Set mostly in Paris and Manhattan in the desperately glittering 1980s, it has the timeless depth and moral power of a fairy tale.As a teenager on the streets of San Francisco, Alison is discovered by a photographer and swept into the world of fashion-modeling in Paris and Rome. When her career crashes and a love affair ends disastrously, she moves to New York City to build a new life. There she meets Veronica—an older wisecracking eccentric with her own ideas about style, a proofreader who comes to work with a personal “office kit” and a plaque that reads “Still Anal After All These Years.” Improbably, the two women become friends. Their friendship will survive not only Alison’s reentry into the seductive nocturnal realm of fashion, but also Veronica’s terrible descent into the then-uncharted realm of AIDS. The memory of their friendship will continue to haunt Alison years later, when she, too, is aging and ill and is questioning the meaning of what she experienced and who she became during that time. Masterfully layering time and space, thought and sensation, Mary Gaitskill dazzles the reader with psychological insight and a mystical sense of the soul’s hurtling passage through the world. A novel unlike any other, Veronica is a tour de force about the fragility and mystery of human relationships, the failure of love, and love’s abiding power. It shines on every page with depth of feeling and formal beauty.

    There's only one problem: her grandmother is dead. As the two young women beat their own early path toward marriage equality, Ellen's longing to plumb that voluminous silence draws her into a clandestine entanglement with a wily Holocaust survivor--a woman with more to hide than tell--and a secret search for buried history. If there is to be a wedding Ellen must decide: How much do you need to share to be true to the one you love? Set in ebullient, 1990s Dot-com era San Francisco, Paper is White is a novel about the gravitational pull of the past and the words we must find to make ourselves whole.

    Desperate to leave a life of bad memories behind and start over in the Martian colony, Raleigh fully intends to keep that promise. But his plans are thwarted when a meteor near-misses him in the desert, and Raleigh finds in its crater not debris or even a spacecraft, but a man covered in swirling scars and with no memory of who he is. At least he looks like a man—a man Raleigh can’t seem to keep his eyes off of—but whenever they touch it ignites a memory swap between them.Raleigh agrees to help Meteor Man piece together his life through their cosmic connection. But the memory share goes both ways, and Raleigh becomes inexplicably entangled with a guy who is everything he needs—everything good that Raleigh is not—but might not even be human. As their minds and worlds collide, reality unravels and Raleigh must face a painful truth, one that could shatter his dreams of finding love, reaching Mars, and fulfilling his brother’s last wish.

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

    As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable.  For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. And everywhere there is the anguish of being black in a society that at times seems poised on the brink of total racial war. Overpowering in its vitality, extravagant in the intensity of its feeling, Tell Me How Long the Train's Been Gone is a major work of American literature.

    They share everything—from their friends to a room—and they both enjoy star positions on their high school’s soccer teams. All’s right with the twins...or is it?When new student Ryder Coltrane moves from Texas to their small New York town, he spins Andrew’s world upside down. All of Andrew’s past relationship troubles begin to make sense and his true feelings start to click into place after Ryder comes out to him. His friendship with Ryder turns secretively romantic, but secrets, they soon find out, are hard to keep. Once rumors start to fly, so-called friends turn on them, and the boys’ relationship turns into a bomb about to explode. But Andrew never expected it would be his own twin, Andrea, holding a lighter to ignite it.

    I thought that Ma was all that she was and all that she had ever wanted to be. I was wrong. As we made our way from Virginia to California, returning to the places where she d lived as a child in foster care and as a teenager on the run, repaying debts and keeping promises, I learned who she was in her life-before-me and the secrets she had kept even from herself. But when life on the road began to feel normal I couldn t forget the home we d left behind, couldn t deny that, just like my mother, I too had unfinished business. This enigmatic pilgrimage takes them back to various stages of Alex s mother s life, each new state prompting stories and secrets. Together they trace back through a life of struggle and adventure to put to rest unfinished business, to heal old wounds and to search out lost friends. This is an extraordinary story of a life; a stunning exploration of identity and an authentic study of the relationship between a mother and her child.The Lauras is the new novel from the exceptionally gifted author of The Shore, which was long listed for the Baileys Women s Fiction Prize and shortlisted for the Guardian First Book Award and the Sunday Times Young Writer of the Year."

    But still the old grudges simmer, and two siblings will fight on opposite sides to save their world, in the start of Django Wexler’s new epic fantasy trilogyGyre hasn't seen his beloved sister since their parents sold her to the mysterious Twilight Order. Now, twelve years after her disappearance, Gyre's sole focus is revenge, and he's willing to risk anything and anyone to claim enough power to destroy the Order.Chasing rumors of a fabled city protecting a powerful artifact, Gyre comes face-to-face with his lost sister. But she isn't who she once was. Trained to be a warrior, Maya wields magic for the Twilight Order's cause. Standing on opposite sides of a looming civil war, the two siblings will learn that not even the ties of blood will keep them from splitting the world in two.

    Earl, a black, gay actor working in a meatpacking plant, and Bette, a white secretary, have lived next door to each other in the same Greenwich Village apartment building for thirty years. Shamed and disowned by their families, both found refuge in New York and in their domestic routine. Everything changes when Hortense, a wealthy young actress from Ohio, comes to the city to "make it." Textured with the grit and gloss of midcentury Manhattan, The Cosmopolitans is a lush, inviting read. The truths it frames about the human need for love and recognition remain long after the book is closed.

    Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    With his best friend, Alayne, in tow, Jonathan returns to the estate to take possession, meet the current staff, and generally learn what it’s like to live as the landed gentry now. He’d only been there once before, fourteen years earlier. But that was a different time, he’s a different person now, determined to put that experience out of his mind and his heart….The locals agree that Jonathan is indeed different from the lost young man he was that long ago summer, when he arrived at the farm for a stay after his mother died. Back then the hot summer days were filled with sunshine, the nearby ocean, and a new friend, Nat. Jonathan and the farmhand had quickly grown close, Jonathan needing comfort in the wake of his grief, and Nat basking in the peace and love he didn’t have at home.But that was also a summer of rumors and strange happenings in the surrounding countryside, romantic triangles and wronged lovers. Tempers would flare like a summer lightning storm, and ebb just as quickly. By the summer’s end, one young man was dead, and another haunted for life.Now Jonathan is determined to start anew. Until he starts seeing the ghost of his former friend everywhere he looks. Until mementos of that summer idyll reappear. Until Alayne’s life is in danger. Until the town’s resident witch tells Jonathan that ghosts are real. And this one is tied to Jonathan unto death…

    Though he grew up in a culture accepting of Sidhe enslavement by Villalu’s elite, Brieden finds that he can no longer tolerate the practice when he becomes a steward to Prince Dronyen, who is viciously abusive of his sidhe slave Sehrys. Captivated by the handsome and mysterious sidhe slave, Brieden vows to free and return Sehrys to his homeland.As they escape the capital and navigate a treacherous path to the border, Breiden and Sehrys grow close. Breiden soon learns both the true power of The Sidhe, and that the world that he thought he knew is not what it once seemed. If they survive to reach the border, he will have to make a choice: the love of his life, or the fate of his world.

    Althea, the eldest sister and substitute matriarch, is a force to be reckoned with and her younger sisters have alternately appreciated and chafed at her strong will. They are as stunned as the rest of the small community when she and her husband Proctor are arrested, and in a heartbeat the family goes from one of the most respected in town to utter disgrace. The worst part is, not even her sisters are sure exactly what happened. As Althea awaits her fate, Lillian and Viola must come together in the house they grew up in to care for their sister’s teenage daughters. What unfolds is a stunning portrait of the heart and core of an American family in a story that is as page-turning as it is important.

    He’s used to moving every few years, and thanks to social media, he can stay in touch with the friends he leaves behind. But shortly after he leaves Okinawa, his best friend, Brad Gray, cuts off contact and disappears. Four years and two bases later, Brad resurfaces—and announces his family is coming to Trevor’s base in Spain. But a lot’s changed in four years, and Trevor is stunned to find out Brad is now Shannon. Their reunion isn’t quite what either of them had hoped for, but they quickly find their footing, both relieved to have each other back. Except nothing is ever all sunshine and roses. The military is a small world, and there’s no keeping Shannon’s transition a secret. Parents warn their kids away from her. She can’t attend school on-base for fear of harassment or worse. And although her parents try to hide it, being ostracized by their only social circle while they’re thousands of miles from home is taking a toll on them too. More and more, Shannon leans on Trevor. But she’s also drawn to him, and he’s drawn right back to her, feeling things he’s never felt for anyone before. Trevor’s scared, though. Not of dating a trans girl. Not of damaging his chaplain father’s career or reputation. After finally getting his friend back, does he dare take things further and risk losing Shannon a second time?

    But when a hurricane of events forces him into the spotlight, he starts to realize that the only thing he’s truly afraid of is himself. With the help of his costume changing friend Cher, a famous gay uncle with a mysterious past of his own, two aging punk rocker parents and Rusty, the boy who will become his something to live for, Danny begins to realize that the music of the heart is truly the soundtrack for living.