But she had no choice: violence—from gangs, from crime, from spiraling chaos—was making daily life hell. Rosy knew her family’s one chance at survival was to flee Guatemala and go north.After a brutal journey that left them dehydrated, exhausted, and nearly starved, Rosy and her two little boys arrived at the Arizona border. Almost immediately they were seized and forcibly separated by government officials under the Department of Homeland Security’s new “zero tolerance” policy. To her horror Rosy discovered that her flight to safety had only just begun.In The Book of Rosy, with an unprecedented level of sharp detail and soulful intimacy, Rosy tells her story, aided by Julie Schwietert Collazo, founder of Immigrant Families Together, the grassroots organization that reunites mothers and children. She reveals the cruelty of the detention facilities, the excruciating pain of feeling her children ripped from her arms, the abiding faith that staved off despair—and the enduring friendship with Julie, which helped her navigate the darkness and the bottomless Orwellian bureaucracy.A gripping account of the human cost of inhumane policies, The Book of Rosy is also a paean to the unbreakable will of people united by true love, a sense of justice, and hope for a better future.

    An honest judge in Medellin, a Maoist guerilla of Peru's Shining Path, the fair-haired Angel of Death in Argentina's Dirty War, the pool-party rich of El Salvador, the disabused revolutionaries of Nicaragua, and the ordinary Chileans who became silent partners in Pinochet's dictatorship—these people live in Latin America, but their stories illuminate the human face of violence all over the world.Tina Rosenberg spent five years trying to understand their world and learning to live with these "children of Cain." Their stories are disturbing precisely because these people are not monsters; the faces in Children of Cain are not those of strangers.

    For centuries, it allowed Colombians to settle their mountainous, geographically unique region--one of the most challenging on the planet. Colombia's complicated history reflects the beautiful, wild and impossible geography of its largest river: in places, it is placid and calm; in other moments, tortured and unpredictable. A cultural wellspring of music, poetry and literature, in dark times the Magdalena also served as the nation's graveyard. As the country enters a momentous period of revitalization, Wade Davis explores the three major sections of the river, alto, medio, and bajo, evoking each singular landscape and the people he meets there in poetic, nuanced writing, accompanied by his own striking photography.At once an absorbing adventure and an inspiring story of hope and redemption, Magdalena gives us a rare, kaleidoscopic picture of the past and present of a nation often reduced to unfair clichés of drug cartels and violence. Through many years of uncertainty, however, the Magdalena never abandoned its people, always returning as a life-giving force, the source of much of Colombia's wealth--and its dreams.Seamlessly weaving together memoir, history, and a remarkable tale of a nation rising to bring about transformational change, Wade Davis tells the story of this magnificent river with passion and love, and in doing so, tells the epic story of Colombia.

    Like George Washington and his own hero Julius Caesar, he was one of the greatest soldier-statesmen of all times. Andrew Roberts’s Napoleon is the first one-volume biography to take advantage of the recent publication of Napoleon’s thirty-three thousand letters, which radically transform our understanding of his character and motivation. At last we see him as he was: protean multitasker, decisive, surprisingly willing to forgive his enemies and his errant wife Josephine. Like Churchill, he understood the strategic importance of telling his own story, and his memoirs, dictated from exile on St. Helena, became the single bestselling book of the nineteenth century. An award-winning historian, Roberts traveled to fifty-three of Napoleon’s sixty battle sites, discovered crucial new documents in archives, and even made the long trip by boat to St. Helena. He is as acute in his understanding of politics as he is of military history. Here at last is a biography worthy of its subject: magisterial, insightful, beautifully written, by one of our foremost historians.

    It has been the thread that has held him together through a life that has encompassed abuse, breakdown and addiction. Listening to Rachmaninov on a loop as a traumatised teenager or discovering an Adagio by Bach while in a psychiatric ward - such exquisite miracles of musical genius have helped him survive his demons, and, along with a chance encounter with a stranger, inspired him to become the renowned concert pianist he is today. This is a memoir like no other: unapologetically candid, boldly outspoken and surprisingly funny - James' prose is shot through with an unexpectedly mordant wit, even at the darkest of moments. An impassioned tribute to the therapeutic powers of music, Instrumental also weaves in fascinating facts about how classical music actually works and about the extraordinary lives of some of the great composers. It explains why and how music has the potential to transform all of our lives.

     Though remarkable in their own right, the first fifteen years of the 1900s had the misfortune of being sandwiched between—and overshadowed by—the Gilded Age and the First World War. In The Good Years, Walter Lord remedies this neglect, bringing to vivid life the events of 1900 to 1914, when industrialization made staggering advances, and the Wright brothers captured the world’s imagination. Lord writes of Newport and Fifth Avenue, where the rich lived gaily and without much worry beyond the occasional economic panic. He also delves into the sweatshops of the second industrial revolution, where impoverished laborers and children suffered under unimaginable conditions. From the assassination of President McKinley to the hot and lazy “last summer” before the outbreak of war, Lord writes with insight and humor about the uniquely American energy and enthusiasm of those years before the Great War would forever change the world. From the #1 New York Times–bestselling author of Incredible Victory and Day of Infamy, this is an “informative and entertaining” journey through an often-overlooked period of history at the beginning of the twentieth century (The New York Times).

    In the brutality of his honesty, Mr. Gutierrez reminds one of Jean Genet and Charles Bukowski.” —New York TimesDirty Havana Trilogy chronicles the misadventures of Pedro Juan, a former journalist now living hand to mouth in and around Cuba, half disgusted and half fascinated by the depths to which he has sunk. Collecting garbage, peddling marijuana or black-market produce, clearing undesirables off the streets, whoring himself, begging, sacrificing to the santos, Pedro Juan scrapes by under the shadow of hunger—all the while surviving through the escapist pursuit of sex. Pedro Juan’s unsentimental, mocking, yet sympathetic eye captures a shocking underbelly of today’s Cuba.Banned in Cuba but celebrated throughout the Spanish speaking world, Gutierrez’s picaresque novel is a fierce, loving tribute to Havana and the defiant, desperate way of life that flourishes amid its decay.

    And survive she did, but not unscathed. This intimate narrative echoes the voice of the narrator's younger self, a sharp, sensitive girl keen to life's hardships.With bare language and smart humor, both delicate and unafraid, the narrator strings a strand of touching moments together to create a portrait of an unconventional childhood that crushed her, scarred her, mended her, tore her apart and ultimately made her whole.

    On April 4th, 1968 a shot rang out in the Memphis sky bringing to a close the life of the last great American hero, the Reverend Martin Luther King, Jnr.Although known to most for the delivery of his "I Have a Dream" address, which followed the peaceful march on Washington DC of 250,000 people, and as the youngest winner of the Nobel Peace Prize (at age thirty-five), King in his eleven years as elected president of the Southern Christian Leadership Conference, an organisation formed to provide new leadership to the then burgeoning civil rights movement, travelled over six million miles and spoke over twenty-five hundred times, appearing wherever there was injustice, protest, and action.Let the Trumpet Sound is the detailed examination of this life, written by Stephen B Oates, winner of the Robert E Kennedy Memorial Book Award and the Christopher Award.

    He more or less invented modern politi­cal consulting and helped Richard Nixon, Ronald Reagan, and George H. W. Bush win their races for the White House. Then he reinvented himself as a master of cable television, first as the head of CNBC and, since 1996, as the creator and leader of Fox News, the most influential news network in the country. To liberals, Ailes is an evil genius who helped polarize the country by breaking the mainstream media’s long monopoly on what constitutes news. To conservatives, he’s a champion of free speech and fair reporting whose values and view of Amer­ica reflect their own. But no one doubts that Ailes has transformed journalism. Barack Obama once called him “the most powerful man in America”— and given that Fox News has changed the way millions understand the world, it may be true. Yet for all that fame and infamy, very few people know the real person behind the headlines. Journalist Zev Chafets received unprecedented access to Ailes and his family, friends, and Fox News colleagues. The result is a candid, compelling portrait of a fascinating man. We see Ailes in action at Fox News and hear him reflect on personal mat­ters he has never before discussed publicly. And we discover the heart of his sometimes surprising political beliefs: his profane piety and his unwav­ering belief in the values of his small-town Ohio boyhood. Ailes loves to fight, but he is a happy warrior who has somehow managed to charm and befriend many of the people he has defeated in political campaigns and television wars. Barbara Walters, Rachel Maddow, Jesse Jackson, the Kennedy clan— all are unexpected Ailes fans. Chafets also gives us an unprecedented look at the inner workings of Fox News and explores Ailes’s relationships with Bill O’Reilly, Sean Hannity, Megyn Kelly, Neil Cavuto, Chris Wallace, and the other stars he has nurtured. Ultimately, Ailes is neither villain nor hero but a man full of contradictions and surprises. As Chafets writes, “What will he do next? What stokes his competitive fires and occasional rages? How to reconcile his acts of exceptional loyalty and pri­vate generosity (even to rivals) with his impulse to present himself to the world as a ruthless leg breaker? What makes Roger run—and where, if anywhere, is the finish line? As Ailes himself might say: I report, you decide.”

    Even today, more than fifty years after the phenomenon of the Third Reich, it is difficult to believe that a single person could have caused so much havoc and personal suffering, and so nearly succeeded in accomplishing his megomaniacal goal of universal domination. While the world has seen more than its fair share of dictators, none were so manipulative as Hitler, who singlemindedly pursued his own fantasies & managed to compel the entire German nation into acting them out on his behalf. "People are going to greedily devour this book...for the terror & curiosity are here. The monsters, dragons, & wolves are here. And more important, a talent for historical narrative is here..."-- The New York Times.

    The House That Trane Built tells the story of the label, balancing tales of individual passion, artistic vision, and commercial motivation. Weaving together research, dynamic album covers, session photographs, and nearly one hundred interviews with executives, journalists, producers, and musicians from Ray Charles and Alice Coltrane to Quincy Jones, Pharoah Sanders, McCoy Tyner, and others--this is the riveting tale of an era-shaping jazz label in the age of rock. The thirty-eight Album Profiles--a veritable book within a book--offer a consumer's guide to the best and most timeless titles on Impulse.

    Malinalli's Indian tribe has been conquered by the warrior Aztecs. When her father is killed in battle, she is raised by her wisewoman grandmother who imparts to her the knowledge that their founding forefather god, Quetzalcoatl, had abandoned them after being made drunk by a trickster god and committing incest with his sister. But he was determined to return with the rising sun and save her tribe from their present captivity. When Malinalli meets Cortez she, like many, suspects that he is the returning Quetzalcoatl, and assumes her task is to welcome him and help him destroy the Aztec empire and free her people. The two fall passionately in love, but Malinalli gradually comes to realize that Cortez's thirst for conquest is all too human, and that for gold and power, he is willing to destroy anyone, even his own men, even their own love.

    The Death of a President, November 20-November 25, 1963 [Hardcover]

    A native Californian, Didion applies her scalpel-like intelligence to the state’s ethic of ruthless self-sufficiency in order to examine that ethic’s often tenuous relationship to reality.Combining history and reportage, memoir and literary criticism, Where I Was From explores California’s romances with land and water; its unacknowledged debts to railroads, aerospace, and big government; the disjunction between its code of individualism and its fetish for prisons. Whether she is writing about her pioneer ancestors or privileged sexual predators, robber barons or writers (not excluding herself), Didion is an unparalleled observer, and her book is at once intellectually provocative and deeply personal.