Ranging from laugh-out-loud funny to deliciously dark, these stories are about the ordinary day-to-day challenges facing these extraordinary individuals growing up, growing old, relationships, parenting, coping with that age-old desire to fit in when, let s face it, they don't.“Ms. Liberty Gets a Haircut” by Cat Rambo, copyright © 2009 by Cat Rambo, originally published in Strange Horizons (October 26, 2009); “Destroy the City with Me Tonight” by Kate Marshall, copyright © 2017 by Kate Marshall; “Fool” by Keith Frady, copyright © 2017 by Keith Frady; “Pedestal” by Seanan McGuire, copyright © 2017 by Seanan McGuire; “As I Fall Asleep” by Aimee Ogden, copyright © 2017 by Aimee Ogden; “Meeting Someone in the 22nd Century or Until the Gears Quit Turning” by Jennifer Pullen, copyright © 2017 by Jennifer Pullen; “Inheritance” by Michael Milne, copyright © 2017 by Michael Milne; “Heroes” by Lavie Tidhar, copyright © 2016 by Lavie Tidhar, originally published in Strange Horizons (September 19, 2016); “Madjack” by Nathan Crowder, copyright © 2017 by Nathan Crowder; “Quintessential Justice” by Patrick Flanagan, copyright © 2017 by Patrick Flanagan; “The Fall of the Jade Sword” by Stephanie Lai, copyright © 2017 by Stephanie Lai; “Origin Story” by Carrie Vaughn, copyright © 2016 by Carrie Vaughn, LLC, originally published in Lightspeed Magazine (April 2016); “Eggshells” by Ziggy Schutz, copyright © 2017 by Ziggy Schutz; “Salt City Blue” by Chris Large, copyright © 2017 by Chris Large; “Birthright” by Stuart Suffel, copyright © 2017 by Stuart Suffel; “The Smoke Means It’s Working” by Sarah Pinsker, copyright © 2017 by Sarah Pinsker; “Torch Songs” by Keith Rosson, copyright © 2017 by Keith Rosson; “The Beard of Truth” by Matt Mikalatos, copyright © 2017 by Matt Mikalatos; “Over an Embattled City” by Adam R. Shannon, copyright © 2017 by Adam R. Shannon; “Origin Story” by Kelly Link, copyright © 2006 by Kelly Link, originally published in A Public Space (Winter 2006) and reprinted in Kelly Link’s Get in Trouble (Random House; 2015)

    Few people know of it: a broken web of ancient passageways and abandoned rooms. A young woman lives there, tucked among the sprawling tunnels of the Underthing, snug in the heart of this forgotten place.Her name is Auri, and she is full of mysteries.The Slow Regard of Silent Things is a brief, bittersweet glimpse of Auri’s life, a small adventure all her own. At once joyous and haunting, this story offers a chance to see the world through Auri’s eyes. And it gives the reader a chance to learn things that only Auri knows...In this book, Patrick Rothfuss brings us into the world of one of The Kingkiller Chronicle’s most enigmatic characters. Full of secrets and mysteries, The Slow Regard of Silent Things is the story of a broken girl trying to live in a broken world.AUTHOR’S FOREWORD You might not want to buy this book.I know, that’s not the sort of thing an author is supposed to say. The marketing people aren’t going to like this. My editor is going to have a fit. But I’d rather be honest with you right out of the gate.First, if you haven’t read my other books, you don’t want to start here.My first two books are The Name of the Wind and The Wise Man’s Fear. If you’re curious to try my writing, start there. They’re the best introduction to my world. This book deals with Auri, one of the characters from that series. Without the context of those books, you’re probably going to feel pretty lost.Second, even if you have read my other books, I think it’s only fair to warn you that this is a bit of a strange story. I don’t go in for spoilers, but suffice to say that this one is ... different. It doesn’t do a lot of the things a classic story is supposed to do. And if you’re looking for a continuation of Kvothe’s storyline, you’re not going to find it here.On the other hand, if you’d like to learn more about Auri, this story has a lot to offer. If you love words and mysteries and secrets. If you’re curious about the Underthing and alchemy. If you want to know more about the hidden turnings of my world...Well, then this book might be for you.

    For Tom Badgerlock is actually FitzChivalry Farseer, bastard scion of the Farseer line, convicted user of Beast-magic, and assassin. A man who has risked much for his king and lost more…On a shelf in his den sits a triptych carved in memory stone of a man, a wolf and a fool. Once, these three were inseparable friends: Fitz, Nighteyes and the Fool. But one is long dead, and one long-missing.Then one Winterfest night a messenger arrives to seek out Fitz, but mysteriously disappears, leaving nothing but a blood-trail. What was the message? Who was the sender? And what has happened to the messenger?Suddenly Fitz's violent old life erupts into the peace of his new world, and nothing and no one is safe.

    An ancient prophecy reveals one hope: a savior princess who will ascend to the throne when the time is right.  But first, a Nelwyn wanderer must face forces of unimaginable malevolence and dangerous, forbidden rites of necromancy to bring back a powerful warrior from soulless sleep.

    As such, it contains HUGE SPOILERS for the books Mistborn (The Final Empire), The Well of Ascension, and The Hero of Ages. It also contains very minor spoilers for the book The Bands of Mourning. Mistborn: Secret History builds upon the characterization, events, and worldbuilding of the original trilogy. Reading it without that background will be a confusing process at best. In short, this isn’t the place to start your journey into Mistborn. (Though if you have read the trilogy—but it has been a while—you should be just fine, so long as you remember the characters and the general plot of the books.) Saying anything more here risks revealing too much. Even knowledge of this story’s existence is, in a way, a spoiler. There’s always another secret.

    Bakura is on the edge of known space and the first to meet the Ssi-ruuk, cold-blooded reptilian invaders who, once allied with the now dead Emperor, are approaching Imperial space with only one goal: total domination. Princess Leia sees the mission as an opportunity to achieve a diplomatic victory for the Alliance. But it assumes even greater importance when a vision of Obi-Wan Kenobi appears to Luke Skywalker with the message that he must go to Bakura—or risk losing everything the Rebels have fought so desperately to achieve. Even as the Alliance arrives, the aliens have almost overcome the Bakura Imperial garrison, whose desperate commander will accept help from any quarter—even Rebel—against an insidious foe that enslaves Human minds to pilot their invincible machines of war and destruction. While marshalling the tattered Imperial forces, Luke, Han Solo, and Princess Leia must win the trust and cooperation of the Bakurans. For although Imperial Governor Nereus has granted the Rebels temporary amnesty there is the possibility of treachery among those whose first allegiance lies with the Empire. On the eve of the final explosive onslaught, Rebel and Imperial forces must finally come to terms with each other…or lose the entire galaxy to the hideous servitude promised by a victorious alien enemy. Capturing the sweep and excitement of the original Star Wars saga, The Truce at Bakura plants a seed of hope for peace, sees the formation of a timeless love, and stands witness to a Jedi's undying sacrifice to defend Humanity against an alien nemesis.

    Instead, procedures to induce Acquired Savant Abilities (ASAs) are now purchased by the privileged. And Orpheus's father holds the copyright to the ASA procedure.Zimri Robinson, a natural musical prodigy, is a "plebe"--a worker at the enormous warehouse that supplies an on-line marketplace that has supplanted all commerce. Her grueling schedule and her grandmother's illness can't keep her from making music--even if it is illegal.Orpheus and Zimri are not supposed to meet. He is meant for greatness; she is not. But sometimes, rules are meant to be broken. Here is a thriller, love story, and social experiment that readers will find gripping--and terrifying.

    Out of the ashes rose a new government, the Confederation of the Willing, dedicated to maintaining order at any cost. The populace is controlled via government-sanctioned sex and drugs, a brutal police force known as the Blue Coats, and a device called the slate, a mandatory implant that monitors every word a person speaks. To utter a Red-Listed, forbidden word is to risk physical punishment or even death.But there are those who resist. Guided by the fabled "Book of Noah," they are determined to shake the people from their apathy and ignorance, and are prepared to start a war in the name of freedom. The newest member of this resistance is Harper—a woman driven by memories of a daughter lost, a daughter whose very name was erased by the Red List. And she possesses a power that could make her the underground warriors' ultimate weapon—or the instrument of their destruction.In the tradition of Margaret Atwood's The Handmaid's Tale, Laura Bynum has written an astonishing debut novel about a chilling, all-too-plausible future in which speech is a weapon and security comes at the highest price of all.

    Now the elves need the weapon for their war against the trolls. Only Scafloc, a human kidnapped and raised by elves, can hope to persuade Bolverk the ice-giant to make Tyrfing whole again. But Scafloc must also confront his shadow self, Valgard, the changeling in his place among men.

    Their word is law and their judgement binding on highborn and low.Nolan is a Justice born in what once was the free nation of Sinjaria. Orphaned in the war of conquest with the nation of Hamis, he traveled to far Talianna and secured the right to become a Justice. Now, years later, the Master of all Talions has a dangerous assignment for Nolan: He is to guard the life of the king who destroyed Sinjaria and slaughtered his family. Alone, Nolan ventures into the political maelstrom that is the court of Hamis to stop an assassin even his Masters think cannot be slain. . . .

    It is a place of demons and angels, of warriors and priests. Sentient and magical, the Vorrh bends time and wipes  memory. Legend has it that the Garden of Eden still exists at its heart. Now, a renegade English soldier aims to be the first human to traverse its expanse. Armed with only a strange bow, he begins his journey, but some fear the consequences of his mission, and a native marksman has been chosen to stop him. Around them swirl a remarkable cast of characters, including a Cyclops raised by robots and a young girl with tragic curiosity, as well as historical figures, such as writer Raymond Roussel, heiress Sarah Winchester, and photographer Edward Muybridge.  While fact and fiction blend, the hunter will become the hunted, and everyone’s fate hangs in the balance under the will of the Vorrh.

    Clarke Awards. For centuries, the kingdom of Iraden has been protected by the god known as the Raven. He watches over his territory from atop a tower in the powerful port of Vastai. His will is enacted through the Raven's Lease, a human ruler chosen by the god himself. His magic is sustained via the blood sacrifice that every Lease must offer. And under the Raven's watch, the city flourishes. But the power of the Raven is weakening. A usurper has claimed the throne. The kingdom borders are tested by invaders who long for the prosperity that Vastai boasts. And they have made their own alliances with other gods. It is into this unrest that the warrior Eolo--aide to Mawat, the true Lease--arrives. And in seeking to help Mawat reclaim his city, Eolo discovers that the Raven's Tower holds a secret. Its foundations conceal a dark history that has been waiting to reveal itself...and to set in motion a chain of events that could destroy Iraden forever.

    Justine Larbalestier has collected 11 key stories--many of them not easily found, and all of them powerful and provocative--and sets them alongside 11 new essays, written by top scholars and critics, that explore the stories' contexts, meanings, and theoretical implications. The resulting dialogue is one of enormous significance to critical scholarship in science fiction, and to understanding the role of feminism in its development. Organized chronologically, this anthology creates a new canon of feminist science fiction and examines the theory that addresses it. Daughters of Earth is an ideal overview for students and general readers.Content: 1. The Fate of Poseidonia - Clare Winger Harris, 19272. The Conquest of Gola - Leslie F. Stone, 19313. Created He Them - Alice Eleanor Jones, 19554. No Light in the Window - Kate Wilhelm, 19635. The Heat Death of the Universe - Pamela Zoline, 19676. And I Awoke and Found Me Here on the Cold Hill Side - James Tiptree Jr., 19717. Wives - Lisa Tuttle, 19768. Rachel in Love - Par Murphy, 19879. The Evening and the Morning and the Night - Octavia E. Butler, 198710. Balinese Dancer - Gwyneth Jones, 199711. What I Didn't See - Karen Joy Fowler, 2002

    Yet, as in all Norton’s wonder novels, this is a fabulous adventure in fantasy. Here is Merlin, half star-born, gifted with the advice of an alien intelligence, given the task of renewing civilization and starting humanity again up the ladder to the stars. Here is Arthur, unaware of his stellar heritage. And here too, is the Lady of the Lake, akin to Merlin in that she is also a listener to the music of the spheres and obedient to a celestial command post.

    He writes letters to his brother and to others, including a friend still in jail, to whom he progressively reveals the intriguing pieces of a strange and fantastic narrative. When he meets a real estate agent who tells him he is, to his utter surprise, the heir to a huge old house in town, long empty, he moves in. He is immediately confronted by an array of supernatural creatures and events, by love and danger. His life is utterly transformed and we read on, because we must know more. We revise our opinions of him, and of others, with each letter, piecing together more of the story as we go. We learn things about magic, and another world, and about the sorcerer Mr. Black, who originally inhabited the house. And then knowing what we now know only in the end, perhaps we read it again.