Together they must untangle the threads of this ever-more-complicated case—and stay ahead of whoever’s trying to slash their progress. The old man’s failing memory adds urgency: wherever he is, he’s no doubt lost, confused, and in extreme danger.What started as a traffic stop gone wrong quickly unfolds into one of the darkest cases of Susan’s career, and it all leads to a sick, desperate killer. Susan and Liam must work fast to save the old man’s life and keep future victims from the killer’s grasp.

    And they're both thrilled when Maggie gets an unexpected chance to be a mother to Anna, the daughter she once thought she'd lost forever.But when seventeen-year-old Anna arrives, everything changes - and the darkest turn of events will shatter their lives in ways no one could have imagined.

    The body of her estranged twin sister, Angela—the possible victim of a serial killer—has been pulled from the Seine. Putting what’s left of her life on hold, Shayna heads to Paris. But while cleaning out Angela’s apartment, Shayna makes a startling discovery: a coded message meant for her alone… Alive. Trust no one. Taking the warning to heart, Shayna maintains the lie. She makes a positive ID on the remains and works to find out where—and why—her missing sister is hiding. Shayna retraces her sister’s footsteps, and they lead her down into Paris’s underbelly.As she gets closer to the truth—and to the killer—Shayna’s own life may now be in the balance…

    But she’s not the only one looking…It’s twenty years since Eva, a biracial woman, was adopted as an eight-year-old, and Cherry and Carlton ‘Sugar’ McNeil have always been the only parents she’s wanted or needed. But when she’s dealt the double blow of Cherry’s death and her own suspension from work, Eva decides it’s time to discover who she was before she was theirs.Against Sugar’s advice, Eva joins a DNA database, desperate for a match that will unlock her identity. And when a positive hit comes, she’s excited to learn there are relations out there who might hold the key. But the closer Eva gets to uncovering her past, the more it appears someone is trying to stop her finally finding the truth…As she continues to dig, Eva is drawn into a dark and merciless underside to society, where black women disappear without a word. Names erased from history, no search parties, no desperate pleas for their return. Once, someone tried to save Eva from all this. Someone wanted a better life for her. But now that she’s torn down the facade of her life, has she come too far to be spared again?

    Meg has been selflessly caring for Grace for years, and Grace—smiling and optimistic in spite of her many illnesses—adores her mother. So when Meg is found brutally bludgeoned in her bed and her daughter missing, the community is rocked. Meg had lived in terror of her abusive, unstable ex, convinced that he would return to try and kidnap Grace…as he had once before. Now it appears her fear was justified.Jon Katrin, a local journalist, knows he should avoid getting drawn back into this story. The article he wrote about Meg and Grace caused rifts within his marriage and the town. Perhaps if he can help find Grace, he can atone for previous lapses in judgment. The Nichols’ neighbor, Cara—contending with her own guilt over not being a better friend to Grace—becomes an unexpected ally. But in searching for Grace, Jon and Cara uncover anomalies that lead to more and more questions.Through multiple viewpoints and diary entries, the truth about Grace emerges, revealing a tragedy more twisted than anyone could have ever imagined…

    In this marriage of secrets and lies, nothing is what it seems.For days, all of Denver, Colorado, has worried over the fate of a missing child, little Tanner Holcomb. Then, a miracle: handsome, athletic Johnny Bradley finds him, frightened but unharmed, on a hiking trail miles from his wealthy family’s mountain home.In a heartbeat, his rescuer goes from financially strapped fitness trainer to celebrated hero. The heat of the spotlight may prove too much for Johnny’s picture-perfect family, however. His wife, Veronica, despises the pressure of the sudden fame, afraid that secrets and bitter resentments of her marriage may come to light. And she’s willing to do anything to keep them hidden.But when a shocking revelation exposes an even darker side to Tanner’s disappearance, Veronica realizes that nothing in her life can be trusted. And everything should be feared.

    Their daughter, Anna, has struggled to come to terms with their loss ever since.Now with a young baby of her own, Anna misses her mother more than ever and starts to question her parents’ deaths. But by digging up their past, she’ll put her future in danger. Sometimes it’s safer to let things lie…The stunning, twisty new psychological thriller from number one bestseller Clare Mackintosh, author of I Let You Go and I See You.

    But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant - and it does.JaneAfter a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street, she is instantly drawn to the space - and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror as the girl before.

    She thought that was the worst thing that could happen to her, but soon she realizes it’s just the beginning of an everlasting nightmare. Lexy:Lexy, an au pair from London, moves to Seattle to help Lorraine with her infant son. But she didn’t come for the child…she came for something else. Ella:When Ella receives a call from her sister, Lorraine, who begs her to leave San Diego to spend time with her, she decides to take a few days off from work to visit her. Frightened to see how much Lorraine has weakened since her diagnosis eight months ago, she packs a bag and heads to Seattle with a foreboding feeling that this might be the last time she sees Lorraine. But on her way to the airport, she learns that something shocking has happened since she last spoke with Lorraine and now. To make matters worse, once Ella arrives in Seattle, Lorraine’s story keeps changing, making Ella question how reliable her sister really is. Soon Ella is entangled in a mysterious investigation, and more so, in the lives of everyone involved. She realizes not only that she won’t go home anytime soon but also that she’ll never look at others the same way she did before.

    For sophisticated booklover Julia Kydd, life’s too short for politics. With her cropped hair and penchant for independent living, Julia wants only to launch her own new private press. But as a woman, Julia must fight for what’s hers—including the inheritance her estranged half brother, Philip, has challenged, putting her aspirations in jeopardy.When her friend’s sister, Naomi Rankin, dies suddenly of an apparent suicide, Julia is shocked at the wealthy family’s indifference toward the ardent suffragist’s death. Naomi chose poverty and hardship over a submissive marriage and a husband’s control of her money. Now, her death suggests the struggle was more than she could bear.Julia, however, is skeptical. Doubtful of her suspicions, Philip proposes a glib wager: if Julia can prove Naomi was in fact murdered, he’ll drop his claims to her wealth. Julia soon discovers Naomi’s life was as turbulent and enigmatic as her death. And as she gets closer to the truth, Julia sees there’s much more at stake than her inheritance…

    But when it comes to murder, Officer Susan Marlan never trusts a simple explanation, so she's just getting started.Meanwhile, college professor Eric Evans hallucinates a young boy in overalls: a symptom of his schizophrenia - or so he thinks. But when more bodies turn up, Eric has more visions, and they mirror details of the murder case. As the investigation continues, the police stick with their original conclusion, but Susan's instincts tell her something is off. The higher-ups keep stonewalling her, and the FBI's closing in.Desperate for answers, Susan goes rogue and turns to Eric for help. Together they take an unorthodox approach to the case as the evidence keeps getting stranger. With Eric's hallucinations intensifying and the body count rising, can the pair separate truth from illusion long enough to catch a monster?

    At The Seattle Mirror, he is competing for the single full-time job being offered through the paper's intense intern program. But unlike the program's other young reporters, who attended big name schools and worked at other big metro dailies, Wade put himself through community college, and lacked the same experience. Wade struggles with his haunting past as he pursues the story of Karen Harding, a college student whose car was found abandoned on a lonely stretch of highway in the Pacific Northwest. How could this beloved young woman with the altruistic nature simply vanish? Wade battles mounting odds and cut-throat competition to unearth the truth behind Karen Harding's disturbing case. Her disappearance is a story he cannot give up, never realizing the toll it could exact from him. The Dying Hour is a bone-chilling, mesmerizing page-turner that introduces readers to an all-too-human young hero who journeys into the darkest regions of the human heart to confront a nightmare. The International Thriller Writers (ITW), selected The Dying Hour as a finalist for a Thriller Award for Best Paperback Original, 2006. Rick Mofina is a former journalist who has interviewed murderers on death row, flown over L.A. with the LAPD and patrolled with the Royal Canadian Mounted Police near the Arctic. He's also reported from the Caribbean, Africa and Kuwait's border with Iraq. His books have been published in nearly 30 countries, including an illegal translation produced in Iran. His work has been praised by James Patterson, Dean Koontz, Michael Connelly, Lee Child, Tess Gerritsen, Jeffery Deaver, Sandra Brown, James Rollins, Brad Thor, Nick Stone, David Morrell, Allison Brennan, Heather Graham, Linwood Barclay, Peter Robinson, Håkan Nesser and Kay Hooper. The Crime Writers of Canada, The International Thriller Writers and The Private Eye Writers of America have listed his titles among the best in crime fiction. As a two-time winner of Canada's Arthur Ellis Award, a three-time Thriller Award finalist and a two-time Shamus Award finalist, the Library Journal calls him, “One of the best thriller writers in the business."

    Except one person. Someone who knows Aimee very well—and what she’s done. . .When Aimee comes home and discovers her husband is missing, she doesn’t seem to know what to do or how to act. The police think she’s hiding something and they’re right, she is—but perhaps not what they thought. Aimee has a secret she’s never shared, and yet, she suspects that someone knows. As she struggles to keep her career and sanity intact, her past comes back to haunt her in ways more dangerous than she could have ever imagined.

    At twenty-one, she’s married to charming, handsome Paul, and has just given birth to a baby boy. But one phone call changes her life forever.When Paul’s niece, Ruby, reports that her father, Henry, has committed suicide, and that her mother, Silja, is missing, Angie and Paul drop everything and fly to the small upstate town of Stonekill, New York to be by Ruby’s side.Angie thinks they’re coming to the rescue of Paul’s grief-stricken young niece, but Ruby is a composed and enigmatic seventeen-year-old who resists Angie’s attempts to nurture her. As Angie learns more about the complicated Glass family, staying in Henry and Silja’s eerie and ultra-modern house on the edge of the woods, she begins to question the very fabric of her own marriage.Through Silja’s flashbacks, Angie’s discovery of astonishing truths, and Ruby’s strategic dissection of her parents’ state of affairs, a story of love, secrets, and ultimate betrayal is revealed.

    . .   The truth is easy to miss, even when it’s right in front of us. As a forensic reconstructionist, Rory Moore sheds light on cold-case homicides by piecing together crime scene details others fail to see. Cleaning out her late father’s law office a week after his burial, she receives a call that plunges her into a decades-old case come to life once more. In the summer of 1979, five Chicago women went missing. The predator, nicknamed The Thief, left no bodies and no clues behind—until police received a package from a mysterious woman named Angela Mitchell, whose unorthodox investigation skills appear to have led to his identity. But before police could question her, Angela disappeared. Forty years later, The Thief is about to be paroled for Angela’s murder—the only crime the DA could pin on him. As a former client of her father’s, Rory becomes reluctantly involved with the killer—though he continues to insist he didn’t murder Angela. Now he wants Rory to do what her father once promised: prove that Angela is, in fact, still alive. As Rory begins reconstructing Angela’s last days, another killer emerges from the shadows, replicating those long-ago murders. With every startling discovery she makes, Rory becomes more deeply entangled in the enigma of Angela Mitchell—and in The Thief’s tormented mind. Drawing connections between past and present is the only way to stop the nightmare, but even Rory can’t be prepared for the full, terrifying truth that is emerging . . .