A strange genius and true eccentric, Gould was renowned not only for his musical gifts but also for his erratic behavior: he often hummed aloud during concerts and appeared in unpressed tails, fingerless gloves, and fur coats. In 1964, at the height of his controversial career, he abandoned the stage completely to focus instead on recording and writing. Jonathan Cott, a prolific author and poet praised by Larry McMurtry as "the ideal interviewer," was one of the very few people to whom Gould ever granted an interview. Cott spoke with Gould in 1974 for Rolling Stone and published the transcripts in two long articles; after Gould's death, Cott gathered these interviews in Conversations with Glenn Gould, adding an introduction, a selection of photographs, a list of Gould's recorded repertoire, a filmography, and a listing of Gould's programs on radio and TV. A brilliant one-on-one in which Gould discusses his dislike of Mozart's piano sonatas, his partiality for composers such as Orlando Gibbons and Richard Strauss, and his admiration for the popular singer Petula Clark (and his dislike of the Beatles), among other topics, Conversations with Glenn Gould is considered by many, including the subject, to be the best interview Gould ever gave and one of his most remarkable performances.

    A reexamination of the importance of the classics reminds readers of the contributions those early thinkers made to present-day society, including philosophy, theater, rhetoric, oratory, biology, zoology and other arts and sciences.

    Author Bill Barich explores explores the day-to-day internal world of horse racing-- from the backside to the backstretch. This entertaining story of the lives and tribulations of various racetrack personalities is sure to extract every human emotion. The author's summer adventure after a family tragedy finds him living the life many diehard racing enthusiasts wish they could. Barich's adventure discovers more than he could ever imagine about something much bigger than racing-life itself.

    Victor, Illich celebrates the culture of the book from the twelfth century to the present. Hugh's work, at once an encyclopedia and guide to the art of reading, reveals a twelfth-century revolution as sweeping as that brought about by the invention of the printing press and equal in magnitude only to the changes of the computer age—the transition from reading as a vocal activity done in the monastery to reading as a predominantly silent activity performed by and for individuals.

    These small fish form a species flock -- closely related species that have descended from a common ancestor and radiated, or fanned, into different specializations -- that is the most spectacular in the world, fascinating anatomists, ecologists, ethologists, and evolutionary biologists alike. The process of speciation was still under way until just recently, when the introduction of the large, predatory Nile perch so disrupted the Lake's intricate ecosystem that the glorious spectrum of cichlids has almost vanished. Darwin's Dreampond tells the evolutionary story of the extraordinary "furu" and the battlefield leading to extinction. Tijs Goldschmidt skillfully blends a masterful discussion of the principles of neo-Darwinian evolution and speciation with a history of Lake Victoria's ecosystem. The science unfolds in the context of the engaging first-person narrative of Goldschmidt's adventures and misadventures as a field researcher. An astute observer and a clear and witty writer, he warmly portrays the colors and textures of the landscapes and the lives of the local people as he interacts with them during the course of his fieldwork.

    . . [a] powerful book." -- New York Times One of the last secrets of World War II is why the Germans failed to build an atomic bomb. Germany was the birthplace of modern physics; it possessed the raw materials and the industrial base; and it commanded key intellectual resources. What happened? In Heisenberg's War, Thomas Powers tells of the interplay between science and espionage, morality and military necessity, and paranoia and cool logic that marked the German bomb program and the Allied response to it. On the basis of dozens of interviews and years of intensive research, Powers concludes that Werner Heisenberg, who was the leading figure in the German atomic effort, consciously obstructed the development of the bomb and in a famous 1941 meeting in Copenhagen with his former mentor Neils Bohr in effect sought to dissuade the Allies from their pursuit of the bomb. Heisenberg's War is a "superbly researched and well-written book" (Time) whose extraordinary story engrosses-and haunts.

    Helenad surreal exile that would last until his death six years later. "A resonant meditation on exile, fame, the stories we tell about ourselves (and) the bigger stories we tell about our great figures."--Los Angeles Times Book Review.

    It is a vicarious experience to read about the culinary wonders of the notable establishments of another era that have become the last epicurean haven in this materialistic, mechanized world of fastfood chains and frozenfood dinners. Mr. Wechsberg reaches back to the twilight days of the Habsburg monarchy, when those splendid monuments to the haute cuisine in central Europe, Meissl and Schadn of Vienna and Gundel's of Budapest, were in their prime.

    Johnson & Mr. Savage recounts a story of a mysterious eighteenth-century friendship between Richard Savage - poet, playwright, and convicted murderer - and the young Samuel Johnson, an unknown provincial schoolmaster just arrived in London to seek his literary fortune. In a book that the Times Literary Supplement has called "a chiaroscuro masterpiece, as gothic as a ghost story, as heroic as a myth," Richard Holmes brilliantly reconstructs the puzzling emotional intimacy between the naive Johnson and the seductive, contradictory Savage whose days (when he was not in prison) were spent in taverns, brothels, and society salons. Holmes's spellbinding account shows how their relationship shaped Dr. Johnson's experience of the world and his profound knowledge of human passion, and how it led directly to his early masterpiece, The Life of Richard Savage, a book that revolutionized the art of biography and invented the figure of the poet as a romantic outcast. In Dr. Johnson & Mr. Savage, Richard Holmes, says Alfred Kazin, "has shown us the young Johnson that Boswell was afraid to portray," and transformed our understanding of biography itself.

    An intimate and unvarnished view of Winston Churchill at his best.

    Donald Hall tells about life on a small farm where, as a boy, he spent summers with his grandparents. Gradually the boy grows to be a young man, sees his grandparents aging, the farm become marginal, and finally, the cows sold and the barn abandoned. But these are more than nostalgic memories, for in the measured and tender prose of each episode are signs of the end of things - a childhood, perhaps a culture.

    Drawing on his father's recollections and on the memories of those who worked with him, John Lahr brilliantly examines the history of modern American show business through the long and glorious career of his father--the raucous low-comic star of burlesque, vaudeville, the Broadway revue and musical, Hollywood movies, and the legitimate stage. Here in rich detail is Lahr evolving from low--dialect comic to Ziegfeld Follies sophisticate, hamming it up with the Scarecrow and Tin Woodsman on the set of The Wizard of Oz, and debuting Samuel Beckett's Waiting for Godot in America, which Kenneth Tynan called "one of the most noble performances I have ever seen." In the examination of Bert Lahr's chronic insecurity and self-absorption, the breakdown of his first marriage, and the affectionate arm's length he kept between himself and his adoring second family, John Lahr's book also brings the reader closer than any other theater biography to the private torment of a great funny man. This edition of the book includes the award-winning essay "The Lion and Me," John Lahr's intimate reflections on family life with his distant, brooding, but lovable father. A first-class stylist, John Lahr takes the reader beyond the magic of show business to a dazzling examination of how a performing self is constructed and staged before the paying customers. Both as theater history and biography, Lahr's book is superb.

    Nobel laureate Gerald M. Edelman takes issue with the many current cognitive and behavioral approaches to the brain that leave biology out of the picture, and argues that the workings of the brain more closely resemble the living ecology of a jungle than they do the activities of a computer. Some startling conclusions emerge from these ideas: individuality is necessarily at the very center of what it means to have a mind, no creature is born value-free, and no physical theory of the universe can claim to be a ”theory of everything” without including an account of how the brain gives rise to the mind. There is no greater scientific challenge than understanding the brain. Bright Air, Brilliant Fire is a book that provides a window on that understanding.

    It is also an artistic and political manifesto. The introduction traces Conrad's sources and gives the history of writing and reception. The essay on the text and the apparatus set out the textual history. The notes explain literary and historical references, identify places, and gloss foreign terms. Four maps and a genealogical table supplement this explanatory material. This edition of A Personal Record, established through modern textual scholarship, presents Conrad's reminiscences and the volume's two prefaces in forms more authoritative than any so far printed.

    The author of the critically acclaimed novel In the Language of Love presents a collection of stories illustrated with wood engravings and line drawings from the 17th, 18th, and 19th centuries which reveal that we are what we worship.