Naturally, she takes their daughters and son with her. The children, however, only make it as far as the train station - and even after returning home remain unaffected by their brief exile. "They ought either to be quieter or more noisy than before," their father thinks, "and it was disconcerting that they seemed to be exactly the same." Frank's routines, however, drift into disorder as he tries desperately to take charge of life at home and work. Even his printing plant is suddenly confronted by the specters of modernization and utter instability. In Penelope Fitzgerald's fiction, affection and remorse are all too often allied, and desire and design seem never to meet. Frank wants little more than a quiet, confident life - something for which he is deeply unsuited, and which Russia certainly will not go out of her way to provide. 'The Beginning of Spring' is filled with echoes of past wrongs and whispers of the revolution to come, even if the author evokes these with abrupt comic brio. (In one disturbance, "A great many shots had hit people for whom they were not intended.") As ever, Fitzgerald makes us care for - and want to know ever more about - her characters, even the minor players. Her two-page description of Frank's chief type compositor, for instance, is a miracle of precision and humor, sympathy and mystery. And the accountant Selwyn Crane - a Tolstoy devotée, self-published poet, and expert at making others feel guilty -is a sublime creation. His appetite for do-gooding is insatiable. After one fit of apparent altriusm, "Selwyn subsided. Now that he saw everything was going well, his mind was turning to his next charitable enterprise. With the terrible aimlessness of the benevolent, he was casting round for a new misfortune." As she evokes her household of tears and laughter, Fitzgerald's prose is as witty as ever, rendering the past present and the modern timeless. - Kerry Fried

    Lovecraft and his circle. Marina Willett, M.D., has a problem. Her husband, Charlie, has become obsessed with H.P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends--or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears. The police say it's suicide. Marina is a psychiatrist, and she doesn't believe them.A tour-de-force of storytelling, The Night Ocean follows the lives of some extraordinary people: Lovecraft, the most influential American horror writer of the 20th century, whose stories continue to win new acolytes, even as his racist views provoke new critics; Barlow, a seminal scholar of Mexican culture who killed himself after being blackmailed for his homosexuality (and who collaborated with Lovecraft on the beautiful story The Night Ocean); his student, future Beat writer William S. Burroughs; and L.C. Spinks, a kindly Canadian appliance salesman and science-fiction fan -- the only person who knows the origins of The Erotonomicon, purported to be the intimate diary of Lovecraft himself.As a heartbroken Marina follows her missing husband's trail in an attempt to learn the truth, the novel moves across the decades and along the length of the continent, from a remote Ontario town, through New York and Florida to Mexico City.The Night Ocean is about love and deception -- about the way that stories earn our trust, and betray it.

    It was initially rejected, along with four other stories, by The New Yorker, but was ultimately published in Harper's Magazine in September 1953. It was adapted for an episode of Alfred Hitchcock Presents and starred Barbara Bel Geddes. Originally broadcast on April 13, 1958, it was one of only 17 AHP episodes directed by Hitchcock himself. The story was subsequently adapted for Dahl's British TV series Tales of the Unexpected. Dahl included it in his short story compilation Someone Like You."Lamb to the Slaughter" demonstrates Dahl's fascination with horror (with elements of black comedy), a theme that would influence both his in adult fiction as well as his children stories.

    A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence–until she meets Mr. Flood.Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son.Still, shadows are growing in the cluttered corners of the mansion, hinting at buried family secrets, and reminding Maud that she doesn’t really know this man at all. When the forgotten case of a missing schoolgirl comes to light, she starts poking around, and a full-steam search for answers begins.Packed with eccentric charms, twisted comedy, and a whole lot of heart, Mr. Flood’s Last Resort is a mesmerizing tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves.

    Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?

    A rogue black bear, 300 pounds of fury, is attacking the family's campsite, pouncing on her parents as prey.At her dying mother's faint urging, Anna manages to get her brother into the family's canoe and paddle away. But when the canoe dumps the two children on the edge of the woods, and the sister and brother must battle hunger, the elements, and a dangerous wilderness, we see Anna's heartbreaking love for her family -- and her struggle to be brave when nothing in her world seems safe anymore.Told in the honest, raw voice of five-year-old Anna, this is a riveting story of love, courage, and survival.

    Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive "History of Crome." Denis's stay proves to be a disaster amid his weak attempts to attract the girl of his dreams and the ridicule he endures regarding his plan to write a novel about love and art. Lambasting the post-Victorian standards of morality, Crome Yellow is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too ironic to be called satire and too scornful to be called irony."

    Written with compassionate tenderness and magical thinking, it explores the courage of conviction, the transformative power of grief, the desire for knowledge and the pull of home, from an exceptionally talented and original British writer. It is a radiant and timeless epic-in-miniature, an eerie, electric monument to possibility.

    Three days later, her two younger brothers set out in search of her murderer. Cole, 17, is a dark-eyed devil who doesn't care if he lives or dies, while Ruben, 14, is a strange child who sometimes, inexplicably, experiences sensations above and beyond his own. This is the story of the boys' journey from their half-gypsy home on a London junk lot to the ghostly moors of Devon, where they hope and fear to find the truth about their sister's death. It's a long road, cold and hard and violent. It's THE ROAD OF THE DEAD.

    It is. For behind the town's idyllic facade lies a terrible secret—a secret so shattering that no one who encounters it will ever be the same.At once a masterpiece of psychological suspense and a savage commentary on a media-driven society that values the pursuit of youth and beauty at all costs, The Stepford Wives is a novel so frightening in its final implications that the title itself has earned a place in the American lexicon.

    To dare, to strive, to conquer. For generations, privileged young men have attended St. Oswald's Grammar School for Boys, groomed for success by the likes of Roy Straitley, the eccentric Classics teacher who has been a fixture there for more than thirty years. But this year the wind of unwelcome change is blowing. Suits, paperwork, and information technology are beginning to overshadow St. Oswald's tradition, and Straitley is finally, and reluctantly, contemplating retirement. He is joined this term by five new faculty members, including one who -- unbeknownst to Straitley and everyone else -- holds intimate and dangerous knowledge of St. Oswald's ways and secrets. Harboring dark ties to the school's past, this young teacher has arrived with one terrible goal: to destroy St. Oswald's.As the new term gets under way, a number of incidents befall students and faculty alike. Beginning as small annoyances -- a lost pen, a misplaced coffee mug -- they are initially overlooked. But as the incidents escalate in both number and consequence, it soon becomes apparent that a darker undercurrent is stirring within the school. With St. Oswald's unraveling, only Straitley stands in the way of its ruin. The veteran teacher faces a formidable opponent, however -- a master player with a bitter grudge and a strategy that has been meticulously planned to the final move, a secret game with very real, very deadly consequences.A harrowing tale of cat and mouse, this riveting, hypnotically atmospheric novel showcases New York Times bestselling author Joanne Harris's astonishing storytelling talent as never before.

    R. Martin comes the ultimate novel of revolution, rock ’n’ roll, and apocalyptic murder—a stunning work of fiction that portrays not just the end of an era, but the end of the world as we know it.Onetime underground journalist Sandy Blair has come a long way from his radical roots in the ’60s—until something unexpectedly draws him back: the bizarre and brutal murder of a rock promoter who made millions with a band called the Nazgûl. Now, as Sandy sets out to investigate the crime, he finds himself drawn back into his own past—a magical mystery tour of the pent-up passions of his generation. For a new messiah has resurrected the Nazgûl and the mad new rhythm may be more than anyone bargained for—a requiem of demonism, mind control, and death, whose apocalyptic tune only Sandy may be able to change in time . . . before everyone follows the beat.

    But the two friends suspect the inhabitants of The Close aren't what they seem. As Keith informs his trusting friend, the district is riddled with secret passages and underground labs.

    Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name. Orwell leads us through a landscape of unemployment, poverty and hunger, where Dorothy's faith is challenged by a social reality that changes her life.

    Killing men in times like these. Joan has spent a lifetime enduring the cruel acts of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child—that has haunted her every waking moment—while forging the power to finally strike back. Here is the electrifying debut novel from Lisa Taddeo, author of the #1 New York Times bestseller and international phenomenon Three Women, which was named to more than thirty best-of-the-year lists and hailed as “a dazzling achievement” (Los Angeles Times) and “a heartbreaking, gripping, astonishing masterpiece” (Esquire). Animal is a depiction of female rage at its rawest, and a visceral exploration of the fallout from a male-dominated society. With writing that scorches and mesmerizes, Taddeo illustrates one woman’s exhilarating transformation from prey into predator.