It includes poems by Edmund Blunden, Rupert Brooke, Robert Graves, Wilfred Owen, Isaac Rosenberg, Siegfried Sassoon and sixty-six others.

    This is a coming-of-age memoir of a prep school boy who enlists in the Marine Corps, gets caught in a horrific three-day assault during some of the heaviest fighting of the Vietnam War, then returns to attend Harvard University amidst a heavy anti-war sentiment.

    Over his long career, he studiously avoided joining any one school of poetry, preferring instead to freewheel from French surrealism to the avant-garde and back again—experimenting relentlessly and refusing to embrace straightforward dialectics. Whether drawing from musings on romantic love or propaganda from the Vietnam War, Knott’s quintessential poems are alive with sensory activity, abiding by the pulse and impulse of a pure, restless emotion. This provocative, playful sensibility has ensured that his poems have a rare and unmistakable immediacy, effortlessly crystalizing thought in all its moods and tenses.An essential contribution to American letters, I am Flying into Myself gathers a selection of Knott’s previous volumes of poetry, published between 1960 and 2004, as well as verse circulated online from 2005 until a few days before his death in 2014. His work—ranging from surrealistic wordplay to the anti-poem, sonnets, sestinas, and haikus—all convenes in this inventive and brilliant book, arranged by his friend the poet Thomas Lux, to showcase our American Rimbaud, one of the true poetic innovators of the last century.I Am Flying into Myself: Selected Poems, 1960-2014 celebrates one of poetry’s most determined outsiders, a vitally important American poet richly deserving of a wider audience.

    He conveys in the sweet simplicity of grounded language a sense of the self where it belongs, floating between heaven, earth, and underground.”—The Atlantic Monthly“W.S. Merwin is our strongest poet.”—The New York Times Review of BooksIn this new masterwork from one of America’s foremost poets, W.S. Merwin guides his readers to universal themes through worldly specifics. Akin to Neruda’s Elemental Odes, every poem in Present Company directly addresses the people and things of daily life, as in “To the Thief at the Airport” or “To Lingering Regrets.” To This May They know so much more now about the heart we are told but the world still seems to come one at a time one day one year one season and here it is spring once more with its birds nesting in the holes in the walls its morning finding the first time its light pretending not to move always beginning as it goesThese poems to the world are playful, deadly serious, and full of wonder. Whether writing of an unused vehicle in “To Zbigniew Herbert’s Bicycle” or watching fireworks from a distance in “To the Coming Winter,” Merwin’s poems create a rare and compelling intimacy. There is no one writing today like W.S. Merwin.Poet and translator W.S. Merwin has long been committed to artistic, political, and environmental causes in both word and deed. He has received nearly every major literary accolade, including the Pulitzer, Tanning, Lannan, and Bollingen prizes. His most recent award is the International Golden Wreath from the Struga Foundation, a longstanding literary honor that, in its 70-year history, has been offered to only three English-speaking poets. W.S. Merwin lives in Hawaii, where he cultivates endangered palms.

    When long-hidden secrets about the atrocities he committed in Vietnam come to light, a candidate for the U.S. Senate retreats with his wife to a lakeside cabin in northern Minnesota. Within days of their arrival, his wife mysteriously vanishes into the watery wilderness.

    Their mission: to find and engage an enemy battalion that was thought to be operating in an enemy-controlled area north of Quon Loi, Vietnam.   Now Donahue bears witness to the horrific events of that day and the exceptional grit and heroism of his teammates. Blackjack-34 is a magnificent tribute to the warriors of the Mobile Guerrilla Force―their courage and willingness to press on, no matter what the odds.

    In three tours of duty, he made combat jumps, spent months of fruitless effort looking for the enemy, watched as his budies died because of lousy leadership and lousy weapons. He saw the war as few others did, and lives to tell about the valor and sacrifice that outlived the dead.

    Cathy Goodwin, Top 500 Amazon Reviewer"I loved MRS. LIEUTENANT. Reading it brought back for me, a military wife, memories of the Vietnam War era, when so many of our young men were in uniform due to the draft, and memories of what it was like being in the sub-culture of the military as a new Army wife." --Mary Raynor"This book should be required reading for every contemporary military spouse, the families of our servicemen and women, and civilians who want to understand the lifestyle of our men and women in uniform. The military isn't just a job or career, it is a WAY OF LIFE that can't be fully understood by those who haven't lived it. Phyllis Zimbler Miller's MRS. LIEUTENANT makes it clear--this is a life she understands at the deepest level." --Bonnie Bartel Latino, co-author of "Your Gift to Me""Phyllis Zimbler Miller's MRS. LIEUTENANT is one of those stellar reads that keep you engaged from the first word to the last, and how long or how short the book is doesn't concern you at all. Keep a box of tissues handy, because you'll need it; I certainly did, and more than once." --George Polley, author of "Grandfather & the Raven"When newly married Sharon Gold suddenly finds herself in the unfamiliar culture of the U.S. Army during the unpopular Vietnam War, she realizes she must quickly adapt to this alien world. If she does not learn to "fit in," the consequences could have a severe impact on her husband.The women's friendship she unexpectedly experiences turns out to be her lifesaver.Don't have a Kindle? No problem. You can get a FREE Kindle app for your iPhone, iPad, Android, PC or Mac at budurl.com/freeKindleapp and in just minutes you can be reading MRS. LIEUTENANT.Scroll to the top of the page and click on the buy button now.

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    Spanning a period from Walt Whitman to Sherman Alexie, this collection is the first to review the twentieth century comprehensively. It presents not only the canonical poetry of the last hundred years but also numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. Uniquely comprehensive, Anthology of Modern American Poetry represents Robert Frost with 23 poems, Wallace Stevens with 22, and Marianne Moore with 14, including her most ambitious long poems. William Carlos Williams is represented not only by his exquisite short lyrics, but also with an experimental combination of poetry and prose. With 29 poems, Langston Hughes is given full treatment for the first time in any comprehensive anthology. Substantial selections by contemporary poets like John Ashbery, Sylvia Plath, Frank O'Hara, Philip Levine, Lucille Clifton, Judy Grahn, Adrian Louis, Yusef Komunyakaa, Martin Espada, and Sherman Alexie are also included. Anthology of Modern American Poetry is the first anthology to give full treatment to American long poems and poem sequences. T.S. Eliot's The Waste Land, Gertrude Stein's "Patriarchal Poetry," William Carlos Williams's The Descent of Winter, Edna St. Vincent Millay's "Sonnets from an Ungrafted Tree," Muriel Rukeyser's "The Book of the Dead," Melvin Tolson's Libretto for the Republic of Liberia, Theodore Roethke's "North American Sequence," Gwendolyn Brooks's "Gay Chaps at the Bar," Kenneth Rexroth's "The Love Poems of Marichiko," both Allen Ginsberg's "Howl" and his "Wichita Vortex Sutra," and both Adrienne Rich's "Shooting Script" and her "Twenty-One Love Poems" are all included in their entirety. Anthology of Modern American Poetry offers the most detailed annotations available in an anthology of this type. Many works benefit from specially commissioned research that provides students with such help as the identification of the inventive references in Melvin Tolson's poetry, translation of all foreign language passages, and illumination of obscure references. This is also the only American poetry anthology to present selected poems in the beautifully illustrated form in which they first appeared. In addition, an accompanying website featuring readings of poems and historical background is available at http: //www.english.uiuc.edu/maps. Ideal for courses in modern American poetry, modern American literature, modern or contemporary poetry, creative writing-poetry, and American studies, Anthology of Modern American Poetry introduces students to the last 100 years of our poetic heritage in a uniquely rich and provocative format."

    The battle went on, mostly in the dark, for hours. Exposed ammunition canisters were hit and blew up, causing a thunderous explosion inside the FSB that left dust so thick it jammed the hand-held weapons of the GIs. Much of the combat was hand-to-hand. In all, twenty-four Americans lost their lives and another fifty-four were wounded. Nearly one hundred enemy bodies were recovered. It was one of the most vicious small unit firefights in the history of U.S. forces in Vietnam.As in his acclaimed book Blackhorse Riders, a finalist for the prestigious Colby Award, Philip Keith uncovers a harrowing true story of bravery and sacrifice by the men who fought valiantly to hold FSB Illingworth-a tale never-before-told and one that will not be soon forgotten.

    Their stories span a decade of America’s involvement in Vietnam, from the earliest days of the conflict until the last U.S. helicopters left Saigon in 1975. They were gutsy risk-takers who saw firsthand what most Americans knew only from their morning newspapers or the evening news. Many had very particular reasons for going to Vietnam—some had to fight and plead to go—but others ended up there by accident. What happened to them was remarkable and important by any standard. Their lives became exciting beyond anything they had ever imagined, and the experience never left them. It was dangerous—one was wounded, and one was captured by the North Vietnamese—but the challenges they faced were uniquely rewarding.They lived at full tilt, making an impact on all the people around them, from the orphan children in the streets to their fellow journalists and photographers to the soldiers they met and lived with in the field. They experienced anguish and heartbreak—and an abundance of friendship and love. These stories not only introduce a remarkable group of individuals but give an entirely new perspective on the most controversial conflict in our history. Vietnam changed their lives forever. Here they tell about it with all the candor, commitment, and energy that characterized their courageous reporting during the war.From the Hardcover edition.

    Its poets mark the conflict in ways that are both intensely personal and as enduring as any monument. Their lines have come to express the feelings of a nation about the horrors and consequences of war.This new anthology provides a definitive record of the achievements of the Great War poets and offers a fresh assessment of the work on the centenary of the Great War's outbreak. Focusing on the poets themselves, the book is organized by writer, not theme or chronology. It offers generous selectionsfrom the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, and Rupert Brooke, whilst also incorporating less well-known writing by civilian and women poets. It also includes two previously unpublished poems by Ivor Gurney.A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context.Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.

    By July, the activities of the artillery and infantry of Ripcord had caught the attention of the NVA (North Vietnamese Army) and a long and deadly siege ensued. Ripcord was the Screaming Eagles’ last chance to do significant damage to the NVA in the A Shau Valley before the division was withdrawn from Vietnam and returned to the United States. At Ripcord, the enemy counterattacked with ferocity, using mortar and antiaircraft fire to inflict heavy causalities on the units operating there. The battle lasted four and a half months and exemplified the ultimate frustration of the Vietnam War: the inability of the American military to bring to bear its enormous resources to win on the battlefield. In the end, the 101st evacuated Ripcord, leaving the NVA in control of the battlefield. Contrary to the mantra “We won every battle but lost the war,” the United States was defeated at Ripcord. Now, at last, the full story of this terrible battle can be told.

    But since the end of the Vietnam War much of this vast transport network has been reclaimed by jungle, while remaining sections are littered with a deadly legacy of unexploded bombs. For Antonia, a veteran of ridiculous adventures in unfeasible vehicles, the chance to explore the Trail before it’s lost forever was a personal challenge she couldn’t ignore – yet it would sometimes be a terrifying journey.Setting out from Hanoi on an ageing Honda Cub, she spent the next two months riding 2,000 miles through the mountains and jungles of Vietnam, Laos and Cambodia. Battling in hospitable terrain and multiple breakdowns, her experiences ranged from the touching to the hilarious, meeting former American fighter pilots, tribal chiefs,illegal loggers and bomb disposal experts.The story of her brave journey is thrilling and poignant: a unique insight into a little known face of Southeast Asia.