Since then, my words have been oozing pain. Today’s instant make-up, instant break-up generation have no time to spare time at all. They prefer enjoying eternity in moments to waiting eternally for that moment. Hence, these micro tales have become the latest fad. Minuscule is a collection of unique micro tales and short stories that are spread over various themes. From horror to social issues to romance, these tales leave no topic unwritten about, no emotion unexplored. Though told with brevity, the impact of these stories can be more lingering than that of novels. To-the-point, poignant, relatable - this micro fiction book can be read by anyone in today’s time - a teenager and an adult alike. Its varied range of themes is the cherry on the cake. Minuscule is a book that is sure to bring a smile to your face and tears to your eyes – and stay with you for a very long time. May the stories make a home in your heart! Don’t leave me the way you leave others. Some things are permanent indeed. Like love, like regret. And trust me honey, I’ll be your both.

    

    

    

    Because those wobbly stones are only inches above the quotidian rush, what’s jotted there has an immediacy that is intimate and close to life. Kooser, winner of the Pulitzer Prize and a former U.S. poet laureate, has filled scores of workbooks. The Wheeling Year offers a sequence of contemplative prose observations about nature, place, and time arranged according to the calendar year. Written by one of America’s most beloved poets, this book is published in the year in which Kooser turns seventy-five, with sixty years of workbooks stretching behind him.

    The book presented a new and urgent poetry of dream-life, mystery and music, sexual obsession and the consolations of drink - all delivered with great formal skill and imaginative daring.'One of the finest first books of poems I've read for ages.' Paul Muldoon'If you are wondering whether great poems are still being written, you ought to read Don Paterson's.' Charles Simic'One of the most ferociously talented of all British poets.' Catherine Lockerbie

    But [Flenniken] also wrote them to honor the people she grew up with." " - Seattle Times"The poems in "Plume" are nuclear-age songs of innocence and experience set in the "empty" desert West. Award-winning poet Kathleen Flenniken grew up in Richland, Washington, at the height of the Cold War, next door to the Hanford Nuclear Reservation, where "every father I knew disappeared to fuel the bomb," and worked at Hanford herself as a civil engineer and hydrologist. By the late 1980s, declassified documents revealed decades of environmental contamination and deception at the plutonium production facility, contradicting a lifetime of official assurances to workers and their families that their community was and always had been safe. Plume, written twenty years later, traces this American betrayal and explores the human capacity to hold truth at bay when it threatens one's fundamental identity.

    Its impact on Border tourism was vast, as countless people, moved by Scott’s evocative description of the moonlit Melrose Abbey, flocked to the area. Painters too were inspired by the scene, and such was its fame that even prime minister William Pit recited sections from it in front of dinner guests. Told by an ageing minstrel to Ann, Duchess of Buccleuch in return for hospitality at Newark Castle, The Lay of the Last Minstrel is a powerful and dramatic tale concerning love, murder and kidnapping. A strong supernatural element lies at its heart, making it one of the most significant gothic tales ever written. This edition features an introduction by the Duke of Buccleuch.

    

    

    He leaves the fast-paced life of the city for the Outer Hebrides, where traditional values and beliefs are adhered to and respected. It is a life he neither belongs to nor understands. When she goes he will be the last of the family line and he couldn't care less. Family and history are just bonds to tie him down. Reluctantly, he sets out to do his duty and stumbles across questions that challenge everything he ever knew about himself and the people from whom he came. In the days between his aunt's death and funeral he is drawn into the role of genealogy detective. In a place where everyone knows everything about everybody, Cal finds that secrets are buried deep. Mairi, a young widow, knows far more than she is willing to tell. Kate Anna, his aunt's lifelong friend, avoids his questions. And what of Finlay, who lays claim to the house? Cal begins to understand that Aunt Mary was not the woman he knew and the secret she kept hidden for so long means he might not be the person he thought he was. "Last of the Line" is a story that explores the part in all of us that wants to know who we are and where we are from.

    Henryson's finest poem, and one of the rhetorical masterpieces of Scots literature, is the narrative Testament of Cresseid. Set in the aftermath of the Trojan War, the Testament completes the story of Chaucer's Troilus and Criseyde, offering a tragic account of its faithless heroine's rejection by her lover, Diomede, and of her subsequent decline into prostitution and leprosy. Written in Middle Scots, the Testament has been translated by Seamus Heaney into a confident but faithful idiom that matches the original verse form and honors the poem's unique blend of detachment and compassion.A master of high narrative, Henryson was also a comic master of the verse fable, and his burlesques of human weakness in the guise of animal wisdom are delicately pointed with irony. Seven of the Fables are here sparklingly translated by Heaney, their freshness rendered to the last claw and feather. Together, The Testament of Cresseid and Seven Fables provide a rich and wide-ranging encounter between two poets across six centuries.

    He illustrates his book with many useful examples, covering the areas of writing techniques and procedures and drafting.

    While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    He's set to wrestle and study creative writing at Columbia University in New York. These poems are a look into his early experiences with love and loss, an introspective coming of age tale told in verse.