Gervase Phinn has collected together from his bestselling Dales books his favourite stories about children, and includes some poems from his popular Puffin poetry books.

    She decided to pack up her life and head for the Yukon.Driving alone across the country from her home just north of Toronto, describing the land as it changes from Precambrian Shield to open prairie, Jill finds that solitude in the wilds is not what she expected. She is actively engaged by nature, her moods reflected in the changing landscape and weather. Camping in her tent as she travels, she begins to let go of the world she’s leaving and to enter the realm of the solitary traveller. There are many challenges in store. She has booked a place on a two-week sea-kayaking trip in the Queen Charlotte Islands of British Columbia; though she owns a canoe, she has never been in a kayak. As the departure nears, she dreads it. Nor does it work any miracle charm on her, as she is isolated from her fellow travellers; yet the landscape and wild beauty of the old hunt camps gradually affects her. Halfway, as she begins to have energy left at the end of the day’s exertions, she notes: “This is as relaxed as I have ever been, as free from anxious future-thinking as I have ever managed.”From there she heads north, taking ferries up the Inside Passage and using her bicycle and tent to explore the wet, mountainous places along the way. Again, she feels self-conscious when alone in public, but once she strikes out into nature, the wilderness begins to work its magic on her, and she begins to feel a bond with the land and a kind of serenity. Moreover, she comes to realize that this self-reliance is an important step. Many travel narratives involve some kind of inner journey, a seeking of knowledge and of self. Set in the same part of the world, Jonathan Raban’s A Passage to Juneau ended up being “an exploration into the wilderness of the human heart.” Kevin Patterson used his months sailing from Vancouver to Tahiti to consider his life in The Water in Between, while the Bhutanese landscape worked a profound transformation on Jamie Zeppa in Beyond the Sky and the Earth. In This Cold Heaven, Gretel Ehrlich chose not to put herself into the story, but described the landscape with a similar hunger and intensity, while Sharon Butala has written deeply and personally about her physical and spiritual connection with the prairies in The Perfection of the Morning and other work.In Starting Out in the Afternoon, Frayne struggles to come to terms with her vulnerabilities and begins to find peace. In beautifully spare but potent language, she delivers an inspiring, contemplative memoir of the middle passage of a woman’s life and an eloquent meditation on the solace of living close to the wild land. Eventually what has begun as a three-month trip becomes a personal journey of several years, during which she is on the move and testing herself in the wilderness. She conquers her fears and begins a new relationship with nature, exuberant at becoming a competent outdoorswoman. “Despite a late start I expect to spend the rest of my life dashing off the highway, pursuing this know-how, plumbing the outdoors side of life.”

    In order to pass the time, Sal explores the contents of an old trunk. Searching through the old photographs she comes across a little girl’s winter coat, tries it on, and finds herself transported into the past where she makes an unexpected connection to her heritage and her grandmother.This model tale of time travel was one of Margaret Laurence’s few forays into children’s literature and has remained a favourite of children of all ages. New art by the original illustrator makes this a beautiful book for Christmas and for all seasons. A special treat for Margaret Laurence fans.From the Hardcover edition.

    Will Poppy has always been fascinated with writing - he thinks there's something almost... magical about it. But when his mother dies, Will finds himself stuck living with his awful aunt, unable to write a single word (despite the fact that two Muses will not leave him alone) and handed a mysterious package which includes an old picture of his grandparents and a piece of cloth with the words "The Griffin of Darkwood" on it.When his aunt decides to move both of them to a small village, Will is excited for a new adventure - in a castle no less! But after a rude welcome to the town that includes stories about a curse, and an introduction to the servants of the castle who evidently mean to cause him harm, Will's sense of dread about the whole village rises.What is the curse the villagers claim has been on the castle for hundreds of years, and what does it have to do with the disappearance of a young girl forty years ago? More importantly, what's the Griffin of Darkwood, and what does it have to do with Will and his family?

    When Madison takes Alyssa under her wing, the two girls quickly bond over chocolate-chip cookies and become best friends. Amazingly, Alyssa doesn't even mind Madison's bratty sister!But there are some things Alyssa still won't share. Why won't she talk about her family? And why is she so reluctant to have Madison over to her house? She's harbouring a secret that could put their treasured friendship in jeopardy—and when Madison finds out by accident, Alyssa makes Madison promise not to tell anyone, not even Madison's parents.But should Madison tell them anyway? When is it all right to tell a little white lie... and when should you come clean with the truth?

    But when he leads a group of tourists along the cliffs of St. John's harbour, one of them ends up dead. Not only is there a murderer in his tour group, but the cop assigned to the case is sleeping with Sebastian's ex-wife. It seems like things can't get any worse, but as he's enlisted to help flush out the perpetrator, the trail leads deeper than expected, and Sebastian finds himself on the edge.

    With the glaciers gone, the province's oil and gas pipelines are being converted to water pipelines. Tensions are high as "water terrorists" threaten to violently cut off the water supply. Against this precarious backdrop, Willa desperately tries to keep her family's failing goat farm afloat.But when her son, Daniel, goes to work for the water corporation whose high-priced commodity is putting the farm out of business, Willa is stunned. A string of betrayals fractures the family, potentially beyond repair. Willa feels herself losing everything that she values most - her farm, her son, her past, even her very grip on reality. Is there any way to put the pieces back together?Watershed is a fast-paced, page-turner of a novel that cleverly explores the shattering effects of climate change on one ordinary family.

    She doesn't learn things as easily as her classmates do and that sometimes makes them mean to her. They call her names - including the really "bad" name. Even her mom and her sister Mira say unkind things at times. But Bethany has friends like her neighbor Mrs. Goldsborough as well as happy times with Dad when he gets home from work. And now, Mira has promised to protect her from the bullies when the new school year begins.Then tragedy strikes, tearing Bethany's world apart in ways she could never have imagined, and she starts to wonder if there will ever be a place that feels like home again.Award-winning author Valerie Sherrard revisits the world of The Glory Wind in her new historical novel.

    She had grown up without television or telephones but had absorbed the tragic stories and comic yarns of her close-knit family and community. The death of her infant brother marked the family, and years later, Morrissey suffers devastating guilt about the accidental death of her teenage brother, whom she'd enticed to join her in the oilfields. Her misery was compounded by her own misdiagnosis of a terminal illness, all of which contributed to crippling anxiety and an actual diagnosis of PTSD. Many of those events and themes would eventually be transformed and recast as fictional gold in Morrissey's novels.In another writer's hands, Morrissey's account of her personal story could easily be a tragedy. Instead, she combines darkness and light, levity and sadness into her tale, as her indomitable spirit and humour sustain her. Morrissey's path takes her from the drudgery of being a grocery clerk (who occasionally enlivens her shift with recreational drugs) to western oilfields, to marriage and divorce and working in a fish-processing plant to support herself and her two young children. Throughout her struggles, she nourishes a love of learning and language.Morrissey layers her account of her life with stories of those who came before her, a breed rarely seen in the modern world. It centers around iron-willed women: mothers and daughters, wives, sisters, teachers and mentors who find the support, the wind for their wings, outside the bounds given to them by nature. And it is a mysterious older woman she meets in Halifax who eventually unleashes the writer that Morrissey is destined to become.An inspiring and insightful memoir, Pluck illustrates that even when you find yourself unravelling, you can find a way to spin the yarns that will save you--and delight readers everywhere.

    The magnificent and long-awaited biography of the beloved writer who gave us the Manawaka novels, including The Diviners and The Stone Angel.

    Now living in the United States and facing his impending retirement, Jack and his wife Anne travel to Scotland to track down his long-lost sister. Their journey takes them from their home in a quiet Boston suburb to the impoverished mill towns of Ayrshire, the gray cobbled streets of Glasgow, and the majestic Scottish Highlands. Along the way, Jack gets entangled in local affairs and must confront uncomfortable truths about family, legacy, and the wife he thought he knew.Bonnie Jack, the first stand-alone novel by acclaimed author Ian Hamilton, is a compelling story about the importance of family, self-discovery, and the lengths we go to protect the ones we love.

    When Pippin wants to know what the pigs gave, the animals scoff - what could a pig have given a holy child? Dejected, Pippin heads out alone into a raging snow storm. There he meets a lost mother and baby, and leads them to the warmth of the barn. And in caring for this family in need, the animals see that giving of yourself is the best Christmas gift of all.

    It is a Canadian summer in 1939 and Robert and Annie’s love has blossomed, even as the inevitability of the boys joining up means separation and the first of many losses. Fearing he might not return, Robert makes William promise to take care of Annie. Every arena of their lives is infiltrated by the war, from the home front to the underground of queer London to the bloody battlefields of Italy. Even in the aftermath, in the shadow of The Dreamland, these friends fight their own inner battles: to have faith in their right to love and be loved, to honour their promises and ultimately find their way “home.”

    Seventeen-year-old Sylvia (Harper) Kostak is caught between her mother’s regrets and the strictures of small-town life in the interior of British Columbia. When Harper meets Gabe, an intense and enigmatic young man living on the ’60s-style arts commune outside of town, she is transfixed. Gradually we learn Gabe’s story and what led him to join his estranged mother on the commune, where, in a bid for freedom, Harper eventually finds herself, setting in motion a series of events leading to tragedy. Resonant with longing and a sense of isolation, the novel brings alive the agonies and ecstasies of growing up, sexual discovery, and how the need to belong can shape both decisions and destinies.Author Biography: Laisha Rosnau was born in Pointe Claire, Quebec, and grew up in Vernon, British Columbia. She has worked as a child-care worker, a landscaper, a waitress, a fruit picker, an interpretive guide, a journalist, and an editor. She received a Master of Fine Arts in Creative Writing from the University of British Columbia, where she was the Executive Editor of PRISM international. Her poetry and short fiction have been published in literary journals and anthologies in Canada, the United States, and Australia. The Sudden Weight of Snow is her first novel. Laisha Rosnau lives in Vancouver, where she is at work on a collection of poetry and on her second novel.

    Eagerly she puts on her sweater and snow pants, but uhoh . . . her hat’s missing! Jillian’s creativity saves the day. Soon she is off to play, wearing an amazing Martian hat. Jillian and her friends have a great time, creating an elaborate Martian landscape in the snow, building snow creatures and riding cosmic space sleds. But as they play, Jillian’s scarf and mittens disappear. Finally, even the Martian hat is gone. How is Jillian ever going to explain to her mother that her scarf, hat and mittens are lost again . . . on Mars? Phoebe Gilman’s wonderful rhyming text and bright, playful illustrations capture all the excitement of a day of play in the snow!