This book features a developmental history of the production through beautiful artwork, photos, and behind-the-scenes details of the challenges the director and actors faced and the making of the elaborate sets, costumes, and masks.

    In its fifth edition, THE WADSWORTH ANTHOLOGY OF DRAMA broadens its scope to offer even more plays than ever before.

    There, he fell in with a subculture of young musicians playing some of the most original and brutal music in the world. Turns out the chaos of Pearson’s bands — The Locust, Swing Kids, and Some Girls — is nothing compared to the madness of his life.An icon of the West Coast noise and punk scene, Pearson managed to arrive at adulthood by outsmarting skinheads and dodging equally threatening violence at home. Once there, the struggle continued, with Pearson getting beat up on Jerry Springer and, on more than one occasion, chased out of town by ferociously angry audiences.From the Graveyard of the Arousal Industry is the outrageously candid story of Pearson’s life. In loving, meticulous detail, Pearson gives readers the dirt behind each rivalry, riff, and lineup change.

    Throughout his remarkable career in the dramatic arts, as well as his occasionally explosive personal life, Sean Penn has proved he rarely plays by the rules. A tumultuous marriage to Madonna, stints in jail, and other forms of hell-raising marked Penn's younger years, along with some stunning performances on film. Later, Penn emerged as a brilliant director, devoted father, contentious political activist…and reluctant actor, capable nevertheless of breathtaking performances (Dead Man Walking, Sweet and Lowdown, Mystic River, and 21 Grams). Illustrated with over seventy-five black and white photographs and drawing on exclusive interviews with Penn and his family, friends and colleagues (Jack Nicholson, Dennis Hopper, Woody Allen, Susan Sarandon, Bono, Christopher Walken, Angelica Huston, and many more), Kelly creates an engaging, richly detailed and multi-faceted portrait of an uncompromising American artist in this exclusive and engrossing authorized biography.

    Stanislavski's simple exercises fire the imagination, and help readers not only discover their own conception of reality but how to reproduce it as well.

    Aged 16, White was the youngest player to win the English Amateur Championship. At 18, he won the World Amateur title. By 1984, he's a professional success, married but not at all settled. He's the kind of man who goes out for a packet of cigarettes and comes home two weeks later. Gambling, women, marathon binges with showbiz friends like Ron Wood of the Rolling Stones, have threatened the stability of his marriage. But somehow White has survived, to tell in candid detail, a most unusual, often outrageous story of a very sporting life.

    Routledge is an imprint of Taylor & Francis, an informa company.

    THE ONE-STOP, SINGLE-VOLUME COMPANION TO SHAKESPEARE'S GREATEST WORKS-HIS HISTORY PLAYS, COMEDIES, TRAGEDIA, ROMANCES, AND POETRYA portrait of Shakespeare's life and times: critics, contemporaries, patrons, and the era's vibrant theater.Full commentaries on all 39 plays including detailed plot summaries, a survey of dramatic interpretations on stage and screen, and an introduction to Shakespeare's sonnets and narrative poetry.Insight into Shakespeare's unique world, including his language, his sources of inspiration, and teh secret of his enduring universal appeal.

    Being an Actor traces his stage journey from the letter he wrote to Laurence Olivier that led him to his first job, to his triumph as Mozart in the original production of Amadeus. This new edition continues to tell the story of his past two decades onstage. Callow discusses his occasionally ambivalent yet always passionate feelings about both film and theatre, conflicting sentiments partially resolved by his acclaimed return to the stage with his solo performances in The Importance of Being Oscar and The Mystery of Charles Dickens, seen in the West End and on Broadway in 2002.Being an Actor is a guide not only to the profession but also to the intricacies of the art, told with wit, candour, and irrepressible verve by one if the great figures of the stage.

    Murray Abraham on gaining an audience’s sympathy for Shylock, Sir Ben Kingsley on communicating Shakespeare’s ideas through performance, Germaine Greer on the playwright’s home life, Dame Harriet Walter on the complexity of his heroines, Brian Cox on social conflict in his time and ours, Jane Smiley on transposing King Lear to Iowa in A Thousand Acres, and Sir Antony Sher on feeling at home in Shakespeare’s language. Together these essays provide a fresh appreciation of Shakespeare’s works as a living legacy to be read, seen, performed, adapted, revised, wrestled with, and embraced by creative professionals and lay enthusiasts alike.

    This could be due to the nearsightedness that presented itself in third grade when she became known as four-eyed Smelly Kelly, but it’s not. According to her high school Journalism teacher, Potter has a unique perspective and outlook on life. She still doesn’t know if that was a compliment or an insult – or perhaps, just a nice way to say she’s weird. In this collection of essays, Four Eyes Were Never Better Than Two…and other observations, Potter offers a candid look at the human condition with tales recounting the past and present. From her younger days of dreaming about being a Dallas Cowboy cheerleader so she could own pom-poms to sex education taught by a Joyce Dewitt look-alike, Potter confesses all – including the ironic account of throwing up on a dog named Ralph. No stranger to embarrassment, she writes of cold sores that require an exorcism and the torture that was seventh grade gym class, capturing the angst, humiliation, and absurdity in those moments that often define us as individuals. Observations include: desperation can make a person do some pretty stupid things like answering a personal ad, hot wax is best left in the hands of a professional if you value your lips, and nothing is so surprising as the man who claims to hate dancing busting a move in a hospital recovery room. Even if you’ve never had to admit in a public setting that you’re having your period, passed out at the eye doctor’s office, or had an illogical fear of a lawn mower, Potter’s self-deprecating wit and sometimes bizarre sense of humor will make you glad these things only happen on sit-coms… or to her.

    Viola Spolin's improvisational techniques changed the very nature and practice of modern theater. The first two editions of Improvisation for the Theater sold more than 100,000 copies and inspired actors, directors, teachers, and writers in theater, television, film. These techniques have also influenced the fields of education, mental health, social work, and psychology.

    This was Ireland of the 1970s and 80s before the arrival of the short-lived economic riches of the Celtic Tiger.Dwyer's vivid and colorful prose describes his hard but happy life as part of a isolated but close-knit community:Early school days spent in a building with no running water or electricityAn encounter with a violent sheep that literally turned his world upside downThe days spent cutting the turf and saving the hay by handAn Irish Christmas where nearly everything on the table was sourced from the farmHis exciting family history that brought his relations to the Klondike Gold Rush in CanadaComplemented by a collection of evocative photographs, each story tells of a way of life that has now largely disappeared.Sprinkled with a selection of fitting works by some of Ireland's best-known poets such as Seamus Heaney and Patrick Kavanagh, this gem of a book is a chronicle of the simple but happy life of an Irish farmer boy.

    Two brothers live in a house in North Philly. Although adults, there is something child-like about these orphans. The eldest supports himself and his slightly retarded brother by petty thievery. One night he brings home a rich older man to get him drunk and rob him. It turns out that the man-Harold is very rich and on the lam from a hitman. Harold establishes the house as a base of operations and, in a strange, hilarious and moving way, becomes the father figure the boys have always yearned for. "A weird, wonderful thriller filled with suspense, pathos and packing an emotional wallop."-WMCA Radio "Keeps you transfixed."-New York Daily News

    Theatre script, playbook