Isolde is the only daughter and heiress of Ireland's great ruling queen, a lady as passionate in battle as she is in love. La Belle Isolde, like her mother, is famed for her beauty, but she is a healer instead of a warrior, "of all surgeons, the best among the isles." A natural peacemaker, Isolde is struggling to save Ireland from a war waged by her dangerously reckless mother. The Queen is influenced by her lover, Sir Marhaus, who urges her to invade neighboring Cornwall and claim it for her own, a foolhardy move Isolde is determined to prevent. But she is unable to stop them. King Mark of Cornwall sends forth his own champion to do battle with the Irish--Sir Tristan of Lyonesse--a young, untested knight with a mysterious past. A member of the Round Table, Tristan has returned to the land of his birth after many years in exile, only to face Ireland's fiercest champion in combat. When he lies victorious but near death on the field of battle, Tristan knows that his only hope of survival lies to the West. He must be taken to Ireland to be healed, but he must go in disguise--for if the Queen finds out who killed her beloved, he will follow Marhaus into the spirit world. His men smuggle him into the Queen's fort at Dubh Lein, and beg the princess to save him.From this first meeting of star-crossed lovers, an epic story unfolds. Isolde's skill and beauty impress Tristan's uncle, King Mark of Cornwall, and--knowing nothing of her love for Tristan--he decides to make her his queen, a match her mother encourages as a way to bind their lands under one rule. Tristan and Isolde find themselves caught in the crosscurrents of fate, as Isolde is forced to marry a man she does not love. Taking pity on her daughter, the Queen gives her an elixir that will create in her a passion for King Mark and ensure that their love will last until death. But on the voyage to Ireland, Tristan and Isolde drink the love potion by accident, sealing their already perilous love forever.So begins the first book of the Tristan and Isolde trilogy, another stunning example of the storyteller's craft from Rosalind Miles, author of the beloved and bestselling Guenevere trilogy.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    From cautionary tales to ghostly visions, the fairy stories of Japan are characterized not only by the customary amount of fantasy but also by a welcome dose of mischievous fun. For any lover of other-worlds, dreamscapes, and magical beings, this collection of Japanese folk and fairy tales provides quick transportation to a land of miniature warriors, willow-women, and ogre-isles, beautifully accented by the unmistakable exoticism of the Land of the Rising Sun. Bohemian and writer PATRICK LAFCADIO HEARN (1850-1904) was born in Greece, raised in Ireland, and worked as newspaper reporter in the United States before decamping to Japan. He also wrote In Ghostly Japan (1899), and Kwaidan (1904).

    The story of the Cornish knight and the Irish princess who meet by deception, fall in love by magic, and pursue that love in defiance of heavenly and earthly law has inspired artists from Matthew Arnold to Richard Wagner. But nowhere has it been retold with greater eloquence and dignity than in Joseph Bédier’s edition, which weaves several medieval sources into a seamless whole, elegantly translated by Hilaire Belloc and Paul Rosenfeld.

    If his king needs him and he is called to the sword, he knows where he must be.His country is threatened, the dark wings of war are gathering and his love... that will just have to wait.The needs of one man’s heart cry for peace, but Lancelot understands what he must do.He will stand shoulder to shoulder with the man he loves and if they survive the battlefields, if they can survive the peace, then maybe, just maybe, a knight and his king can put aside their call to arms and listen to the call of their hearts. The Knights of Camelot series is a reimagining of the Arthurian legends. Each book features two (or more) men in love with one another, steamy encounters, and more. These books are not intended to be read as standalones, so be sure to start at the beginning with Lancelot and the King.

    Previously published by Poseidon.In an age alive with portents and magic, a spirited young beauty rode out of the rugged Celtic lands to wed the great warrior king, Arthur. Now, at last, Guinevere herself unfolds the legend.Born a princess, raised to be a queen, Guinevere traveled the length of England protected by the wise enchanter Merlin. As Britain struggled out of a long darkness, scattered armies raised the cry for war and old gods challenged the new in combats mortal and immortal. And Guinevere encountered her destiny in the fabled dreams of her king. She would reign as High Queen of all Britain, but her most perilous adventure was yet to come...the journey from royal innocent to passionate lover.

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    The legend is famous but not the truth: that Merlin was a historical figure, a Briton, who hailed not from England or Wales, as traditional wisdom would have it, but from Scotland.Adam Ardrey brings back to life Merlin's role in the cataclysmic battles between reason and religion of sixth-century Britain - battles which Merlin would ultimately lose. From the time of his death up until the present day, historical records relating to Merlin have been altered, his true provenance and importance obscured and his name changed to mean 'Madman'. The same fate awaited Merlin's twin sister, Languoreth, as intelligent and powerful as her brother but, as a woman, a greater threat to the power of church and state. Languoreth's existence was all but obliterated and her story lost - until now.Finding Merlin uncovers new evidence and re-examines the old. The places where Merlin was born, lived, died and was buried are identified, as well as the people surrounding him - his nemesis Mungo and his friend the hero Arthur. In this impressively well-researched and accessibly written book, Merlin walks from the pages of legend into history.

    His uncle, the loyal and gifted warlord Arthur, now rules as caretaker for a country which has fallen into chaos - threats emerge from within the British kingdoms while vicious Saxon armies stand ready to invade. As he struggles to unite Britain and hold back the enemy at the gates, Arthur is embroiled in a doomed romance with beautiful Guinevere. Will the old-world magic of Merlin be enough to turn the tide of war in his favour?

    Gwenhwyfar moves in a world where gods walk among their pagan worshipers, where nebulous visions warn of future perils, and where there are two paths for a woman: the path of the Blessing or the rarer path of the Warrior. Gwenhwyfar chooses the latter, giving up the power that she is born into. Yet the daughter of a King is never truly free to follow her own calling. Acting as the son her father never had, when called upon to serve another purpose by the Ladies of the Well, she bows to circumstances to become Arthur's Queen only to find herself facing temptation and treachery, intrigue and betrayal, but also love and redemption.

    White’s masterful retelling of the Arthurian legend is an abiding classic. The Once and Future King, contains all five books about the early life of King Arthur: The Sword in the Stone The Witch in the Wood The Ill-Made Knight The Candle in the Wind The Book of Merlyn Exquisite comedy offsets the tradegy of Arthur’s personal doom as White brings to life the major British epic of all time with brilliance, grandeur, warmth and charm.

    84 pages of chapter summaries, quotes, character analysis, themes, and more – everything you need to sharpen your knowledge of Enemy of God: A Novel of Arthur. This detailed literature summary also contains Topics for Discussion and a Free Quiz on Enemy of God: A Novel of Arthur by Bernard Cornwell.

    In a book which argues that previous scholars have been looking in the wrong place, Moffat identifies Arthur as a cavalry general of a Welsh-speaking southern Scottish tribe. Through archaeology, documentary and place-name evidence, Moffat weaves a history of this truly British hero' and asks whether the real Camelot is to be found in the borders of Scotland.

    By night, she's Merlin's secret apprentice, indulging in the new mechanical arts and science of alchemy. It's a preferred distraction from Camelot’s gossipy nobility, roguish knights, and Lancelot’s athletic new squire, Marcus, who will follow in all knights’ footsteps by taking a rather inconvenient vow of chastity.More than anything, Vivienne longs to escape Camelot for a future that wouldn't include needlework or marriage to a boorish lord or dandy. But when King Arthur's sorceress sister, Morgan le Fay, threatens Camelot, Vivienne must stay to help Merlin build a steam-powered weapon to defeat the dark magic machine Morgan will set upon the castle. Because if Camelot falls, Morgan would be that much closer to finding the elusive Holy Grail. Time is running out and Morgan draws near, and if Vivienne doesn't have Merlin's weapon ready soon, lives would pay the price, including that of Marcus, the only one fast enough to activate it on the battlefield.

    Excalibur? A shady deal with a watery arms dealer. Britain? A clogged sewer that Rome abandoned just as soon as it could.A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is at once a timely political satire, a magical adventure, and a subversive masterwork.