One now roams the Spanish countryside, feeding on robbers and bandits, while the other hides in a cave on the slopes of Mt. Vesuvius, experimenting with his newfound powers. Neither has thought much about the other over the last eighteen years. But Baella, the ancient renegade, has plans for the pair, and her plans don’t involve letting the two live out their lives in relative peace. Through her treachery, they are reunited in Pompeii, but not even Baella can stop the coming cataclysm. Powerful forces are rising in the world of the Bachiyr, and Taras and Theron may find themselves caught up in something much bigger than they can imagine. That is, if either of them survive the mountain’s fiery anger.

    Each anthology in the Staying Alive trilogy has 500 poems to touch the heart, stir the mind and fire the spirit. These books have been enormously popular with readers, especially as gift books and bedside companions. The poems - by writers from many parts of the world - have emotional power, intellectual edge and playful wit. This new pocketbook selection of 100 essential poems from the trilogy is a Staying Alive travel companion (also available as an e-book). As well as selecting favourite poems from the trilogy - readers' and writers' choices as well as his own favourites - editor Neil Astley provides background notes on the poets and poems. This format makes it even more suitable as a gift book for all those people you're sure would love modern poetry if only they were familiar with these kinds of poems. These essential poems are all about being human, being alive and staying alive: about love and loss; fear and longing; hurt and wonder; war and death; grief and suffering; birth, growing up and family; time, ageing and mortality; memory, self and identity; faith, hope and belief; acceptance of inadequacy and making do - all of human life in a hundred highly individual, universal poems.

    The poem started out as a simple observation of the snow in moonlight, and turned into a poem with more to offer. I'm offering it free to my readers. I've had it on my blog, where it's gotten much response, and wanted to give everyone another way to access it.

    S. Merwin, Allen Ginsberg, and Lawrence Ferlinghetti. In work spanning 30 years (1955-1985), Parra, the pioneer of "antipoetry," remains fresh, bold, and inventive, deftly and humorously subverting convention. Editor David Unger brings together poems from Parra's groundbreaking collection Poemas y antipoemas, the witty aphorisms of Artefactos, and his original and uncompromising later work.

     Dark truths of his lustful past, revelations during his ongoing battle with heartbreak, and empowering words of wisdom leave readers with a renewed faith in a love they may have lost hope in finding. His signature way with words seasons all 178 pages of "I Still Want It" which will not only evoke a cocktail of emotions but leave the unforgettable and gratifying taste that Derrick is known for in his previous titles.

    She is surrounded by all the grandeur and respectability money can buy – but without the furnishings of affection.Robert Fitzbolton, a young aristocrat, is the companion of her lonely childhood, her comfort through family tragedy and the heartache of young love. But is the support of Robert’s friendship enough?Together they flee to Florence searching for freedom and fulfilment. Robert finds what he is seeking, but Jessica is a true Hawthorne and is drawn – inevitably – back to Melbury, to her destiny…. The Hawthorne’s Heritage is a compelling historical romance of betrayal, love, and friendship perfect for fans of Lily Graham and Natalie Meg Evans.

    We know much of poetry ever was and ever shall be elegiac. Jane Mead’s poem could be neither more literal nor nearer the verge of appearing a little too perfect for this world. As the laundry room floods and the grape harvest gets done; as Michoacan waits for another time, her beautiful, practical mother is dying. Ashes are scattered in the pecan groves of her own Rincon, her own corner of the world, and the poet, in elementary script, draws a sustaining record of the only feeling worth the struggle, and she cannot, will not, does not fuck it up." — C.D. WrightJane Mead's fifth collection candidly and openly explores the long process that is death. These resonant poems discover what it means to live, die, and come home again. We're drawn in by sorrow and grief, but also the joys of celebrating a long life and how simple it is to find laughter and light in the quietest and darkest of moments.…This year I have disappearedfrom the harvest routine—the pickers throwing their traysunder the vines, grape hooksflying, the heavy bunches flying—pickers running to the running tractorswith trays held high above their headsand the arc of dark fruit falling heavily into the half-ton bins.The hornets swarming in the diesel-filled air.Jane Mead is the author of four collections of poetry, most recently Money Money Money | Water Water Water (2014). Her poems appear regularly in journals and anthologies, and she's the recipient of a Guggenheim Foundation Fellowship, a Whiting Writers Award, and a Lannan Foundation Completion Grant. She teaches at the low-residency MFA program at Drew University and farms in Northern California.

    Whether he is wrestling with the mundane, history and its disasters, or sexual love, he can sound both classical and contemporary, with the modern austerity of Cavafy and Bishop. Often exploring the darker places of the heart, his sonnets do not lie down obediently, but spark with an honest self-awareness.Cole's lucid, empathetic poems--with lyrical beauty and ethical depth--seem to transmute the anxious perplexities of our time.

    His thoughts are calculating, yet his heart is loyal. But what does it take to win his heart? Zaire Karter is a complicated man. He lives by his own rules and makes no apologies. He’s the person who everyone turns to when they’ve run out of options, but when they can’t pay up, the consequences are deadly. There are two things about him that most learn quickly and never forget. When he loves, he loves hard, and if you cross him, vengeance is deadly. Shani Howard has a list of bad decisions a mile long. She has a good heart with terrible luck, and she finds herself indebted to the wrong people. What she learns is that there is always a way out, but it might put her in the path of someone who could totally change her world. The problem is, she can’t determine if that is a good thing or a bad thing. Zyan Karter has the world at her fingertips. Aside from being the outside child, she has the love of her father and her brother, who shower her with any and everything she wants. Unfortunately, money can’t buy love. The one thing her heart desires the most. How can life be so perfect and hollow at the same time? Finding the one who deserves her heart is challenging to say the least, but maybe, just maybe, she will finally find the right one. Durham Clayton is a man of principle. Having ruled the streets of Atlanta by dominating the drug market, he figures out that no matter how great the money was, that life would only lead him to jail or a pine box. Once he acquired the income to support his lifestyle, Durham retired, but he still owns the rights to control who works the blocks in his territory. Partnered with his best friend, Zaire, the two have an empire worth fighting for, but Durham is quickly learning that love might need to be on that list also. For now, it’s just a thought, but who knows how things will play out? Anything goes when you’re dealing with a Savage State of Mind, but is it a price worth paying when it comes down to life or death?

    The king of Zesia is ferocious and is after the blood of people suffering from mental illness. He wants his kingdom to be strong and thinks that such people are good for nothing. But there’s a reason why such people are aggrieved in his kingdom. A famous prophet has predicted a prophecy that the king of Zesia shall be dethroned by someone who could see things that others cannot. Will someone with a mind so fragile be able to avenge the mighty king of Zesia?

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    Right?! Machine Learning is a branch of computer science that wants to stop programming computers using a detailed list of commands to follow blindly. Instead, their aim is to implement high-level routines that teach computers how to approach new and unknown problems – these are called algorithms. In practice, they want to give computers the ability to Learn and to Adapt. We can use these algorithms to obtain insights, recognize patterns and make predictions from data, images, sounds or videos we have never seen before – or even knew existed. Unfortunately, the true power and applications of today’s Machine Learning Algorithms remain deeply misunderstood by most people. Through this book I want fix this confusion, I want to shed light on the most relevant Machine Learning Algorithms used in the industry. I will show you exactly how each algorithm works, why it works and when you should use it. Supervised Learning Algorithms K-Nearest Neighbour Naïve Bayes Regressions Unsupervised Learning Algorithms: Support Vector Machines Neural Networks Decision Trees

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    

    First, historian Jasper Willoughs, his closest friend, didn’t toss himself off a dormitory roof. Second, a Georgetown University secret society—a running joke on campus—has blood on its hands. Torres’s pursuit of the truth embroils him in a bizarre and thrilling scavenger hunt. The clues, scratched out on parchment by the mysterious Odd Fellows Society, lead Santi to risk everything he holds sacred: his job, his life, even the woman he secretly loves. As for his relationship with his God? Well, that’s complicated. A hold-your-breath thriller that explores our national obsession with race, The Odd Fellows Society will have you looking at the U.S. capital—and its monuments’ secrets—in a whole different shade of black and white.