Faith's childhood was dominated by Laurel's disappearance - from her parents' broken marriage and the constant media attention to dealing with so-called friends who only ever wanted to talk about her sister.NOW SHE IS FOUND...Thirteen years later, a young woman is found in the garden of the Logans' old house, disorientated and clutching the teddy bear Laurel was last seen with. Laurel is home at last, safe and sound. Faith always dreamed of getting her sister back, without ever truly believing it would happen. But a disturbing series of events leaves Faith increasingly isolated and paranoid, and before long she begins to wonder if everything that's lost can be found again...

    Reporters flocked to the scene. Well-known columnists took up conspicuous seats in the courtroom. The defendant was relentlessly scrutinized for signs of guilt or innocence. Everyone—rich and poor, suffragists and social conservatives, legal scholars and laypeople—had an opinion about Lizzie Borden’s guilt or innocence.The popular fascination with the Borden murders and its central, enigmatic character has endured for more than a hundred years, but the legend often outstrips the story. Based on transcripts of the Borden legal proceedings, contemporary newspaper articles, previously withheld lawyer's journals, unpublished local reports, and recently unearthed letters from Lizzie herself, The Trial of Lizzie Borden is a definitive account of the Borden murder case and offers a window into America in the Gilded Age, showcasing its most deeply held convictions and its most troubling social anxieties.

    When death is sudden or unexplained, it falls to Shepherd to establish the cause. Each post-mortem is a detective story in its own right - and Shepherd has performed over 23,000 of them. Through his skill, dedication and insight, Dr Shepherd solves the puzzle to answer our most pressing question: how did this person die?From serial killer to natural disaster, 'perfect murder' to freak accident, Shepherd takes nothing for granted in pursuit of truth. And while he's been involved in some of the most high-profile cases of recent times, it's often the less well known encounters that prove the most perplexing, intriguing and even bizarre. In or out of the public eye, his evidence has put killers behind bars, freed the innocent and turned open-and-shut cases on their heads.But a life in death, bearing witness to some of humanity's darkest corners, exacts a price and Shepherd doesn't flinch from counting the cost to him and his family.

    Rachel doesn’t seem very maternal: she smokes, drinks, and professes little interest in parenthood. Still, Helen is drawn to her. Maybe Rachel just needs a friend. And to be honest, Helen’s a bit lonely herself. At least Rachel is fun to be with. She makes Helen laugh, invites her confidences, and distracts her from her fears.But her increasingly erratic behavior is unsettling. And Helen’s not the only one who’s noticed. Her friends and family begin to suspect that her strange new friend may be linked to their shared history in unexpected ways. When Rachel threatens to expose a past crime that could destroy all of their lives, it becomes clear that there are more than a few secrets laying beneath the broad-leaved trees and warm lamplight of Greenwich Park.

    Or the one that matters most.A claustrophobic thriller set over twenty hours on one airplane flight, with the heart-stopping tension of The Last Flight and the wrenching emotional intensity of Room, Hostage takes us on board the inaugural nonstop flight from London to Sydney.Mina is trying to focus on her job as a flight attendant, not the problems of her five-year-old daughter back home, or the fissures in her marriage. But the plane has barely taken off when Mina receives a chilling note from an anonymous passenger, someone intent on ensuring the plane never reaches its destination. Someone who needs Mina's assistance and who knows exactly how to make her comply. It's twenty hours to landing. A lot can happen in twenty hours.

    An accused killer insists she's innocent of a heinous murder.A grieving journalist surfaces from the wreckage of her shattered life.Their unlikely alliance leads to a dangerous cat and mouse game that will leave you breathless.Who can you trust when you can't trust yourself?Trust Me is the chilling standalone novel of psychological suspense and manipulation that award-winning author and renowned investigative reporter Hank Phillippi Ryan was born to write.

    There's no explanation: just a grainy image, a website address and a phone number. She takes it home to her family, who are convinced it's just someone who looks like Zoe. But the next day the advert shows a photo of a different woman, and another the day after that.Is it a mistake? A coincidence? Or is someone keeping track of every move they make...If you like Shari Lapena, Paula Hawkins, Rachel Abbott, B A Paris, Fiona Barton, Ruth Ware and CL Taylor, you'll love this gripping psychological thriller.

    They know when.No one can say why.For three women the lack of answers is unbearable: DI Helen Birch, the detective charged with solving the case. Ishbel, the mother of the first victim, struggling to cope with her grief. And Moira, mother of the killer, who needs to understand what happened to her son.But as people search for someone to blame, the truth seems to vanish...

    Yet here are over thirty true stories of real life murderers who abused the trust of the public, their patients, their friends and their colleagues, indulging in chilling killing sprees. Neville Heath, the charming RAF officer with uncontrollable urges. Susan Christie, the ‘Fatal Attraction’ killer from the Ulster Defence Regiment. Robert Erler, the so-called Super Cop who shot a mother and daughter seemingly on a whim. Genene Jones, the loving nurse who killed many of the children in her care. James Camb, the ship’s steward who charmed and then killed one of his passengers. What drove these people to commit such heinous acts and how did they utilise the confidence placed in those in uniform? Killers in Uniform is saturated with stark reminders that real-life killers are far from monsters of fiction. In providing a comprehensive history of some of the most shocking crimes on record, Adrian Vincent raises important questions about patterns of crime, the psychology of murder and regulation of systems where trust and exploitation can unfortunately go hand in hand. He also charts changes in the justice system and controversial judicial attitudes towards punishment: documenting the move away from the death penalty and punitive punishment towards rehabilitation and flexible sentencing terms, detailing crimes which ended in hanging and life-sentences to prisoners sent to psychiatric hospitals including Broadmoor. Adrian Vincent worked in Fleet Street for twenty-seven years, becoming managing editor of IPC’s educational magazines. He is the author of many books on art and antiques, novels and true crime.

    My reason for writing it is simple: to give an account of the truth ... Writing this memoir has entailed recording some very personal, intimate and emotional aspects of our lives. Sharing these with strangers does not come easily to me, but if I hadn't done so I would not have felt the book gave as full a picture as it is possible for me to give. As with every action we have taken over the last four years, it ultimately boils down to whether what we are doing could help us to find Madeleine. When the answer to that question is yes, or even possibly, our family can cope with anything ... "What follows is an intensely personal account, and I make no apology for that ... "Nothing is more important to us than finding our little girl."  — Kate McCann, May 2011 "It is a sad fact that not a single police force anywhere is proactively looking for Madeleine (as is the case for many other missing children). I am sure this book will re-energise the search for our daughter and the public will get behind the Find Madeleine campaign once again. It is simply not acceptable that the authorities have given up on Madeleine — especially when no comprehensive review of the case has been undertaken. Our daughter, and whoever took her, are out there. We need your help to find them."  — Gerry McCann, May 2011

    One would never leave.Matthew: the perfect husband.Titus: the perfect son.Charlie: the perfect illusion.Rachel: the perfect stranger.Charlie didn’t want her at the book club. Matthew wouldn’t listen.And that’s how Charlie finds himself slumped beside his husband’s body, their son sitting silently at the dinner table, while Rachel calls 999, the bloody knife still gripped in her hand.Agatha Christie meets Donna Tartt in this nerve-shredding domestic noir thriller that weaves a sprawling web of secrets around an opulent West London world and the dinner that ends in death.

    Until now.For years, behind the closed doors of their farmhouse in Raymond, Washington, their sadistic mother, Shelly, subjected her girls to unimaginable abuse, degradation, torture, and psychic terrors. Through it all, Nikki, Sami, and Tori developed a defiant bond that made them far less vulnerable than Shelly imagined. Even as others were drawn into their mother’s dark and perverse web, the sisters found the strength and courage to escape an escalating nightmare that culminated in multiple murders.

    But when he opens an early Christmas present left on his doorstep, he soon realises it is no gift. Inside is a gruesome surprise, and a promise – twelve days, twelve murders. Not long after, the first body is found, half frozen in the snow. As the blizzards descend, panic spreads through the remote Cumbrian village – there’s a killer amongst them, and with eleven more victims to go, anyone could be next…. Can James stop the killer before they strike again?The first in a new series, Alex Pine has written a dark, atmospheric crime novel, set in a snowed-in Cumbrian village, for fans of Val McDermid, Ross Greenwood and LJ Ross.

    when they come for me. I am already awake, strung out on the fear that they will come, and the fear that they won’t. When I finally hear the click of the latch on the dormitory door, I have only a second to brace myself before—At Cate's isolated boarding school, Killer is more than a game—it’s an elite secret society. Members must avoid being “Killed” during a series of thrilling pranks, and only the Game Master knows who the “Killer” is. When Cate’s finally invited to join the Assassins’ Guild, she know it’s her ticket to finally feeling like she belongs.But when the game becomes all too real, the school threatens to shut it down. Cate will do anything to keep playing and save the Guild. But can she find the real assassin before she’s the next target?

    "I was fourteen when I fell in love with a goddess. . ."So begins the testimony of Noah Calaway, an ex-lawyer with a sideline in armchair criminal psychology. Now living an aimless life in an inherited cottage in the English countryside, Noah is haunted by the memory of the beguiling young woman who left him at the altar sixteen years earlier. Then one day he receives a troubling phone call. April, the woman he once loved, lies in a coma, the victim of an apparent overdose--and the lead suspect in a brutal murder. Deep in his bones, Noah believes that April is innocent. Then again, he also believed they would spend the rest of their lives together. While Noah searches for evidence that will clear April's name, a teenager named Ella begins to sift through the secrets of her own painful family history. The same age as April was when Noah first met her, Ella harbors a revelation that could be the key to solving the murder. As the two stories converge, there are shocking consequences when at last, the truth emerges. Or so everyone believes. . .Set in a borderland where the past casts its shadow on the present, with a time-shifting narrative that will mesmerize and surprise, The Beauty of the End is both a masterpiece of suspense and a powerful rumination on lost love.