Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    Instead of ascribing to the Communist Party's goal of "spiritual civilization", he shunned the heroic models common in Chinese literature. Playing for Thrills is the first book published in English from the man whom Newsweek calls "China's literary bad boy" and The Washington Post acclaims as "the irreverent voice of a disillusioned generation".With shades of Chandler and Kerouac, Playing for Thrills is a dark, disembodied, yet compelling story of an anti-hero's search for the truth about a mysterious murder. As the narrator drifts through the seamy underside of Beijing and its environs, he meets a handful of incredibly varied characters as jaded and enigmatic as himself.

    Beginning amid the decadent glamour of China in the 1930s and ending in the 1980s in Hong Kong, this brilliant novel, which formed the basis for the award-winning movie, is the passionate story of an opera student who falls in love with his best friend, and the beautiful woman who comes between them.

    Written in 1598 by Tang Xianzu, The Peony Pavilion is one of literature's most memorable love stories and a masterpiece of Ming drama. It's heroine, Bridal Du, is a cloistered girl who dreams of love, then dies pining for her dream suitor. Returning to earth in ghostly form, she is restored to life through the devotion of a young scholar. Cyril Birch has captured all the elegance, lyricism, and subtle, earthy humour of this panoramic tale of romance and Chinese society. When Indiana University Press first published the text in 1980, it seemed doubtful that the work would ever be performed in its entirety again, but several spectacular and controversial productions have toured the world in recent years. For this second edition, which contains a revised text of the translation, Cyril Birch and Catherine Swatek reflect upon contemporary performances of the play in light of a well-established tradition of stage interpretation in China and the sometimes heated politics of intercultural collaboration.

    In One Man's Bible, Gao gives us a profound meditation on a life marked by personal and political trauma. The nameless narrator of the novel -- which begins in contemporary Hong Kong -- is clearly Gao himself. In the intimate aftermath of a sexual encounter, Gao revisits the central moments of his life, traveling, in memory, to the Beijing of his childhood, a childhood scarred at the age of ten by his mother's accidental drowning. From emblematic moments like this, Gao's memory ranges across time and space, gradually illuminating the nature of life before, during, and after China's disastrous Cultural Revolution. Gao Xingjian is one of the most eloquent, authoritative voices of 20th-century China, and his personal, political, and aesthetic musings shine a light on a world that very few Westerners have ever truly understood. Ultimately, through his honesty and his artistry, Gao locates the common ground connecting us all in this memorable, universal novel about "the perplexities of being human." Bill Sheehan

    Now David Young, author of Black Lab, and well known as a translator of Chinese poets, gives us a sparkling new translation of Du Fu’s verse, arranged to give us a tour of the life, each “chapter” of poems preceded by an introductory paragraph that situates us in place, time, and circumstance. What emerges is a portrait of a modest yet great artist, an ordinary man moving and adjusting as he must in troubled times, while creating a startling, timeless body of work.Du Fu wrote poems that engaged his contemporaries and widened the path of the lyric poet. As his society—one of the world’s great civilizations—slipped from a golden age into chaos, he wrote of the uncertain course of empire, the misfortunes and pleasures of his own family, the hard lives of ordinary people, the changing seasons, and the lives of creatures who shared his environment. As the poet chases chickens around the yard, observes tear streaks on his wife’s cheek, or receives a gift of some shallots from a neighbor, Young’s rendering brings Du Fu’s voice naturally and elegantly to life.I sing what comes to mein ways both old and modernmy only audience right now—nearby bushes and treeselegant houses standin an elegant row, too manyif my heart turns to ashesthen that’s all right with me . . .from “Meandering River”

    Every book in the Mandarin Companion series is carefully written to use characters, words, and grammar that a learner is likely to know. Level 2 is intended for Chinese learners at a low intermediate level. Most learners who have been able to comfortably read Mandarin Companion Level 1 should be able to read this book. This series is designed to combine simplicity of characters with an easy-to-understand storyline that helps learners grow their vocabulary and language comprehension abilities. The more they read, the better they will become at reading and grasping the Chinese language. Great Expectations is hailed as Charles Dickens' masterpiece. A gripping tale of love and loss, aspiration and moral redemption, the story follows the young orphan Xiaomao (Pip) from poverty to a life of unexpected opportunity and wealth. In Part 1, Xiaomao (Pip) is raised by his short-tempered older sister and her husband who run a small repair shop in the outskirts of Shanghai. Xiaomao dreams of leaving his life of poverty behind after becoming playmates with the beautiful Bingbing (Estella), daughter of the eccentric Bai Xiaojie (Ms. Havisham). His prospects for the future are bleak, until one day a mysterious benefactor gives Xiaomao the opportunity of a lifetime.

    Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she's too busy for other relationships: her clients include some of the city's best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality.First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes--heirloom animals, radiation-proof combat drones, sinister surveillance technologies--into a sensitive portrait of one young woman's quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stands out for its queer and trans themes. The Membranes reveals the diversity and originality of contemporary speculative fiction in Chinese, exploring gender and sexuality, technological domination, and regimes of capital, all while applying an unflinching self-reflexivity to the reader's own role. Ari Larissa Heinrich's translation brings Chi's hybrid punk sensibility to all readers interested in books that test the limits of where speculative fiction can go.

    Shanghai Station is a compelling tale of political terror and personal vengeance that unfolds in 1918 in China's colorful, turbulent port city of Shanghai. Well-born Alexander Karlov arrives in Shanghai with a mission, for the Bolsheviks have brutally killed his mother and abducted his twin sister. Vengeance commands Alexander's soul. It also entangles him in perilous allianceswith the Cossack hit man Ivan Semyonov; with Mei-lan, a woman who knows Shanghai's darkest secrets; with "Big Ear," leader of the city's most powerful Triad; with the French police; and with a spirited young American woman who calls herself Jesse James."

    This early novel deals with the pain and dislocation of the clash of the old and new ways - the educated young man determined to go overseas, and the elders of the family believing his duty is to stay and head the family.

    Rudolfo Anaya returns to the deeply spiritual themes of his hugely popular Bless Me, Ultima with this insightful tale of a prophet and his message to save humankind from itself.

    A-qing, the adolescent hero, comes from an impoverished family. His father casts him out after learning that his son is gay. A-qing drifts into New Park, a gay hangout in Taipei, and begins his life as a hustler. He meets other boys living on the street, also forsaken by their families: Little Jade, who is constantly searching for his unknown father; Mousey, an orphan and petty thief; and Wu Min, a shy tender kid, who attempts suicide when discarded by a middle-aged man. These four boys become fast friends and are taken under the protection of Chief Yang, a fiftyish gay guru in the Park. The boys begin to build a family of their own. Meanwhile, A-qing meets Dragon Prince, whose passionate and faithful love for Phoenix Boy has become a legend of the Park...The second part of the novel deals with the Cozy Nest, a gay bar run by Chief Yang, where the boys and other homosexual exiles have found refuge. The bar is sponsored by Papa Fu, whose young soldier son had shot himself when his homosexuality was exposed.In Taiwan, the gay community is known as the buoliquan, literally "glass community," while the individuals are called "glass boys" or "Crystal Boys."Crystal Boys was first published in Taiwan and has since appeared in Hong Kong and in mainland China: two editions (Beijing and Harbin) were published in 1987. A film, Outcasts, based on the novel and directed by Yu Kan-Ping (1986) is currently available in the United States on video cassette (subtitled).

    On instinct, Kate offers Antigona a job as a nanny, and Antigona, equally shrewdly, accepts. Over the next five years and a thousand cups of coffee Antigona's extraordinary story slowly emerges. This book is the product of that friendship.

    A student of golf lore, Bobby Joe is well aware that only a small group of stars have ever won a major at his age or older, and among them are such immortals as Nicklaus, Boros, Irwin, and Trevino. It’s now or never for Bobby Joe, and excuse him for thinking that his chances are slim and none.So it’s off to the Masters, U.S. Open, British Open, and the rest of the PGA Tour for Bobby Joe, who’s leaving behind the prospect of a third ex-wife. On the golf courses he’ll face familiar competitors such as Knut Thorssun and Cheetah Farmer, but the rival who may loom the largest is the game’s newest child star, nineteen-year-old Scott Pritchard. His talents are the talk of the Tour—so is his arrogance—and so, by the way, is his stunning mom, Gwendolyn, a shapely adorable woman who captures Bobby Joe’s full attention and threatens not to let go. Long revered by his peers as one of the world’s best sportswriters, and beloved by readers for such classics as Semi-Tough and Dead Solid Perfect, Dan Jenkins is at the top of his form in Slim and None. It’s packed with authentic insider gems about each of the majors and hilarious sketches of many of the characters—touring pros, officials, media, agents, caddies, and ladies—who inhabit this outrageous and endearing world of sports.

    The poems cover a wide range of subjects: the conventional lament on the shortness of life, bitter complaints about poverty, avarice, and pride, accounts of the difficulty of official life under a bureaucratic system, attacks on the corrupt Buddhist clergy and the foolish attempts by Taoists to achieve immotal life, and incomparable descriptions of the natural world in a mountain retreat. These poems represent the largest number so far made available in English and are important both as vivid descriptions of the wild mountain scenery in Han-shan's home, Cold Mountain, and as metaphors of the poet's search for spiritual enlightenment and peace. -- Asian Affairs