Hume's King Arthur trilogy.King Artor lies slain and Ector, a mere boy, is acknowledged as the legitimate heir to the kingdom. But the land of the Celts has been weakened, and Ector grows up torn by conflicting senses of doom and duty. It is only his marriage to Gwyllan that gives him a sense of fulfilment.Meanwhile, Arthur, the Bastard Prince, grows up aware that he is the son of Artor and Lady Elayne but knowing he can never challenge the position of his ruler and childhood friend.Living in the shadow of King Artor, neither man can escape the his legacy...

    Young Dick Shelton, caught in the midst of England's War of the Roses, finds his loyalties torn between the guardian who will ultimately betray him and the leader of a secret fellowship, The Black Arrow. As Shelton is drawn deeper into this conspiracy, he must distinguish friend from foe and confront war, shipwreck, revenge, murder, and forbidden love, as England's crown threatens to topple around him.

    But what begins as a clandestine arrest ends in cold-blooded murder. And when Fitzurse, the knights’ ringleader, kidnaps Theodosia, a beautiful young nun who witnessed the crime, Palmer can sit silently by no longer. For not only is Theodosia’s virtue at stake, so too is the secret she unknowingly carries—a secret he knows Fitzurse will torture out of her. Now Palmer and Theodosia are on the run, strangers from different worlds forced to rely only on each other as they race to uncover the hidden motive behind Becket’s grisly murder—and the shocking truth that could destroy a kingdom.

    But when Norsemen from across the sea burn his village they also destroy his new life, and Osric finds himself a prisoner of these warriors. Their chief, Sigurd the Lucky, believes the Norns have woven this strange boy's fate together with his own, and Osric begins to sense glorious purpose among this Fellowship of warriors.Immersed in the Norsemen's world and driven by their lust for adventure, Osric proves a natural warrior and forges a blood bond with Sigurd, who renames him Raven. But the Norsemen's world is a savage one, where loyalty is often repaid in blood and where a young man must become a killer to survive. When the Fellowship faces annihilation from ealdorman Ealdred of Wessex, Raven chooses a bloody and dangerous path, accepting the mission of raiding deep into hostile lands to steal a holy book from Coenwolf, King of Mercia. There he will find much more than the Holy Gospels of St Jerome. He will find Cynethryth, an English girl with a soul to match his own. And he will find betrayal at the hands of cruel men, some of whom he regarded as friends...

    Arnold brings the spirit of Catherine Dickens to life in the form of Dorothea “Dodo” Gibson–a woman who is doomed to live in the shadow of her husband, Alfred, the most celebrated author in the Victorian world. The story opens on the day of Alfred’s funeral. Dorothea is not among the throngs in attendance when The One and Only is laid to rest. Her mourning must take place within the walls of her modest apartment, a parting gift from Alfred as he ushered her out of their shared home and his life more than a decade earlier. Even her own children, save her outspoken daughter Kitty, are not there to offer her comfort–they were poisoned against her when Alfred publicly declared her an unfit wife and mother. Though she refuses to don the proper mourning attire, Dodo cannot bring herself to demonize her late husband, something that comes all too easily to Kitty. Instead, she reflects on their time together–their clandestine and passionate courtship, when he was a force of nature and she a willing follower; and the salad days of their marriage, before too many children sapped her vitality and his interest. She uncovers the frighteningly hypnotic power of the celebrity author she married. Now liberated from his hold on her, Dodo finds the courage to face her adult children, the sister who betrayed her, and the charming actress who claimed her husband’s love and left her heart aching. A sweeping tale of love and loss that was long-listed for both the Man Booker Prize and the Orange Prize, Girl in a Blue Dress is both an intimate peek at the woman who was behind one of literature’s most esteemed men and a fascinating rumination on marriage that will resonate across centuries.

    Cavendon Hall is home to two families, the aristocratic Inghams and the Swanns who serve them. Charles Ingham, the sixth Earl of Mowbray, lives there with his wife Felicity and their six children. Walter Swann, the premier male of the Swann family, is valet to the earl. His wife Alice, a clever seamstress who is in charge of the countess's wardrobe, also makes clothes for the four daughters. For centuries, these two families have lived side-by-side, beneath the backdrop of the imposing Yorkshire manor. Lady Daphne, the most beautiful of the Earl's daughters, is about to be presented at court when a devastating event changes her life and threatens the Ingham name. With World War I looming, both families will find themselves tested in ways they never thought possible. Loyalties will be challenged and betrayals will be set into motion. In this time of uncertainty, one thing is sure: these two families will never be the same again. Cavendon Hall is Barbara Taylor Bradford at her very best, and its sweeping story of secrets, love, honor, and betrayal will have readers riveted up to the very last page.

    Unforgiving hands clapped it against my face, and all went dark.Alais, the king of France's sister, is abducted while on her mission for the wily Eleanor of Aquitaine, the former Queen of England, to retrieve hidden letters that, in the wrong hands, could bring down the English king. In exchange, the French princess was to receive long-heldand dangerous information. Now Alais, along with help from the very intriguing leader of the Knights Templar, must unravel a tangled web of family secrets and lies.Filled with intrigue and peopled with compelling legendary figures, The Canterbury Papers is an "electrifying journey into the past" (Booklist).

    So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.

    Violante's father bankrolled the manipulative Rodrigo Borgia into the Vatican, and in return Violante becomes lady in waiting to the new pope's scandalous daughter, Lucrezia, now Duchess of Ferrara. Flattered by Lucrezia's favor, seduced by the friendship of the Duchess's cousin Angela, and swept off her feet by the mysterious and seductive Cesare Borgia, Violante is drawn deep into intrigue and deceit. Her extraordinary journey will test her heart to its utmost and leave her the guardian of secrets she must carry to her grave.

    The year is 1018 and the war is finally over, but the unified kingdom is far from peaceful.Halfdan’s mixed lineage—half Danish, half Saxon—has made him a pauper in the new kingdom. His father, his brother, and the land he should have inherited were all taken by the new king’s men. He lost everything to the war but his sense of humor. Once a proud nobleman, Halfdan now wanders the country aimlessly, powered only by his considerable charm and some petty theft. When he finds an unlikely ally in Winston, a former monk, he sees no reason not to accept his strange invitation to travel together to Oxford. Winston has been commissioned to paint a portrait of the king at the invitation of his new wife, and the protection of a clever man like Halfdan is well worth its price in wine and bread.But when the pair’s arrival in court coincides with news of a murder, the king has a brilliant idea: Why not enlist the newly arrived womanizing half-Dane and the Saxon intellectual to defuse a politically explosive situation? The pair represents both sides of the conflict and seem to have crime-solving skills to boot. In their search for the killer, Halfdan and Winston find seduction, adventure, and scandal in the wild early days of Cnut’s rule.

    Deep in the forests of Wessex, Dunston's solitary existence is shattered when he stumbles on a mutilated corpse. Accused of the murder, Dunston must clear his name and keep the dead man's daughter alive in the face of savage pursuers desperate to prevent a terrible secret from being revealed. Rushing headlong through Wessex, Dunston will need to use all the skills of survival garnered from a lifetime in the wilderness. And if he has any hope of victory against the implacable enemies on their trail, he must confront his long-buried past – becoming the man he once was and embracing traits he had promised he would never return to. The Wolf of Wessex must hunt again; honour and duty demand it. 'A page-turner ... Matthew Harffy tells a great story' Joanna Hickson. 'A breathtaking novel that sweeps the reader into a dark and dangerous world' Paul Fraser Collard. 'Harffy's writing just gets better and better ... He is really proving himself the rightful heir to Gemmell's crown' Jemahl Evans. 'Harffy has a real winner on his hands ... A genuinely superb novel' Steven McKay.

    But when her brother's love match is thwarted by the impossibly proper Duke of Kerstone, Miranda sets off to convince the duke to champion her brother's cause for love. Unfortunately, he is too proper to consider love a suitable reason for marriage, and too proper not to marry Miranda when they find themselves compromised. Now, Miranda has a second chance for happily-ever-after, if she can uncover her new husband's darkest secret.

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    ENGLAND 1321 AD After viciously assaulting a corrupt but powerful clergyman Robin Hood flees the only home he has ever known in Wakefield, Yorkshire. Becoming a member of a notorious band of outlaws, Hood and his new companions – including John Little and Will Scaflock – hide out in the great forests of Barnsdale, fighting for their very existence as the law hunts them down like animals. When they are betrayed, and their harsh lives become even more unbearable, the band of friends seeks bloody vengeance. Meanwhile, the country is in turmoil, as many of the powerful lords strive to undermine King Edward II’s rule until, inevitably, rebellion becomes a reality and the increasingly deadly yeoman outlaw from Wakefield finds his fate bound up with that of a Hospitaller Knight… "Wolf’s Head" brings the brutality, injustice and intensity of life in medieval England vividly to life, and marks the beginning of a thrilling new historical fiction series in the style of Bernard Cornwell and Simon Scarrow.

    Tolkien was an early work completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication.Suitable for tablets. Some special characters may not display correctly on older devices.We recommend that you download a sample and check the 'Note to the Reader' page before purchase.This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book.From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel's terrible hand set under the roof of Heorot.But the commentary in this book includes also much from those lectures in which, while always anchored in the text, he expressed his wider perceptions. He looks closely at the dragon that would slay Beowulf 'snuffling in baffled rage and injured greed when he discovers the theft of the cup'; but he rebuts the notion that this is 'a mere treasure story', 'just another dragon tale'. He turns to the lines that tell of the burying of the golden things long ago, and observes that it is 'the feeling for the treasure itself, this sad history' that raises it to another level. 'The whole thing is sombre, tragic, sinister, curiously real. The "treasure" is not just some lucky wealth that will enable the finder to have a good time, or marry the princess. It is laden with history, leading back into the dark heathen ages beyond the memory of song, but not beyond the reach of imagination.'Sellic Spell, a 'marvellous tale', is a story written by Tolkien suggesting what might have been the form and style of an Old English folk-tale of Beowulf, in which there was no association with the 'historical legends' of the Northern kingdoms.