Within just days, the peaceful childhood she had known would disappear forever.Krysia tells the story of one Polish girl's harrowing experiences during World War II as her beloved father was forced into hiding, a Soviet soldier's family took over her house, and finally as she and her mother and brother were forced at gunpoint from their once happy home and deported to a remote Soviet work farm in Kazakhstan.Through vivid and stirring recollections Mihulka details their deplorable conditions—often near freezing in their barrack buried under mounds of snow, enduring starvation and illness, and witnessing death. But she also recalls moments of hope and tenderness as she, her mother, her brother, and other deportees drew close together, helped one another, and even held small celebrations in captivity. Throughout, the strength, courage, and kindness of Krysia's mother, Zofia, saw them through until they finally found freedom.

    The Nobel laureate shares his thoughts on poetry's special ability to rectify spiritual balance as a counterweight to hostile and oppressive forces, in a collection of ten lectures on the work of such diverse poets as Christopher Marlowe, John Clare, Oscar Wilde, and Elizabeth Bishop.

    The question no one seems to be able to answer is: what can the West do about it?Central and Eastern European states, however, have been aware of the threat for years. Nina Jankowicz has advised these governments on the front lines of the information war. The lessons she learnt from that fight, and from her attempts to get US congress to act, make for essential reading.How to Lose the Information War takes the reader on a journey through five Western governments' responses to Russian information warfare tactics - all of which have failed. She journeys into the campaigns the Russian operatives run, and shows how we can better understand the motivations behind these attacks and how to beat them. Above all, this book shows what is at stake: the future of civil discourse and democracy, and the value of truth itself.

    It is a work of history on a grand scale, at once sweeping and detailed, closely reasoned and passionately argued, that succeeds in painting an unforgettable picture--alive with conspirators and philosophers, utopians and nihilists--of the making of the modern world.

    This dazzling panorama of thought, language and form includes work by authors who are already well known to the English-speaking world (Bulgakov, Pasternak, Akhmatova, Mayakovsky), as well as others, whose work we have the pleasure of encountering here for the very first time in English. Edited by Boris Dralyuk, the acclaimed translator of Isaac Babel'sRed Cavalry(also published by Pushkin Press), 1917includes works by some of the best Russian writers - some already famous in the English-speaking world, some published here for the very first time. It is an anthology for everyone: those who are coming to Russian literature for the first time, those who are already experienced students of it, and those who simply want to know how it felt to live through this extreme period in history. POETRY: Marina Tsvetaeva, 'You stepped from a stately cathedral ', 'Night. - Northeaster. - Roar of soldiers. - Roar of waves.' Zinaida Gippius, 'Now', 'What have we done to it?', '14 December 1917' Osip Mandelstam, 'In public and behind closed doors' Osip Mandelstam, 'Let's praise, O brothers, liberty's dim light' Anna Akhmatova, 'When the nation, suicidal' Boris Pasternak, 'Spring Rain' Mikhail Kuzmin, 'Russian Revolution' Sergey Esenin, 'Wake me tomorrow at break of day' Mikhail Gerasimov, 'I forged my iron flowers' Vladimir Kirillov, 'We' Aleksey Kraysky, 'Decrees' Andrey Bely, 'Russia' Alexander Blok, 'The Twelve' Titsian Tabidze, 'Petersburg' Pavlo Tychyna, 'Golden Humming' Vladimir Mayakovsky, 'Revolution: A Poem-Chronicle', 'To Russia', 'Our March' PROSE Alexander Kuprin, 'Sashka and Yashka' Valentin Kataev, 'The Drum' Aleksandr Serafimovich, 'How He Died' Dovid Bergelson, 'Pictures of the Revolution' Teffi, 'A Few Words About Lenin', 'The Guillotine' Vasily Rozanov, from 'Apocalypse of Our Time' Aleksey Remizov, 'The Lay of the Ruin of Rus'' Yefim Zozulya, 'The Dictator: A Story of Ak and Humanity' Yevgeny Zamyatin, 'The Dragon' Aleksandr Grin, 'Uprising' Mikhail Prishvin, 'Blue Banner' Mikhail Zoshchenko, 'A Wonderful Audacity' Mikhail Bulgakov, 'Future Prospects'"

    She presents here a collection of essays that explore life in various Eastern European countries since the fall of communism. As a citizen of Croatia (formerly part of Yugoslavia) living now in Vienna with her Swedish husband, she writes knowingly as a survivor of a communist regime, as one who realizes that pitfalls still lie ahead for nations emerging from the Soviet yoke. In Albania, she observes rage everywhere in people who seem to want to smash all vestiges of the Hoxha regime. In Romania, she comments on the execrable state in which public toilets are maintained: "[T]he standard of Romanian toilets reflects the nature of the communist system of which it is a legacy"; "the absence of any improvement is... a warning for the future of democracy" there. Drakulic's pungent and insightful ruminations not only describe life in her part of the world?she makes us feel it as well.--Publishers Weekly

    This classic by an associate of Yugoslavia's Tito created a sensation when it was published in 1957 because it was the first time that a ranking Communist had publicly analyzed his disillusionment with the system.

    From the siege of Parliament to the farcically tilted elections of 1996, from the rubble of Grozny to the grandiose wealth and naked corruption of today's Moscow, Remnick chronicles a society so racked by change that its citizens must daily ask themselves who they are, where they belong, and what they believe in. Remnick composes this panorama out of dozens of finely realized individual portraits. Here is Mikhail Gorbachev, his head still swimming from his plunge from reverence to ridicule. Here is Vladimir Zhirinovsky, the half-Jewish anti-Semite who conducts politics as loony performance art. And here is Boris Yeltsin, the tottering populist who is not above stealing elections. In Resurrection, they become the players in a drama so vast and moving that it deserves comparison with the best reportage of George Orwell and Michael Herr."This is what happens when a good writer unleashes eye and ear on a story that moves with the speed of light. Resurrection has the feel of describing vast, historical change even as it is happening."--Chicago Tribune

    In one of modern history’s most miraculous occurrences, communism imploded–and not with a bang, but with a whimper. Now two of the foremost scholars of East European and Soviet affairs, Stephen Kotkin and Jan T. Gross, drawing upon two decades of reflection, revisit this crash. In a crisp, concise, unsentimental narrative, they employ three case studies–East Germany, Romania, and Poland–to illuminate what led Communist regimes to surrender, or to be swept away in political bank runs. This is less a story of dissidents, so-called civil society, than of the bankruptcy of a ruling class–communism’s establishment, or “uncivil society.” The Communists borrowed from the West like drunken sailors to buy mass consumer goods, then were unable to pay back the hard-currency debts and so borrowed even more. In Eastern Europe, communism came to resemble a Ponzi scheme, one whose implosion carries enduring lessons. From East Germany’s pseudotechnocracy to Romania’s megalomaniacal dystopia, from Communist Poland’s cult of Mary to the Kremlin’s surprise restraint, Kotkin and Gross pull back the curtain on the fraud and decadence that cashiered the would-be alternative to the market and democracy, an outcome that opened up to a deeper global integration that has proved destabilizing.

    In a period of almost continuous upheaval, society was transformed by two world wars, the Russian Revolution, the Holocaust, and the rise and fall of the Third Reich. Combining a powerful narrative with profound analysis, acclaimed historian Robert Gellately argues that these tragedies are inextricably linked and that to consider them as discrete events is to misunderstand their genesis and character. Central to the catastrophe, of course, were Lenin, Stalin, and Hitler, and this book makes use of recently opened Russian and German sources to explain how these dictatorsâ�� pursuit of utopianâ��and dreadfully flawedâ��ideals led only to dystopian nightmare. In a groundbreaking work, Gellately makes clear that most comparative studies of the Soviet and Nazi dictatorships are undermined by neglecting the key importance of Lenin in the unfolding drama. Rejecting the myth of the â��goodâ�� Lenin, the book provides a convincing social-historical account of all three dictatorships and carefully documents their similarities and differences. It traces the escalation of conflicts between Communism and Nazism, and particularly of the role of Hitlerâ��s anathema against what he called â��Jewish Bolshevism.â�� The book shows how the vicious rivalry between Stalin and Hitler led inescapably to a war of annihilation and genocide. The reverberations of this gargantuan struggle are felt everywhere to this day.

    "There is no doubt that from the very beginning of their occupation the Nazis were intent on destroying Poland as a nation, and in his absorbing account of wartime Poland, Richard Lucas outlines the variety of means that they employed for the purpose." --The New York Review of Books "A superior work." --Library Journal "An eloquent, gripping account." --Publisher's Weekly "Lukas tells the story with an outrage properly contained within the framework of a scholarly narrative." --Washington Post

    An essay in poetic and philosophic criticism that bears mainly on the Russian masters, Tolstoy or Dostoevsky deals also with larger themes: the epic tradition extending from Homer to Tolstoy; the continuity of a "tragic world view" from Oedipus Rex to King Lear and The Brothers Karamazov; the contrasts between the epic and dramatic modes, between irreconcilably opposed views of God and of history."A must for the teacher, student, and intellectually serious reader."—Kirkus Reviews"This is a book that provides new and stimulating insight into the literary masterpieces and thought of the great Russian novelists. Moreover, in this work Steiner shows a great depth and breadth of literary knowledge and criticism that is not limited alone to the Russian writers under discussion but to writers of all genres and all literary periods."—Journal of Religion"His is a work of personal criticism, often ingenious, always deeply felt."—The New York Times"Brilliant, provocative, full of insights, this classic study still stands alone and unchallenged in modern criticism as a lucid and erudite study of the contrasting genius of Tolstoy and Dostoevsky. Steiner's book is a must for the student, scholar, or general reader who wishes to approach the Russian giants in their full literary and philosophical ambience."—Robert L. Jackson

    Reflections on my life --On the structural analysis of science fiction --Science fiction : a hopeless case --with exceptions --Philip K. Dick : a visionary among the Charlatans --The time-travel story and related matters of science-fiction structuring --Metafantasia : the possibilities of science fiction --Cosmology and science fiction --Todorov's fantastic theory of literature --Unitas oppositorum : the prose of Jorge Luis Borges --About the Strugatsky's Roadside picnic

    Here, over more than a thousand years, the history and destiny of Russia have unfolded. In a sweeping narrative, one of the English-speaking world's leading historians of Russia follows this story from the first emergence of the Slavs in the historical record in the sixth century C.E. to the Russians' persistent appearances in today's headlines. Hosking's is a monumental story of competing legacies, of an enormous power uneasily balanced between the ideas and realities of Asian empire, European culture, and Byzantine religion; of a constantly shifting identity, from Kievan Rus to Muscovy to Russian Empire to Soviet Union to Russian Federation, and of Tsars and leaders struggling to articulate that identity over the centuries.With particular attention to non-Russian regions and ethnic groups and to Russia's relations with neighboring polities, Hosking lays out the links between political, economic, social, and cultural phenomena that have made Russia what it is--a world at once familiar and mysterious to Western observers. In a clear and engaging style, he conducts us through the Mongol invasions, the rise of autocracy, the reigns of Ivan the Terrible and Peter the Great, the battle against Napoleon, the emancipation of the serfs, the Crimean War, the Bolshevik Revolution, Stalin's reign of terror, the two World Wars, the end of the USSR, to today's war against Chechnya. Hosking's history is shot through with the understanding that becoming an empire has prevented Russia from becoming a nation and has perpetuated archaic personal forms of power. This book is the most penetrating and comprehensive account yet of what such a legacy has meant--to Russia, and to the world.

    Using a wealth of new material, Moynahan tells the story of the cruelties inflicted by Stalin and Hitler on a city of exquisite beauty and rich cultural history, and the symphony that inspired its survival.