Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, " The Original Folk and Fairy Tales of the Brothers Grimm" makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezso.From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.A delight to read, "The Original Folk and Fairy Tales of the Brothers Grimm" presents these peerless stories to a whole new generation of readers."

    The forms they take, and the means by which they appear in the physical world, are cataloged. How they correspond to actual phenomena, such as death and pestilence, is likewise noted. Conway draws upon various writings within the Biblical scriptures, together with later works published in the Middle Ages and subsequent centuries, to arrive at his own comprehensive treatment of the subject. The second volume of the work concerns devils. Various figures such as Ahriman and Viswámitra receive chapters, in which the writings about them are quoted to form a complete image of their behavior and meanings. Appearances of devils in later works, such as the diabolical Mephistopheles in Goethe's Faust, are also cataloged. The overarching aim of Conway's thesis is to draw parallels between the various demonic and devilish phenomena, while noting their overall influence across the history of Christianity. The text is informative in tone and does not stray to dogmatism; Conway instead provides sourced information in a factual, studied tone. For his part, Conway was not a believer in the lore of demons. Although he served variously as a Methodist, Unitarian and Freethought minister in life, he had little time for the supernatural elements of Christianity. It is thus that Demonology and Devil-lore is an effort toward debunking and discounting what Conway viewed as the fantastical elements of a faith he otherwise identified with spiritually and morally. Today, Demonology and Devil-lore is somewhat archaic in terms of tone owing to its age. However, it still counts among the most thorough, in-depth and wide-ranging treatments of a subject which has fascinated religious and non-religious persons alike for centuries.

    It may have numerous typos or missing text. However, purchasers can download a free scanned copy of the original rare book from GeneralBooksClub.com. You can also preview excerpts from the book there. Purchasers are also entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Original Published by: The Macmillan Co. in 1904 in 226 pages; Subjects: Sermons, American; Biography & Autobiography / Religious; History / General; Religion / Sermons / Christian; Religion / Christian Ministry / Preaching;

    A hilarious and cutting critique of what not to do, this deliciously wicked essay also lays out what writers should and must do if they wanttheir fiction to live and breathe--as Twain's own fiction always does. In How to Tell a Story, the title piece, Twain takes on such mysteries as the perfectly-timed pause and the uses of the dead-pan mask, and candidly describes his own efforts to hone his platform skills. In What Paul BourgetThinks of Us, Twain lays out a job description for the native novelist that is as fresh and accurate today as when Twain first wrote it. Anyone who cares about storytelling or writing will find Twain's sage suggestions in this volume compelling and engaging.

    Providing vital evidence of the views of the Greek philosophers of the Hellenistic age, Cicero also casts light on the intellectual life of first-century Rome. When these Greek beliefs are translated into the Roman context they result in a fascinating clash of ideologies.This new translation of a work whose importance is becoming increasingly recognized is complemented by an invaluable introduction to the main philosophical issues, as well as substantial and helpful annotation.

    Larrington)The runes are mysterious and powerful magical keys to the primal forces of nature that shaped Norse and Northern European culture. These twenty-four unique and inspiring symbols of the Elder Futhark (first runic alphabet) each possess powerful energies, identities, meanings, and sounds. The runes are invoked and harnessed to create change through inspiration, healing, protection, knowledge and divine wisdom from the Norse gods.Odin’s Gateways is a practical guide to using the runes in our lives, in magic and in divination – a unique journey into the mysteries hidden within the runes, filled with the information and practices necessary to developing a deep personal understanding and relationship with them. By focusing on how to directly harness and channel the energy of the individual runes, the author guides the reader along the path to self knowledge and empowerment. With a deft hand and lucid style, Katie Gerrard cuts to the heart of the runes, combining the wisdom of the Norse Sagas and Rune Poems with practical advice and techniques gained through living and experiencing their powers.The practical magic of the runes is demonstrated through numerous examples of Galdr (incantation), bindrunes (composite runic sigils) and spellcraft for purposes such as protection, healing, childbirth, creating a sacred space, fertility, sleep, battle and cursing. The divinatory meanings of the runes are given, with a range of different reading methods, and advice on how to cast and interpret them. Woven among the manifold techniques and practices contained in her work, the author also explores the history of rune use, providing the highlights from Tacitus and Snorri Sturluson to the modern European and American rune masters who have revived their use."Odin’s Gateways is a practical guide to using the runes in our lives, in magic and in divination – a unique journey into the mysteries hidden within the runes, filled with the information and practices necessary to developing a deep personal understanding and relationship with them. With a deft hand and lucid style, Katie Gerrard cuts to the heart of the runes, combining the wisdom of the Norse Sagas and rune poems with practical advice and techniques gained through living and experiencing their powers."

    With its reverence for all creation, it reflects our current concern for the planet. This introductory guide explains: • what Paganism is • the different Pagan paths • what Pagans do • how to live as a Pagan Paganism is one of the fastest growing spiritual movements in the West today. Pagans are those who worship the ancient pre-Christian Gods of our ancestors and of our lands. Originally, the word 'Pagan' was applied to those who worshipped the Gods of the pagus, which in Latin means 'locality'. Pagan was also used in another sense by Christians - to mean 'country dweller'. 'Heathen', of German origin, is also used by those who worship the Northern European Gods. Heathen means the someone of the heath who worships the Gods of the land. 'Paganism' is not a word that our ancestors would have used and it is seen by some as derogatory. Outside Europe, Pagans often reject it as an example of Western colonialism denigrating their traditional beliefs. In West Africa, the followers of indigenous spirituality refer to their beliefs as African Traditional Religion. In the West, the terms Native Spirituality, Celtic Spirituality, European Traditional Religion, the Elder Faith and the Old Religion are also used to describe the Pagan religions. Pagans have a variety of beliefs, but at their core are three which many would share: 1) The Divine has made itself manifest through many Deities in different places and at different times. No one Deity can express the totality of the Divine. This can be called polytheism - the Gods are many. 2) The Divine is present in Nature and in each one of us. This can be called pantheism - the Divine is everywhere. 3) Goddess and God: The Divine is represented as both female (Goddess) and male (God) while understanding that It is beyond the limitations of gender. 4) A fourth principle that some Pagans would share is called the Pagan Ethic: 'If it harms none, do what you will.'

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    As you’d expect from Daniel McCoy, the creator of the enduringly popular website Norse Mythology for Smart People, it’s written to scholarly standards, but in a simple, clear, and entertaining style that’s easy to understand and a pleasure to read. It includes gripping retellings of no less than 34 epic Norse myths – more than any other book in the field – while also providing an equally comprehensive overview of the fascinating Viking religion of which Norse mythology was a part. You’ll learn about the Vikings’ gods and goddesses, their concept of fate, their views on the afterlife, their moral code, how they thought the universe was structured, how they practiced their religion, the role that magic played in their lives, and much more. With its inclusion of the latest groundbreaking research in the field, The Viking Spirit is the ultimate introduction to the timeless splendor of Norse mythology and religion for the 21st Century.

    An amazing resource for wisdom and serenity.

    Explore the mythologies of Europe, the Americas, Asia, Africa, and the Middle East. Learn what makes these stories so important, distinctive, and able to withstand the test of time. Discover how, despite geographical implausibilities, many myths from across the oceans share themes, morals, and archetypes.Listening Length: 31 hours and 35 minutes

    Their supposed author, a mythical figure named Hermes Trismegistus, was thought to be a contemporary of Moses. The Hermetic philosophy was regarded as an ancient theology, parallel to the revealed wisdom of the Bible, supporting Biblical revelation and culminating in the Platonic philosophical tradition. This new translation is the only English version based on reliable texts, and Professor Copenhaver's introduction and notes make this accessible and up-to-date edition an indispensable resource to scholars.

    Basic Writings of Nietzsche gathers the complete texts of five of Nietzsche's most important works, from his first book to his last: The Birth of Tragedy, Beyond Good and Evil, On the Genealogy of Morals, The Case of Wagner, and Ecce Homo. Edited and translated by the great Nietzsche scholar Walter Kaufmann, this volume also features seventy-five aphorisms, selections from Nietzsche's correspondence, and variants from drafts for Ecce Homo. It is a definitive guide to the full range of Nietzsche's thought.Includes a Modern Library Reading Group Guide

    Christianity, for example, was one of the innovative religious movements that arose during this time. However, Christianity had many competitors, and one of the most remarkable of these was the ancient Roman mystery religion of Mithraism. Like the other mystery cults of antiquity, Mithraism kept its beliefs strictly secret, revealing them only to initiates. As a result, the cult's teachings were never written down. However, the Mithraists filled their temples with an enigmatic iconography, an abundance of which has been unearthed by archaeologists. Until now, all attempts to decipher this iconography have proven fruitless. Most experts have been content with a vague hypothesis that the iconography somehow derived from ancient Iranian religion. In this groundbreaking work, David Ulansey offers a radically different theory. He argues that Mithraic iconography was actually an astronomical code, and that the cult began as a religious response to a startling scientific discovery. As his investigation proceeds, Ulansey penetrates step by step the mysteries concealed in Mithraic iconography, until finally he is able to reveal the central secret of the cult: a secret consisting of an ancient vision of the ultimate nature of the universe. Brimming with the excitement of discovery--and reading like an intellectual detective story--Ulansey's compelling book will intrigue scholars and general readers alike.

    In this volume the author resurrects the world of goddess-worshipping, earth-centred cultures, bringing ancient matriarchal society to life.