"Hope for the Flowers" is an inspiring allegory about the realization of one's true destiny as told through the lives of caterpillars Stripe and Yellow, who struggle to "climb to the top" before understanding that they are meant to fly.

    One night, Lilly hears the whales and watches breathlessly as they "leaped and jumped and spun across the moon." Then, waking from what she thinks is a dream, she hears them call her name. Sheldon's brief story seems to be a celebration of the joys of fantasy and the belief in magical happenings. It is enriched by Blythe's wonderfully evocative paintings, which range from warm, realistic close-up portraits to dramatically moonlit seascapes. But beyond the pleasures of the dreamlike mood, the book has little substance. There is no deeper level of meaning, no foundation is offered for the idea that whales are magical, and certainly in the dolphinlike behavior of the whales there is no information on the actual habits and habitats of these wondrous creatures of the deep. --Shirley Wilton, Ocean County College, Toms River, NJCopyright 1991 Reed Business Information, Inc.

    Collected here and illustrated to wonderful haunting effect by Edward Gorey, these short, funny pieces offer moral instruction for all types of mischief makers—from a certain young Jim, "who ran away from his nurse and was eaten by a lion," to the tale of Matilda, "who told lies and was burned to death”—and add up to a delightful read for any fan of Roald Dahl or Shel Silverstein.

    Illustrated poems depict the fairies who live among the plants of autumn.

    It was a cartoon that appeared for many years in daily newspapers and was loved by millions. (And was confusing to millions more.) But one day he stopped.Gary went into hiding. He made a couple short films. He played his guitar. He threw sticks for his dogs. They threw some back.Yet Gary was restless. He couldn't sleep nights. Something haunted him. (Besides Gramps.) Something that would return him to his roots in biology, drawing and dementia--a tale called There's a Hair in My Dirt! A Worm's Story.It begins a few inches underground, when a young worm, during a typical family dinner, discovers there's a hair in his plate of dirt. He becomes rather upset, not just about his tainted meal but about his entire miserable, wormy life. This, in turn, spurs his father to tell him a story--a story to inspire the children of invertebrates everywhere.And so Father Worm describes the saga of a fair young maiden and her adventuresome stroll through her favorite forest, a perambulator's paradise. It is a journey filled with mystery and magic. Or so she thinks.Which is all we'll say for now.What exactly does the maiden encounter?Does Son Worm learn a lesson?More important, does he eat his plate of fresh dirt?Well, you'll have to read to find out, but let's just say the answers are right under your feet.Written and illustrated in a children's storybook style, There's a Hair in My Dirt! A Worm's Story is a twisted take on the difference between our idealized view of Nature and the sometimes cold, hard reality of life for the birds and the bees and the worms (not to mention our own species).Told with his trademark off-kilter humor, this first original non--Far Side book is the unique work of a comic master.Now Larson can finally sleep at night.Question is, will you?(from the back cover)

    Now, The Lost Spells, a book kindred in spirit and tone, continues to re-wild the lives of children and adults.The Lost Spells evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read The Lost Spells is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.

    When a newly orphaned baby in the moon makes friends with the children of Earth, he seeks a way to ward off their fears and nightmares.Up there in the sky.Don’t you see him?No, not the moon.The Man in the Moon.He wasn’t always a man.Nor was he always on the moon.He was once a child.Like you.Until a battle,a shooting star,and a lost balloonled him on a quest.Meet the very first Guardian of Childhood.MiM, the Man in the Moon.

    

    Life may never be the same again!This glorious debut from Daniel Gray-Barnett is filled with wonder, imagination, and a wild, magical spirit that will thrill young and old.

    Together they go on an amazing journey, past icebergs and volcanoes, sharks and penguins, and the snail feels very small in the vastness of the world. But when the whale is beached in a bay, it's the tiny snail who saves the day.

    This edition presents the unabridged version of the Grimms' tale, with an original interpretation by renowned artist Camille Rose Garcia that artfully combines wit and dark romance

    Patiently and politely, he asks the animals he comes across, one by one, whether they have seen it. Each animal says no, some more elaborately than others. But just as the bear begins to despond, a deer comes by and asks a simple question that sparks the bear’s memory and renews his search with a vengeance. Told completely in dialogue, this delicious take on the classic repetitive tale plays out in sly illustrations laced with visual humor—and winks at the reader with a wry irreverence that will have kids of all ages thrilled to be in on the joke.

    Nobody in Preston could remember when the watertower was built, or who had built it, but there it stood on Shooter's Hill — its iron legs rusted, its egg-shaped tank warped and leaking — casting a long dark shadow across the valley, across Preston itself.

    The stick appeared when a tree dropped it. Where did the bad mood come from? Who picked up the stick? And where is the bad mood off to now? You never know what is going to happen.

    Published in celebration of the centennial of Crockett Johnsons' birth, Magic Beach includes an appreciation by Maurice Sendak, to whom Crockett Johnson was a mentor and friend, and an afterword by Philip Nel, who found the original drawings in the archives of the Smithsonian Institution.