These queer thinkers, writers, and artists are committed to undermining a stunted conception of “equality.” In this powerful book, they challenge mainstream gay and lesbian struggles for inclusion in elitist and inhumane institutions. More than a critique, Against Equality seeks to reinvigorate the queer political imagination with fantastic possibility!

    Valerio's detailed observations about a lesbian transitioning from female to a heterosexual male highlights the physical and emotional differences between women and men, and alternately challenges and confirms readers' assumptions about gender.Valerio presents his story in three parts: the height of his transition, in which he witnesses his own increased energy and sex drive while struggling with gaining confidence in his male self and bearing witness to his own demise as a woman; life before testosterone, when as Anita, a self-identified lesbian out for fourteen years, he confronts startling moments of awareness of a deeper, earlier dream of who he really is; and life after testosterone, when the experience of living in the world as a man is at once a homecoming and a confirmation that male behavior is at least partly rooted in biology. The Testosterone Files addresses the most fundamental issues of transitioning, from buying men's underwear to choosing a male name, as well as the profound subjects of male privilege, physical power, and existing as a male who was once distrustful and critical of men's intentions. Valerio's honest and forthcoming opinions on gender, identity, and self-perception comprise the core of this intensely personal and absorbing narrative which grapples with the tough and complex issues that emerge in a world whose assumptions about gender binaries are being increasingly challenged as more people openly self-define across the gender spectrum.

    The first anthology of its kind, We’re Still Here: An All-Trans Comics Anthology offers dozens of new stories that render trans experiences in comics form: some fiction, some nonfiction, some sad, some thoughtful, some funny, some bizarre, all authentic.

    A budding queer activist escapes to San Francisco, in search of a world more politically charged, sexually saturated, and ethically consistent—this is the person who evolves into Mattilda Bernstein Sycamore, infamous radical queer troublemaker, organizer and agitator, community builder, and anti-assimilationist commentator. Here is the tender, provocative, and exuberant story of the formation of one of the contemporary queer movement's most savvy and outrageous writers and spokespersons.Using an unrestrained associative style to move kaleidoscopically between past, present, and future, Sycamore conjures the untidy push and pull of memory, exposing the tensions between idealism and critical engagement, trauma and self-actualization, inspiration and loss. Part memoir, part social history, and part elegy, The End of San Francisco explores and explodes the dream of a radical queer community and the mythical city that was supposed to nurture it.

    Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history.Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire.She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James.Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.”She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.

    Female husbands - people assigned female who transed gender, lived as men, and married women - were true queer pioneers. Moving deftly from the colonial era to just before the First World War, Jen Manion uncovers the riveting and very personal stories of ordinary people who lived as men despite tremendous risk, danger, violence, and threat of punishment. Female Husbands weaves the story of their lives in relation to broader social, economic, and political developments in the United States and the United Kingdom while also exploring how attitudes towards female husbands shifted in relation to transformations in gender politics and women's rights, ultimately leading to the demise of the category of 'female husband' in the early twentieth century. Groundbreaking and influential, Female Husbands offers a dynamic, varied, and complex history of the LGBTQ past.

    He found his tribe in New York's East Village, a neighborhood noted in the 1970s and '80s for drugs, blight, and a burgeoning art scene. His creativity spilled out in paintings, photographs, films, texts, installations, and in his life and its recounting-creating a sort of mythos around himself. His circle of East Village artists moved into the national spotlight just as the AIDS plague began its devastating advance, and as right-wing culture warriors reared their heads. As Wojnarowicz's reputation as an artist grew, so did his reputation as an agitator-because he dealt so openly with his homosexuality, so angrily with his circumstances as a Person With AIDS, and so fiercely with his would-be censors.Fire in the Belly is the untold story of a polarizing figure at a pivotal moment in American culture-and one of the most highly acclaimed biographies of the year.

    Beautifully illustrated, these stories are an emotional and enlightening journey through magic realism, serial killings, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.

    Over a fifty-year performing career, Billy Tipton fooled nearly everyone, including Duke Ellington and Norma Teagarden, five successive wives with whom Billy lived as a man, and three children who he "fathered." As Billy Tipton herself said, "Some people might think I'm a freak or a hermaphrodite. I'm not. I'm a normal person. This has been my choice." This jazz-era biography evokes the rich popular-music history of the Great Depression and reads like a detective story.

    To address this void, they started a blog. Now with an annual readership of nearly one million, their posts foster dialogue about activist methods, intersectionality, and sisterhood. And the writers' personal identities—as black women; as sisters, daughters, and lovers; and as television watchers, sports fans, and music lovers—are never far from the discussion at hand.These essays explore "Sex and Power in the Black Church," discuss how "Clair Huxtable is Dead," list "Five Ways Talib Kweli Can Become a Better Ally to Women in Hip Hop," and dwell on "Dating with a Doctorate (She Got a Big Ego?)." Self-described as "critical homegirls," the authors tackle life stuck between loving hip hop and ratchet culture while hating patriarchy, misogyny, and sexism.Brittney Cooper is an assistant professor at Rutgers University. In addition to a weekly column in Salon.com, her words have appeared in the New York Times, the Washington Post, Cosmo.com, and many others. In 2013 and 2014, she was named to the Root.com's Root 100, an annual list of Top Black Influencers.Susana M. Morris received her Ph.D. from Emory University and is currently an associate professor of English at Auburn University.Robin M. Boylorn is assistant professor at the University of Alabama. She is the author of the award-winning monograph Sweetwater: Black Women and Narratives of Resilience (Peter Lang, 2013).

    No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality. With disarming candor, she writes about her mental breakdowns, her queer identity, and living in a silent, quirky world populated by unforgettable characters. What could have been a bitter litany of complaint is instead an unexpectedly hilarious and affecting take on life.From the Trade Paperback edition.

    But in a culture of relentless self-branding, and in a family subject to the intrusions and objectifications that attend fame, dissociation can come to feel normal.

    Here is a dramatic story of these people, revealing the history of the anti-gay policy pursued by the U.S. military authorities in World War II. Two 8-page photo inserts.

    But is same-sex marriage, improved media visibility and corporate endorsement all it’s cracked up to be? At what cost does this acceptance come? And who is getting left behind, particularly in parts of the world where LGBTQ+ rights aren’t so advanced?Combining intrepid journalism with her own personal experience, Amelia Abraham searches for the answers to these urgent challenges, as well as the broader question of what it means to be queer in 2019. With curiosity, good humour and disarming openness, Amelia takes the reader on a thought-provoking and entertaining journey. Join her as she cries at the first same-sex marriage in Britain, loses herself in the world’s biggest drag convention in L.A., marches at Pride parades across Europe, visits both a transgender model agency and the Anti-Violence Project in New York to understand the extremes of trans life today, parties in the clubs of Turkey’s underground LGBTQ+ scene, and meets a genderless family in progressive Stockholm.

    the list goes on. Queer subculture has had an enormous impact on style, music, science, art and literature. From Oscar Wilde, who defended his homosexual relationships in court, to Rupaul acting as an ambassador for drag on network television, queer people have fought to express their identities and make a difference. This book will celebrate the lives, work, and unique perspectives of the icons who changed the world. Featuring beautifully illustrated portraits and profiles, 50 Queers Who Changed the World is a tribute to some of the most inspirational people of all time