One hundred billion nights--that is how far into the future he and Christ and Siddhartha will travel to witness the end of the world and also its fiery birth. Named the greatest Japanese science fiction novel of all time, Ten Billion Days and One Hundred Billion Nights is an epic eons in the making. Originally published in 1967, the novel was revised by the author in later years and republished in 1973. “‘Ten Billion Days and One Hundred Billion Nights,’ that's a lot of time, but Ryu Mitsuse covers all of it in under 300 pages, and the result is quite fabulous.” –Alan Cheuse, All Things Considered

    She tells him seven stories of human/android interaction in order to reveal the secret behind humanity's fall. The story takes place centuries in the future, where the diminished populations of humans live uncultured lives in their own colonies. They resent the androids, who have built themselves a stable and cultural society. In this brutal time, our main character travels from colony to colony as a “storyteller,” one that speaks of the stories of the past. One day, he is abducted by Ibis, an android in the form of a young girl, and told of the stories created by humans in the ancient past.The stories that Ibis speaks of are the 7 novels about the events surrounding the announcements of the development of artificial intelligence (AI) in the 20th to 21st centuries. At a glance, these stories do not appear to have any sort of connection, but what is the true meaning behind them? What are Ibis' real intentions?

    Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient—frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism. Yoshiro concentrates on nourishing Mumei, a strangely wonderful boy who offers “the beauty of the time that is yet to come.”A delightful, irrepressibly funny book, The Emissary is filled with light. Yoko Tawada, deftly turning inside-out “the curse,” defies gravity and creates a playful joyous novel out of a dystopian one, with a legerdemain uniquely her own.

    One survivor, strangely immune to the effects of the epidemic, ventures forward to experience a world without man. What he ultimately discovers will prove far more astonishing than anything he'd either dreaded or hoped for.

    as a human anyway. Taken in by a devious gambler named Shell, she became a slave to his cruel desires and would have been killed by his hand if not for a private investigator and his self-aware Universal Tool, Oeufcoque. Now a cyborg, Balot has not only physical powers, but the ability to disrupt social environments. She chases after Shell, his partner-in-crime Boiled, and faces down a variety of insane villains in this pulse-pounding cyberpunk noir adventure.

    This perfect world isn't that perfect though, and three young girls stand up to totalitarian kindness and super-medicine by attempting suicide via starvation. It doesn't work, but one of the girls--Tuan Kirie--grows up to be a member of the World Health Organization. As a crisis threatens the harmony of the new world, Tuan rediscovers another member of her suicide pact, and together they must help save the planet...from itself.

    His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a “full empty,” something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he’ll keep going back to the Zone, again and again, until he finds the answer to all his problems.First published in 1972, Roadside Picnic is still widely regarded as one of the greatest science fiction novels, despite the fact that it has been out of print in the United States for almost thirty years.

    Self-Reference ENGINE is a puzzle of a book, where vignette and story and philosophy combine to create a novel designed like a concept album.

    Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.

    The colony ship they arrived on is aflame. The rest of their contingent is dead. They've only received half their training, and they are being asked to conquer an entire planet. Before they can, however, they must first survive each other. In this gritty tale of youths struggling to survive, Hugh Howey fuses the best of young adult fantasy with the piercing social commentary of speculative fiction. The result is a book that begs to be read in a single sitting. An adventurous romp that will leave readers exhausted and begging for more.

    She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled. As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s — 1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

    More than thirty years ago, a hyper-dimensional passageway suddenly appeared over the continent of Antarctica. Fighters from the mysterious alien force known as the JAM poured through the passage, the first wave an attempted terrestrial invasion. Their ferocity was unquestionable, their aim unknown. Humanity, united by a common enemy, managed to repel the invaders, chasing them back through the passageway to the strange planet nicknamed “Fairy.” The task of finishing the battle was given to the newly formed FAF, a combat force created to go to Fairy and eliminate the JAM bases once and for all. Now, in the midst of a war with no end in sight, Second Lieutenant Rei Fukai carries out his missions in the skies over Fairy. Attached to Tactical Combat and Surveillance Unit 3 of the Special Air Force, his duty is to gather information on the enemy and bring it back to base—no matter the human cost. His only constant companion in this lonely task is his fighter plane, the sentient FFR-31 Super Sylph, call sign: Yukikaze.

    Now his wife is gone, his friends are dead, and he lives in the hangar of a small abandoned airport with his dog, Jasper, and a mercurial, gun-toting misanthrope named Bangley. But when a random transmission beams through the radio of his 1956 Cessna, the voice ignites a hope deep inside him that a better life exists outside their tightly controlled perimeter. Risking everything, he flies past his point of no return and follows its static-broken trail, only to find something that is both better and worse than anything he could ever hope for.

    Rumors spread online that the debris is actually an orbital weapon targeting the International Space Station. Halfway across the world, at NORAD, Staff Sergeant Darryl Freeman begins his investigation of the debris. At the same time, billionaire entrepreneur Ronnie Smark and his journalist daughter prepare to check in to an orbital hotel as part of a stunt promoting private space tourism. Then Kazumi receives highly sensitive information from a source claiming to be an Iranian scientist. And so begins an unprecedented international battle against space-based terror that will soon involve the Japan Aerospace Exploration Agency, NORAD, and the CIA.

    What follows is the most terrible global catastrophe in the history of the human race-and a Dark Age more universal and complete than could possibly be imagined.