An English translation of four early Welsh legends, coupled with landscape photographs of places named in the text.

    Now a dramatic archaeological find at Windsor castle sheds new light on the idea of a round table as a gathering: the 'House of the Round Table' which Edward III ordered to be constructed at the conclusion of his Windsor festival of 1344. The discovery of the foundation trench of a great building two hundred feet in diameter in the Upper Ward of Windsor castle, allows the reconstruction of that building's appearance and raises the question of its purpose. Chronicles, building materials inventories from the royal accounts, medieval romances, and earlier descriptions of round table festivals all confirm the archaeological evidence: at a time when secular orders of knighthood were almost unknown, Edward declared his intention to found an Order of the Round Table with three hundred knights. This grand building, and the Arthurian entertainments he planned for it, would bind his nobles to his cause at a crucial point in his progress to claiming the throne of France. His ambitious scheme, however, was overtaken by events. Victory at Crecy in 1346 confirmed Edward's reputation, and the order which he founded in 1348 was the much more exclusive Order of the Garter, rewarding those commanders who had helped him to win the Crecy campaign. His reputation was assured, the omens for his reign were auspicious; he had the loyalty of his knights and magnates. The Round Table building was abandoned, and eventually pulled down in the 1360s. Thus a major plank in the strategic thinking of one of England's greatest kings almost became a footnote in history. Time Team discovered . there (are) indeed foundations of a massive round building in Windsor Castle's upper ward. A splendidly produced volume, which gives full credit both to the history and to the archaeology: analysis of the chivalric background, archaeological analysis, discussion of the probable form of the building (and) the early history of Windsor Castle as well as the types of stone used by Edward III's masons. The book is attractively illustrated, and its appendices provide a full text in Latin, with translation, of the building accounts, as well as translations of many of the relevant chronicle extracts. MICHAEL PRESTWICH, THE TIMES LITERARY SUPPLEMENT

    Included in this volume are extended entries on more than 30 writers who incorporate Arthurian legend in their works. Arranged chronologically, the entries trace the pervasive influence of Arthurian lore on world literature across time. Entries are written by expert contributors and discuss such writers as Geoffrey of Monmouth, Boccaccio, Chaucer, Mark Twain, John Steinbeck, and Margaret Atwood. Each entry provides biographical information, a discussion of the author's use of Arthurian legend and contribution to the Arthurian literary tradition, and a bibliography of primary and secondary material. The volume begins with an introductory overview and concludes with suggestions for further reading.The central figure of the medieval world, King Arthur has captivated literary imaginations from the Middle Ages to the present. This book includes extended entries on more than 30 writers in the Arthurian tradition. Arranged chronologically and written by expert contributors, the entries trace the pervasive influence of Arthurian legend from the Middle Ages to the present.Each entry provides biographical information, a discussion of the writer's use of Arthurian legend and contribution to the Arthurian literary tradition, and a bibliography of primary and secondary material. The volume begins with an introductory overview and closes with a discussion of Arthurian lore in art, along with suggestions for further reading. Students will gain a better understanding of the Middle Ages and the lasting significance of the medieval world on contemporary culture.

    Drawing on a detailed reexamination of the relevant texts in Irish, Welsh, Latin and French, extensive sections of which are presented in new translations, the author argues that the roots of the Grail legend are to be sought in the lost Old Irish manuscript known as the Book of Druimm Snechtai.