Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    The Light That Shines in the Darkness -- the last of Tolstoy's plays, was left unfinished. In Russia it is prohibited on account of its allusions to the refusal of military service. Yet it is in some ways the most interesting of Tolstoy's posthumous works. It is obviously not strictly autobiographical, for Tolstoy was not assassinated as the hero of the piece is, nor was his daughter engaged to be married to a young prince who refused military service. But like some of his other writings, the play is semi-autobiographical. In it, not only has Tolstoy utilised personal experiences, but more than that, he answers the question so often asked: Why, holding his views, did he not free himself from property before he grew old?

    and bags of laughs too! A love story with a twist in its very waggy tail. I think Alice Wright is really Bridget Bones! Forget Hugh Grant or Colin Firth though, her dog is a much better love interest (and he’s a proper Boxer!)If you’re contemplating settling down with a good dog, read this first and if it doesn’t put you off then you’ll be fine. Already had your heart stolen by a dog? You’ll definitely recognise the dogification of your wardrobe, the permanent damage to your flooring and especially the gritty bed linen!What a page-turner. I Loved it.”Beverley Cuddy, Editor DOGS TODAY MAGAZINE"Incredibly honest, genuine and captivating... a real life take on modern day doggie living. It is brutally honest yet heart-warmingly brilliant. A must for all animal fans."Jessica Brown, PETS MAGAZINEWhat happens when you drop a big, bouncing Boxer dog into the life of a glamorous girl about town? Alice Wright reveals all in her dog-memoir with a difference...Alice's busy life consists of 'parties, premieres and private members clubs' and she loves it! She certainly doesn't want the responsiblity of a partner or a pooch but seems to end up with more than she bargained for in this very funny but incredibly personal memoir about modern dog ownership.Set in the streets of Soho and the parks of North London HANDBAGS AND POOBAGS reveals why you should never wear a long cashmere scarf when poop scooping and how to hide a dog under a barstool and in the back of a taxi-cab. A bit different from the traditional pet-memoir this warm, touching real life tale is full of embarrassing anecdotes and surprising discoveries as Alice realises that owning a dog changes not only her lifestyle but her life.See facebook.com/handbagsandpoobags for updates and photos!

    Eddie Carbone is a Brooklyn longshoreman, a hard-working man whose life has been soothingly predictable. He hasn't counted on the arrival of two of his wife's relatives, illegal immigrants from Italy; nor has he recognized his true feelings for his beautiful niece, Catherine. And in due course, what Eddie doesn't know?about her, about life, about his own heart?will have devastating consequences.

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. The guest editor then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected – and most popular – of its kind.This special e-book sampler contains eleven selections from the 2011 editions.From The Best American Short Stories® edited by Geraldine Brooks:Housewifely Arts by Megan Mayhew BergmanPhantoms by Steven MillhauserFrom The Best American Essays® edited by Edwidge Danticat:Chapels by Pico IyerThere Are Things Awry Here by Lia PurpuraFrom The Best American Mystery Stories edited by Harlan Coben:A Crime of Opportunity by Ernest J. FinneyFrom The Best American Science and Nature Writing edited by Mary Roach:The Killer in the Pool by Tim Zimmermann, Jr.The Whole Fracking Enchilada by Sandra SteingraberFrom The Best American Sports Writing edited by Jane Leavy:The Surfing Savant by Paul SolotaroffNew Mike, Old Christine by Nancy HassFrom The Best American Travel Writing edited by Sloane Crosley: My Year at Sea by Christopher BuckleyMiami Party Boom by Emily Witt

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    Included are also links to free audiobook verions of the novels.Edith Wharton was a Pulitzer Prize-winning American novelist, short story writer, and designer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930.Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels and short stories of social and psychological insight. She was well acquainted with many of her era's other literary and public figures, including Theodore Roosevelt. Novels included: •The Touchstone, 1900•The Valley of Decision, 1902•Sanctuary, 1903•The House of Mirth, 1905•Madame de Treymes, 1907•The Fruit of the Tree, 1907•Ethan Frome, 1911•The Reef, 1912•The Custom of the Country, 1913•Bunner Sisters, 1916•Summer, 1917•The Marne, 1918•The Age of Innocence, 1920 (Pulitzer Prize winner)•The Glimpses of the Moon, 1922 Free audiobooks available for: •The Touchstone, 1900•The Valley of Decision, 1902 - not available as audiobook at this time•Sanctuary, 1903•The House of Mirth, 1905•Madame de Treymes, 1907•The Fruit of the Tree, 1907•Ethan Frome, 1911•The Reef, 1912•The Custom of the Country, 1913•Bunner Sisters, 1916•Summer, 1917 - not available as audiobook at this time•The Marne, 1918•The Age of Innocence, 1920 (Pulitzer Prize winner)•The Glimpses of the Moon, 1922Enjoy!

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