a force for moral good. And to be that new kind of king, he had to be a new kind of man. Against his irresistibly awful family background—of brutal royal intrigue, infidelity, and betrayal—George fervently pursued a radical domestic dream: he would have a faithful marriage and raise loving, educated, and resilient children.The struggle of King George—along with his wife, Queen Charlotte, and their 15 children—to pursue a passion for family will surprise history buffs and delight a broad swath of biography readers and royal watchers.

    In Imperial Requiem, Justin C. Vovk narrates the epic story of four women who were married to the reigning monarchs of Europe's last empires during the late nineteenth and early twentieth centuries. Using a diverse array of primary and secondary sources, letters, diary entries, and interviews with descendants, Vovk provides an in-depth look into the lives of four extraordinary women who stayed faithfully at their husbands' sides throughout the cataclysm of the First World War and the tumultuous years that followed. At the centers of these four great monarchies were Augusta Victoria, Germany's revered empress whose unwavering commitment to her bombastic husband made her a national icon; Mary, whose Cinderella story and immense personal strength made her the soul of the British monarchy through some of its greatest crises; Alexandra, the ill-fated tsarina who helped topple the Russian monarchy through her ineffective rule; and Zita, the resolute empress of Austria whose story of loss and exile captivated the world's attention for seven decades. Imperial Requiem shares the fascinating story of four princesses who married for love, graced imperial thrones, and watched as their beloved worlds were torn apart by war, revolution, heartache, and loss.

    Believing she'd married one, she surrendered her fate to a monarch whose treatment of his wives would make him notorious.