Lindemuth did a magnificent job with this intensely personal story." --San Francisco Book Review Nick Fister's the winningest ultra-runner ever, but he's paid a price. His daughter Tuesday took her own life. His wife is sleeping with his crew chief, Floyd. And his "greatest fan" — an ex-Marine sniper — has progressed from creepy stalker to deadly menace. Nick's chosen Death Valley's Badwater 135 as the brutal capstone to his career. When Floyd fails to show at race start, Nick begins without him — and learns shortly later Floyd was stabbed to death the night before. Nick Fister always wins, and his relentless focus keeps him in the race. But soon the Inyo County Deputies learn about Nick's cheating wife. The troubled business partnership. The life insurance. Did Nick murder Floyd, while queuing a psychotic sniper to take the fall? Or is Nick Fister running for his life? Grab STRONG AT THE BROKEN PLACES and prepare for a marathon reading session. "One of those books that’s going to stick with me for a while." --Manhattan Book Review "A story about finding yourself, facing your inner demons, forgiving, dealing with loss, and despite all that, still moving forward." --Seattle Book Review ★★★★★ "Wrenching... Relentless... Cathartic... Enlightening..." ★Praise for Clayton Lindemuth★ Clayton Lindemuth's works have been smashingly reviewed by Publishers Weekly (starred review and best of the week), Indie Next List, Kirkus, BlueInk Review, Foreword Reviews, Seattle Book Review, Manhattan Book Review, Indie Reader, Reader Views, Spinetingler Magazine, Hardboiled Wonderland, various independent best of the year mentions, (Spinetingler and DoSomeDamage, among others). Clayton's novels Cold Quiet Country and My Brother's Destroyer have been published in France by Le Seuil, and have been charmingly reviewed by Le Monde, La Croix, Le Figaro.

    Tall, handsome and a police detective to boot, he swept her off her feet and into a whirlwind relationship that led to an engagement ring.But things aren't always as they seem, and Cassie comes to discover that Mike has a dark side. When she learns just how dark it can be, she comes face-to-face with the greatest forward she could imagine, and it leaves her burned and scarred for the rest of her life.Cassie isn't one to wallow in misery. She takes her experiences and a degree in psychology and sets out to help other women avoid the kind of thing that happened to her, but then one of her clients comes to her in desperation. Her abusive husband has kidnapped her daughter, and it's up to Cassie to find the girl before it's too late.Of course, then the only trick is how to survive.

    

    Five star- Top Pick Series of The Romance Review. Callie's Heart Callie Daniels' mother has one dying wish. She wants neighboring rancher, Garrett O'Neill, to marry her seventeen year old daughter. It's not supposed to be a conventional marriage.Garrett O'Neill would keep Callie's ranch safe and Callie would go away to college. Four years later, Callie comes home with stars in her eyes and happily ever after in her heart. She plans to make their marriage real until finds the new housekeeper, Sylvie in Garrett's arms. Heartbroken, Callie takes off to her own house, which they closed up four years ago. She stays there with Old Henry, a longtime friend and ranch hand, until her new horse injures her. Garrett forces Callie to move back in to his house. Callie finally gets her heart's desire. Alone in a line shack, they make sweet love for the first time. Unfortunately the love light is gone from Garret's eyes the next morning. Lone Star Joy Finalist in the 2012 RONE Awards FOUR STARS from InD'tale Magazine February 2013 edition Top Pick Five Stars- The Romance Reviews Sexy, Cowboy, Stamos Walker runs a work release program for nonviolent male prisoners. When Joy Courtland shows up on his doorstep, he assumes she's the nanny. He hands her his son and rushes out to work. Joy, a convicted felon, bonds with little Dillon immediately. Stamos isn't happy when he returns and finds out Joy is not the nanny. While trying to get Joy back to prison through the proper channels, Stamos realizes Joy is not a killer. He doesn't want her to go back to prison. Stamos is willing to try everything he can to keep Joy safe even if it means marriage. Stetson's Storm Five years ago, hunky rodeo star Stetson Scott left town, never looking back, convinced he had no reason to stay. He unknowingly left behind more than just a love, so much more. Storm McCrory's heart was ripped out that same day. Now Stetson is back in town. He's shocked to find not just Storm McCrory living in poverty, but his son. The son he never knew. Both shunned by most of the town. Will Storm allow Stetson to help her and be a father to his son, or will her stubborn pride get in the way of their true love?

    What can be worse than to finish her senior year at a new school?Living during the post-Erosion period on Earth where there is less land than before, Mac is happy to discover an island of rich beauty and lush landscapes, not to mention mysterious handsome boys and an ancient prophecy that is set to come true in Mac's lifetime.Chance Cutter claims she is his Queen, his goddess to his Fire King, whom he had been searching for years. Their attraction to each other is undeniable, yet why does he seem to hate her? And who is she really?View Official Fire Wars Trailer at:http://youtu.be/ZqG8WFDKg2E

    Given to the Templars to save him from outlawry,the story takes the young Isleman from Islay to the Levant where he comes to manhood and finds fame, surviving intrigue, battle and seige. A rousing story with adult themes, this is the first in a series.

    When teachers offer themselves as moralists, political activists, or agents of social change rather than as credentialed experts in a particular subject and the methods used to analyze it, they abdicate their true purpose. And yet professors now routinely bring their political views into the classroom and seek to influence the political views of their students. Those who do this will often invoke academic freedom, but Fish argues that academic freedom, correctly understood, is the freedom to do the academic job, not the freedom to do any job that comes into the professor's mind. He insists that a professor's only obligation is "to present the material in the syllabus and introduce students to state-of-the-art methods of analysis. Not to practice politics, but to study it; not to proselytize for or against religious doctrines, but to describe them; not to affirm or condemn Intelligent Design, but to explain what it is and analyze its appeal."Given that hot-button issues such as Holocaust denial, free speech, and the Israeli-Palestinian conflict are regularly debated in classrooms across the nation, Save the World On Your Own Time is certain to spark fresh debate—and to incense both liberals and conservatives—about the true purpose of higher education in America.

    In contrast to the American situation, spaces in which questions of Marxism could once again be discussed were opening in the vicinity of the Institute for Social Research in Frankfurt. Buck-Morss convincingly sketches this learning process that ended in antagonism when Horkheimer and Adorno proved unwilling to participate in the political practice of the extra-parliamentary opposition. Leftist students turned away from Critical Theory, treating it like the proverbial dead dog after 1970, thereby allowing it to be taken up by young conservatives who concerned themselves only with the aesthetic character of Adorno’s and Benjamin’s writings.

    Rich in anecdote and insight, Vested Interests offers a provocative and entertaining view of our ongoing obsession with dressing up--and with the power of clothes.

    Harry Sword traces the line from neolithic Indo-European traditions to the modern underground by way of mid-20th Century New York, navigating a beguiling topography of archeoacoustics, ringing feedback, chest plate sub bass, avant-garde eccentricity, and fervent spiritualism. From ancient beginnings to bawdy medieval troubadours, Sufi mystics to Indian raga masters, North Mississippi bluesmen to cone-shattering South London dub reggae sound systems, Hawkwind's Ladbroke Grove to the outer reaches of Faust, Ash Ra Temple and sonic architects like La Monte Young, Brian Eno, and John Cale, the opium-fueled fug of The Theatre of Eternal Music to the caveman doom of Saint Vitus, the cough syrup reverse hardcore of Swans to the seedy VHS hinterland of Electric Wizard, ritual amp worship of Earth and Sunn O))) and the many touch points in between, Monolithic Undertow probes the power of the drone: something capable of affording womb-like warmth or evoking cavernous dread alike.This story does not start in the twentieth century underground: the monolithic undertow has bewitched us for millennia. The book takes the drone not as codified genre but as an audio carrier vessel deployed for purposes of ritual, personal catharsis, or sensory obliteration, revealing also a naturally occurring auditory phenomenon spanning continents and manifesting in fascinatingly unexpected places.Monolithic Undertow will be a book about music and the very human need for transcendence and intoxication through sound. It seeks to reveal the drone as a tool of personal liberation that exists far outside the brittle confines of commodity culture.

    Only this family’s past is darker than most18-year-old Clara is trapped in an abusive life by her Pa who is hiding a dark secret. Home schooled and with no outside social contact – constantly on the move – she wishes him dead.After they move to a small town, local youths vie for her attention against his wishes. When her Pa is found murdered by the town sheriff, the circumstances point firmly to Clara as the guilty party. Assigned to the case, a personal conflict causes Detective Alana Bossé to dig deeper. As her suspect list grows, it looks as though there is a slim chance that Clara could be innocent.But is everything as it seems? Or should they lock Clara up and throw away the key?

    Widely regarded as one of the country's most important Native American poets, Ortiz has led a thirty-year career marked by a fascination with language—and by a love of his people. This omnibus of three previous works offers old and new readers an appreciation of the fruits of his dedication.Going for the Rain (1976) expresses closeness to a specific Native American way of life and its philosophy and is structured in the narrative form of a journey on the road of life. A Good Journey (1977), an evocation of Ortiz's constant awareness of his heritage, draws on the oral tradition of his Pueblo culture. Fight Back: For the Sake of the People, For the Sake of the Land (1980)—revised for this volume—has its origins in his work as a laborer in the uranium industry and is intended as a political observation and statement about that industry's effects on Native American lands and lives. In an introduction written for this volume, Ortiz tells of his boyhood in Acoma Pueblo, his early love for language, his education, and his exposure to the wider world. He traces his development as a writer, recalling his attraction to the Beats and his growing political awareness, especially a consciousness of his and other people's social struggle. "Native American writers must have an individual and communally unified commitment to their art and its relationship to their indigenous culture and people," writes Ortiz. "Through our poetry, prose, and other written works that evoke love, respect, and responsibility, Native Americans may be able to help the United States of America to go beyond survival."

    This new edition of Genevieve Lloyd's classic study of the maleness of reason in philosophy contains a new introduction and bibliographical essay assessing the book's place in the explosion of writing and gender since 1984.

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    You didn’t choose it and you can’t get out of it. After a lifelong quest to find “the one” a British writer living in L.A. finds herself single again in her mid-thirties and admits defeat. But instead of blaming the string of past ex-boyfriends, she turns the spotlight on herself. Taking a year off dating men, she tries to date herself in a search for some answers. A fun “honeymoon period” concludes with a shocking discovery. She starts to dig deeper, seeking the source of her problems, but the truth is a bitter pill to swallow. The Girl Who Dated Herself begins as an entertaining “rom com for one” but evolves into an engaging and thought-provoking journey that ultimately questions our preconceptions about love and the foundations of self worth. A book for women and men of all ages, this creative memoir is endlessly amusing and endearing. It touches on subjects painfully familiar to some and uncomfortably shocking to others. A journey of self-discovery, it is also a beautiful love letter to Los Angeles, taking the reader to the real world behind the glitz and gloss of Beverly Hills and Hollywood.