In this tantalizing new novel, Christie’s mysterious ten-day disappearance serves as the starting point for a gripping novel, in which Christie herself is pulled into a case of blackmail and murder.“I wouldn’t scream if I were you. Unless you want the whole world to learn about your husband and his mistress.”Agatha Christie, in London to visit her literary agent, is boarding a train, preoccupied with the devastating knowledge that her husband is having an affair. She feels a light touch on her back, causing her to lose her balance, then a sense of someone pulling her to safety from the rush of the incoming train. So begins a terrifying sequence of events—for her rescuer is no guardian angel, rather he is a blackmailer of the most insidious, manipulative kind.“You, Mrs. Christie, are going to commit a murder. But, before then, you are going to disappear.”Writing about murder is a far cry from committing a crime, and Agatha must use every ounce of her cleverness and resourcefulness to thwart an adversary determined to exploit her expertise and knowledge about the act of murder to kill on his behalf.In A Talent for Murder, Andrew Wilson ingeniously explores Agatha Christie’s odd ten-day disappearance in 1926 and weaves an utterly compelling and convincing story around this still unsolved mystery involving the world’s bestselling novelist.

    Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.

    Actress Lizzie Dixie drowned in the River Thames, so how was she murdered five years later in Highgate Cemetery?Intrepid Fleet Street reporter Penny Green was a friend of Lizzie’s and Scotland Yard needs her help. Does Penny unwittingly hold clues to Lizzie’s mysterious death? Penny must work with Inspector James Blakely to investigate the worlds of theatre, showmen and politicians in search of the truth.But who is following her? And who is sending her threatening letters?Penny is about to discover that Lizzie’s life was more complicated, and dangerous, than she could ever have imagined.If you like a murder mystery then you'll love this atmospheric Victorian mystery by Emily Organ.

    . . In the winter of 1835, young Charles Dickens is a journalist on the rise at the Evening Chronicle. Invited to dinner at the estate of the newspaper's co-editor, Charles is smitten with his boss's daughter, vivacious nineteen-year-old Kate Hogarth. They are having the best of times when a scream shatters the pleasant evening. Charles, Kate, and her father rush to the neighbors' home, where Miss Christiana Lugoson lies unconscious on the floor. By morning, the poor young woman will be dead.When Charles hears from a colleague of a very similar mysterious death a year ago to the date, also a young woman, he begins to suspect poisoning and feels compelled to investigate. The lovely Kate offers to help--using her social position to gain access to the members of the upper crust, now suspects in a murder. If Charles can find justice for the victims, it will be a far, far better thing than he has ever done. But with a twist or two in this most peculiar case, he and Kate may be in for the worst of times . . .

    They're grieving a terrible tragedy of their own and the beautiful baby fills them with hope, lighting up the house's dark, dusty corners. Desperate not to lose her to the authorities, they keep her secret, suspended in a blissful summer world where normal rules of behaviour - and the law - don't seem to apply.But within days a body will lie dead in the grounds. And their dreams of a perfect family will shatter like glass.Years later, the truth will need to be put back together again, piece by piece . . .From the author of Black Rabbit Hall, The Glass House is a emotional, thrilling book about family secrets and belonging - and how we find ourselves when we are most lost.

    And once she returns to her grandfather’s estate, a bit banged up but alive, she begins to realize that her injury might not have been an accident. One of her family’s employees is missing, and he disappeared on the very same day she landed in the hospital.Desperate to figure out what happened, she befriends Euan McEwen, the Scottish Traveller boy who found her when she was injured, and his standoffish sister, Ellen. As Julie grows closer to this family, she experiences some of the prejudices they’ve grown used to firsthand, a stark contrast to her own upbringing, and finds herself exploring thrilling new experiences that have nothing to do with a missing-person investigation.Her memory of that day returns to her in pieces, and when a body is discovered, her new friends are caught in the crosshairs of long-held biases about Travellers. Julie must get to the bottom of the mystery in order to keep them from being framed for the crime.

    The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.To Frances' surprise, Cara and Peter are keen to get to know her. It is the first occasion she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes until the ash piles up on the crumbling furniture. Frances is dazzled.But as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up, and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence, a small crime brings on a bigger one: a crime so terrible that it will brand their lives forever.

    A spate of violent deaths – the details too foul to print – has horrified the capital and the smog-bound streets are deserted. But Rachel Savernake – the enigmatic daughter of a notorious hanging judge – is no ordinary woman. To Scotland Yard’s embarrassment, she solved the Chorus Girl Murder, and now she’s on the trail of another killer.Jacob Flint, a young newspaperman temporarily manning The Clarion’s crime desk, is looking for the scoop that will make his name. He’s certain there is more to the Miss Savernake’s amateur sleuthing than meets the eye. He’s not the only one. His predecessor on the crime desk was of a similar mind – not that Mr Betts is ever expected to regain consciousness after that unfortunate accident...Flint’s pursuit of Rachel Savernake will draw him ever-deeper into a labyrinth of deception and corruption. Murder-by-murder, he’ll be swept ever-closer to its dark heart – to that ancient place of execution, where it all began and where it will finally end: Gallows Court.

    Bernhard Gunther, a hard-boiled Berlin detective who specializes in tracking down missing persons — mostly Jews. He is summoned by a wealthy industrialist to find the murderer of his daughter and son-in-law, killed during the robbery of a priceless diamond necklace. Gunther quickly is catapulted into a major political scandal involving Hitler's two main henchmen, Goering and Himmler. The search for clues takes Gunther to morgues overflowing with Nazi victims; raucous nightclubs; the Olympic games where Jesse Owens tramples the theory of Aryan racial superiority; the boudoir of a famous actress; and finally to the Dachau concentration camp. Fights with Gestapo agents, shoot-outs with adulterers, run-ins with a variety of criminals, and dead bodies in unexpected places keep readers guessing to the very end. Hard-hitting, fast-paced, and richly detailed, March Violets is noir writing at its blackest and best.

    But once he's met the enigmatic Simone, Harry is intrigued. Just what did happen to Simone's twin sister who disappeared without trace several years before? And what is the Anderson sisters' connection to another set of twin girls, Viola and Sorrel Quinton, born in London on 1st January 1900? All Harry's lines of enquiry seem to lead to the small Shropshire village of Weston Fferna and the imposing ruin of Mortmain House, standing grim and forbidding on the Welsh borders. As Harry delves into the violent and terrible history of Mortmain, in an attempt to uncover what happened to Simone and Sonia and, a century before them, to Viola and Sorrel Quinton, he finds himself drawn into a number of interlocking mysteries, each one more puzzling -- and sinister -- than the last.

    IN THE TRADITION OF TRUE CRIME narratives such as In Cold Blood, acclaimed author Jack Todd’s new novel grips the reader from the first page; and as it spans continents and generations of one family, its taut and shocking undercurrent of violence builds to a stunning crescendo. Todd’s first novel, Sun Going Down, which introduced the Paint family, won praise from reviewers and major authors such as Michael Korda and Michael Blake. His second novel, Come Again No More, recounted the Paints’ saga of triumph and tragedy through the Great Depression, inspiring the Ottawa Citizen to label Todd “a first-rate novelist with a tender heart.” Rain Falls Like Mercy opens with the murder investigation of a young girl in Wyoming in mid- 1941. Tom Call, the young sheriff running the investigation, falls in love with Juanita, the wife of Eli Paint, whose son Leo and grandson Bobby Watson are on duty with the U.S. Navy. Almost overnight, the case is derailed by the Japanese attack on Pearl Harbor, disrupting the lives of all involved. Bobby mans an antiaircraft gun during the attack. Tom joins the U.S. Air Force and is deployed to England to fly bombers, still trying to pursue his murder investigation. His suspicion falls on Pardo Bury, the psychotic son of a wealthy rancher in Wyoming. As Pardo and Tom make their ways to their inevitable and shattering confrontation, Rain Falls Like Mercy displays Todd’s uncanny ability to zero in on his characters’ emotional lives while simultaneously painting a sweeping picture of the historical events that shape their destinies.

    An immediate impediment arises when she becomes involved in a murder investigation. Helping solve the crime is crucial, but Bella must work with Constable Jackson Hastings. Once part of her life, Jax turned his back on Bella after her brother, his best friend, died in the trenches. His cold attitude hasn’t softened, but she can’t let that stop her. Both her hometown and family resort, once popular tourist destinations, may not survive if the crime isn’t solved quickly.Jax, a war veteran, faces his own challenges. Wounded in body and spirit, his dreams shattered, he finds himself doing what he said he’d never do—follow in his father’s footsteps as constable. When a wave of crimes hit the town, culminating in murder, his competence is questioned. In a struggle to find the killer and save his job, Jax needs all the help he can get—but he doesn’t want assistance from Bella. Not when he feels responsible for her brother’s death. But more is at stake than his job. He can’t stand by and let Moreley become a ghost town. Nor can he watch while Bella loses Ballantyne.Working together is the only way to solve the crime and offer hope—to their community and for themselves. Will their efforts succeed, or will it be a precarious homecoming?

    For over four hundred years the Crown jewels of England have been held safely in the Tower of London, yet in the coming days they are removed, never to be seen in public again. Government receipts confirm the jewels have been sold and melted down for mint value.Only one man knows the truth...Present day: In the heart of London, a famous art gallery is robbed in the dead of night. Two paintings are taken: a newly purchased £10million self-portrait of a famous 17th-century artist and a portrait of a Roundhead soldier of moderate fame. For gallery director Gillian McKevitt, news of the theft is an absolute nightmare. Aside from the theft occurring less than two days before the self-portrait's unveiling, CCTV footage suggests the theft was an inside job.As the news sinks in, a surprise revelation from Gillian's predecessor confirms she is dealing with no ordinary theft. One of the portraits contains an unimaginable secret, one with the potential to reveal the whereabouts of a long-lost treasure. With time running out before the grand unveiling, Gillian realises she has no choice but to take matters into her own hands. Following the clues revealed by earlier x-ray and infrared examination of the painting, Gillian finds herself in a frantic, and dangerous, race across England and through history as she attempts to track down the thieves before they reach their goal. To succeed, she must not only uncover their identity, but also unearth one of England's best-kept secrets...

     Moving through streets where people line up at soup kitchens, Maggie draws information from sources others overlook: The waitress at the dime store lunch counter where she has breakfast; a ragged newsboy; the other career girls at her rooming house. Her digging gets her chloroformed and left in a ditch behind the wheel of her DeSoto. She makes her way to an upscale bordello and gets tea – and information – from the madam herself. A gunman puts a bullet through Maggie’s hat. Her shutterbug pal on the evening paper warns her off. A new cop whose presence unsettles her thinks she’s crooked. Before she finds all the answers she needs, she faces a half-crazed man with a gun, and a far more lethal point-blank killer. If you like Robert B. Parker's hard boiled Spencer series and strong women sleuths, don't miss this one-of-a-kind Ohio detective from a time in United States history when dames wore hats -- but seldom a Smith & Wesson.

    Two young girls tell such a fanciful story of his disappearance that no one believes them. The local newspaper staff—including Joanne Ross, the part-time typist embroiled in an abusive marriage, and her boss, a seasoned journalist determined to revamp the paper—set out to uncover and investigate the crime. Suspicion falls on several townspeople, all of whom profess their innocence. Alongside these characters are the people of the town and neighboring glens; a refugee Polish sailor; an Italian family whose cafÉ boasts the first known cappuccino machine in the north of Scotland; and a corrupt town clerk subverting the planning laws to line his own pocket.Together, these very different Scots harbor deep and troubling secrets underneath their polished and respectable veneers—revelations that may prevent the crime from being solved and may keep the town firmly in the clutches of its shadowy past.