Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." The Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:Selections from Miller's writings on his most frequently performed playEssays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documentsReviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and othersExcerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd SchulbergCritical essays on the play, on Miller, and on the play in the context of Miller's oeuvreAn introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography

    Rising from the heart of the earth to share in the wonder of a remarkable time, the resonance of this volume will be heard clearly through the silence of the night sky, joining the reflections of each pilgrim who awaits the birth of hope.

    In 55 poems that swerve and crackle with a rare music, Inua Ellams unleashes a full-throated assault on empire and its legacies of racism, injustice and toxic masculinity.Written on the author's phone, in transit, between meetings, before falling asleep and just after waking, this is poetry as polemic, as an act of resistance, but also as dream-vision. At its heart, this book confronts the absolutism and 'foolish machismo' of hero culture-from Perseus to Trump, from Batman to Boko Haram. Through the thick gauze of history, these breathtaking poems look the world square in the face and ask, "What the actual - ?".'This is what poetry looks like when you have nothing to lose, when you speak from the heart, when you have spent years honing your craft so that you can be free. This is what poetry looks like when you are a word sorcerer, a linguistic swordsman, a metaphor-dazzler, a passionate creator of poetry as fire, as lament, as beauty, as reflection, as argument, as home. I was blown away by this book' Bernadine Evaristo'This first collections is a masterclass in subtlety: poems that manage to be tender, angry, vulnerable, sad, funny, yearning and interrogating of history, both recent and long ago, all at once. It's a phenomenal piece of work about what it is to exist in this time, and his dissection of pop culture, colonialism, social interactions and the cruelty of the world, of men, of systems will be read and studied for years.' Nikesh Shukla

    Everyone agrees that Joe Stewart is a pillar of the community. But the pillar is about to crumble.In a dramatic series of events, Joe loses virtually everything: his job, his wealth, his home, his reputation, and his health. Even his family teeters on the brink of falling apart.Joe finds himself miles from civilization, his health deteriorating rapidly, and his family menaced by the dark entity that haunts his dreams. Joe must somehow find a way to unite his family and use their strength to save them all before it is too late.

    Presenting a compelling vision of motherhood as a group effort, Better Together shows how you can:Combat isolation and enjoy a supportive mothering communityIncrease your social confidence and stop the comparison gameDeepen your friendships as you share life with othersStrengthen trust and build friendships without fearIncrease your joy and thrive as a momAll these things are possible. Dive into this storehouse of creative ideas for how to make mothering easier, richer, and more fun than you ever thought it could be.

    Real people. Real stories.

    In his next book, Jim takes the reader along into the wide open spaces of exploring and experiencing God beyond religion. Jim writes, "It is no secret that God can be lost beneath the waving banner of religion. Divine Nobodies is my story of how this happened to me. Sometimes you have to disentangle God from religion, even Christ from Christianity, to find the truth. With the help of some unsuspecting nobodies, I uncovered a new starting line with God. As I've put one foot in front of another, I've experienced God in ways that are deeply transforming."Each chapter revolves around a central question related to knowing God on fresh terms: Is God a belief system? Is the Bible a landing strip or launching pad? Can what we're feeling inside be God? Are we too religiously minded to be any earthly good?Brian McLaren wrote, "I am tempted to say that Jim Palmer could well be the next Don Miller, but what they have in common, along with an honest spirituality and extraordinary skill as storytellers, is a unique voice."The Library Reviews said of him, "Jim Palmer's casual, yet compelling writing style cuts through the religious rhetoric and gets to the real issues…readers will love this author! His sense of humor is alternately mixed with shocking sentences and poignant moments. Laced throughout is a refreshing honesty that ties his ideas together with a ribbon of reality…each turn of the page strips away a little more of the contrived mystery of Christianity until the simplicity and sincerity of it stands in realistic splendor."More and more people seek a deeper spirituality beyond status-quo religion. Others are left empty and weary from a shallow and narrow pop-Christianity. Palmer says that God's kingdom of love, peace, and freedom can be a present reality in any person's life. He proclaims that God is indeed in the process of birthing something deep and wide among unlikely people in unconventional ways, which is changing the world...one "nobody" at a time.

    For Joe, a 12-year-old boy suddenly alone and 600 miles from home, it's a nightmare come true. This adventure story is a tale of a special friendship that only comes along once in a lifetime. Joe, who is white, and Peter, sixteen and a free Black, become unlikely friends and learn to depend on each other as they try to escape the desperate Confederate South. Follow these two as they trek through a war-torn countryside and witness war at its worst, up close and personal. They travel through a landscape that has been decimated by brutal battles, and they encounter people that have suffered the extreme hardships and depredation of three years of war. All the while they learn to depend on each other and grow a binding love as special as any two brothers. They will need each other more than they know-unknown to them, they are being pursued by a deranged killer. Also read John Gschwend's historical novel, Spirit In The Red Amber and his science fiction novel, Portal To The Forgotten. Scroll up, click the buy button, and enter this moving Civil War novel. johngschwend.com

    Though her extant work consists only of a collection of fragments and a handful of complete poems, the passionate elegance of her musings on life and death, loss and longing, desire, and nature speak volumes.Willis Barnstone’s vivid, contemporary translation, along with his introduction and notes, sheds new light on the spirit and mystique of this ancient Greek poet.This edition is an abridgment of The Complete Poems of Sappho.

    Culled from classic works of poetry, unpublished work solicited especially for the book, and poetry and erotica journals, these poems celebrate sexual connection and expression. Contributors include Sharon Olds, Gary Soto, E. E. cummings, Marge Piercy, Raymond Carver, Galway Kinnell, Pablo Neruda, and Tess Gallagher.

    It's a poetry book, from the perspective of a journal entry in the National Archives. The National Archives live in a building in Seattle behind barbed wire, directly next door to the Center for Spiritual Living. This is no accident. Gentleman Practice is a disarming de-haunting of accidents. There are no stunt doubles performing the honesty in this book. Head raised and victorious, he has crafted a translation of the human spirit on a small, practical patch, with a very fine tooth indeed. And, while many poetry books read like a thick epic series of sections, Gentleman Practice will no doubt rest in your hands like a well-oiled novel.

    The Outernationale locates us "just off the grid," in an emotional and spiritual frontier, where reverie, outrage, history, and vision merge. Thinking and feeling become one in the urgent music of Gizzi's poems. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom. This is both a poetry of conscience and the embodiment of a genuinely poetic consciousness. Objects, images, and their histories are caught here in their half-life, their profoundly human after-life. Gizzi has written a brilliant follow-up to Some Values of Landscape and Weather, a book hailed by Robert Creeley as "a breakthrough book in every way: for reader, for writer, and for the art."

    race relations, federal bureaucracies, Christian churches, and social scientists. This book continues to be required reading for all Americans, whatever their special interest.

    He begins with a group of light but haunting fables, populated by figures like the King, a tiny creature in ermine who has lost his desire to rule, and by the poet’s own alter ego, who recounts the fetching mystery of the title poem: “I sat on the porch having a smoke / when out of the blue a man and a camel / happened by.” The poet has Arctic adventures and encounters with the bearded figure of Death; in his controlled tone, he creates his bold visions and shows us, like a magician, how they vanish in a blink. Gradually, his fancies give way to powerful scenes of loss, as in “The Mirror,” where the face of a beautiful woman stares past him into a place I could only imagine . . . as if just then I were steppingfrom the depths of the mirror into that white room, breathless and eager,only to discover too latethat she is not there.Man and Camel concludes with a small masterpiece of meditations crafted around the Seven Last Words of Christ. Here, this secular poet finds resonance in the bedrock of Christ’s language, the actual words that have governed so many generations of thought and belief. As always with Mark Strand, the discovery of meaning in the sound of language itself is an act of faith that enlightens us and carries us beyond the bounds of the rational.

    The hull glides in silence and with such perfect balance as to report no motion. I sit up for another stroke, now looking down as the blades ignite swirling pairs of white constellations of phosphorescent plankton. Two opposing heavens. ‘Remember this,’ I think to myself.”Few people have ever considered the eastern United States to be an island, but when Nat Stone began tracing waterways in his new atlas at the age of ten he discovered that if one had a boat it was possible to use a combination of waterways to travel up the Hudson River, west across the barge canals and the Great Lakes, down the Mississippi River to the Gulf of Mexico, and back up the eastern seaboard. Years later, still fascinated by the idea of the island, Stone read a biography of Howard Blackburn, a nineteenth-century Gloucester fisherman who had attempted to sail the same route a century before. Stone decided he would row rather than sail, and in April 1999 he launched a scull beneath the Brooklyn Bridge to see how far he could get. After ten months and some six thousand miles he arrived back at the Brooklyn Bridge, and continued rowing on to Eastport, Maine. Retracing Stone’s extraordinary voyage, On the Water is a marvelous portrait of the vibrant cultures inhabiting American shores and the magic of a traveler’s chance encounters. From Pittsburgh, Pennsylvania, where a rower at the local boathouse bequeaths him a pair of fabled oars, to Vanceburg, Kentucky, where he spends a day fishing with Ed Taylor -- a man whose efficient simplicity recalls The Old Man and the Sea -- Stone makes his way, stroke by stroke, chatting with tugboat operators and sleeping in his boat under the stars. He listens to the live strains of Dwight Yoakum on the banks of the Ohio while the world’s largest Superman statue guards the nearby town square, and winds his way through the Louisiana bayous, where he befriends Scoober, an old man who reminds him that the happiest people are those who’ve “got nothin’.” He briefly adopts a rowing companion -- a kitten -- along the west coast of Florida, and finds himself stuck in the tidal mudflats of Georgia. Along the way, he flavors his narrative with local history and lore and records the evolution of what started out as an adventure but became a lifestyle. An extraordinary literary debut in the lyrical, timeless style of William Least Heat-Moon and Henry David Thoreau, On the Water is a mariner’s tribute to childhood dreams, solitary journeys, and the transformative powers of America’s rivers, lakes, and coastlines.From the Hardcover edition.