Thur dreams of escaping the mines of Bruinwald. A betrayal at a banquet plunges Thur and Fiametta into a struggle against men who would use vile magic for vile ends.

    When William III of England commissioned Capt. William Kidd to command the first expedition to Mars in the late 1600s, they proved that space travel was both possible and profitable. Now, one century later, a plantation in the flourishing British colony on Mars is home to Arabella Ashby. A tomboy who shares her father's deft hand with complex automatons. Being raised on the Martian frontier by her Martian nanny, Arabella is more a wild child than a proper young lady. Something her mother plans to remedy with a move to an exotic world Arabella has never seen: London, England. Arabella soon finds herself trying to navigate an alien world until a dramatic change in her family's circumstances forces her to defy all conventions in order to return to Mars in order to save both her brother and the plantation. To do this, Arabella must pass as a boy on the Diana, a ship serving the Mars Trading Company with a mysterious Indian captain who is intrigued by her knack with automatons. Arabella must weather the naval war between Britain and France, learning how to sail, and a mutinous crew if she hopes to save her brother from certain death.

    Charles Babbage perfects his Analytical Engine and the computer age arrives a century ahead of its time. And three extraordinary characters race toward a rendezvous with history - and the future: Sybil Gerard - dishonored woman and daughter of a Luddite agitator; Edward "Leviathan" Mallory - explorer and paleontologist; Laurence Oliphant - diplomat and spy. Their adventure begins with the discovery of a box of punched Engine cards of unknown origin and purpose. Cards someone wants badly enough to kill for...Part detective story, part historical thriller, The Difference Engine is the first collaborative novel by two of the most brilliant and controversial science fiction authors of our time. Provocative, compelling, intensely imagined, it is a startling extension of Gibson's and Sterling's unique visions - in a new and totally unexpected direction!

    He's got plenty of work. In this version of America, slavery continues in four states called "the Hard Four." On the trail of a runaway known as Jackdaw, Victor arrives in Indianapolis knowing that something isn't right--with the case file, with his work, and with the country itself. As he works to infiltrate the local cell of a abolitionist movement called the Underground Airlines, tracking Jackdaw through the back rooms of churches, empty parking garages, hotels, and medical offices, Victor believes he's hot on the trail. But his strange, increasingly uncanny pursuit is complicated by a boss who won't reveal the extraordinary stakes of Jackdaw's case, as well as by a heartbreaking young woman and her child--who may be Victor's salvation. Victor believes himself to be a good man doing bad work, unwilling to give up the freedom he has worked so hard to earn. But in pursuing Jackdaw, Victor discovers secrets at the core of the country's arrangement with the Hard Four, secrets the government will preserve at any cost.Underground Airlines is a ground-breaking novel, a wickedly imaginative thriller, and a story of an America that is more like our own than we'd like to believe.

    See, my name is Karen Memery, like memory only spelt with an e, and I'm one of the girls what works in the Hôtel Mon Cherie on Amity Street. Hôtel has a little hat over the o like that. It's French, so Beatrice tells me."Set in the late 19th century—when the city we now call Seattle Underground was the whole town (and still on the surface), when airships plied the trade routes, would-be gold miners were heading to the gold fields of Alaska, and steam-powered mechanicals stalked the waterfront, Karen is a young woman on her own, is making the best of her orphaned state by working in Madame Damnable's high-quality bordello. Through Karen's eyes we get to know the other girls in the house—a resourceful group—and the poor and the powerful of the town. Trouble erupts one night when a badly injured girl arrives at their door, begging sanctuary, followed by the man who holds her indenture, and who has a machine that can take over anyone's mind and control their actions. And as if that wasn't bad enough, the next night brings a body dumped in their rubbish heap—a streetwalker who has been brutally murdered.Bear brings alive this Jack-the-Ripper yarn of the old west with a light touch in Karen's own memorable voice, and a mesmerizing evocation of classic steam-powered science.

    . . and murder isn’t the worst that can happen.It’s a twenty-first century hauntingly familiar—and yet startlingly different from our own. Here the United States brokered a deal that ended World War I, and the Ottoman Empire never collapsed. And lording it over all sits the complex, seductive, and bloodthirsty North African metropolis of El Iskandryia. Almost nothing is what it seems to be in El Isk, and Ashraf Bey is no exception. Neither the rich Ottoman aristocrat everyone thinks he is, nor the minor street criminal once shipped off to prison when he fell foul of his Chinese Triad employers–the fact is that Raf has as little idea who he is as anyone else. With few clues and no money, all Raf has is a surname hinting at noble heritage and an arranged marriage to a woman who hates him. But nothing Ashraf al Mansur learns about himself is as unexpected—or as terrifying—as the brutal murder he’s accused of committing. Now, as a hunted man with the welfare of a precocious young girl in his irresponsible hands, Raf must race after a killer through an unforgiving city as foreign to him as the truth he'll uncover about himself.

    His skills of deduction are legendary, and her own sorcery is not inconsiderable. It doesn't help much that they barely tolerate each other, or that Bannon's Shield, Mikal, might just be a traitor himself. Or that the conspiracy killing registered mentaths and sorcerers alike will just as likely kill them as seduce them into treachery toward their Queen. In an alternate London where illogical magic has turned the Industrial Revolution on its head, Bannon and Clare now face hostility, treason, cannon fire, black sorcery, and the problem of reliably finding hansom cabs. The game is afoot..

    A young Puritan woman travels to the New World with her unwanted new husband. Alan Turing, the renowned mathematician and code breaker, writes letters to his best friend's mother. A Jewish refugee and professor of computer science struggles to reconnect with his increasingly detached wife. An isolated and traumatized young girl exchanges messages with an intelligent software program. A former Silicon Valley Wunderkind is imprisoned for creating illegal lifelike dolls.Each of these characters is attempting to communicate across gaps — to estranged spouses, lost friends, future readers, or a computer program that may or may not understand them. In dazzling and electrifying prose, Louisa Hall explores how the chasm between computer and human — shrinking rapidly with today's technological advances — echoes the gaps that exist between ordinary people. Though each speaks from a distinct place and moment in time, all five characters share the need to express themselves while simultaneously wondering if they will ever be heard, or understood.

    Mr. Gray sets an impossible condition for their marriage—Zadock must deliver a sealed and highly secretive letter to General Irion, fighting one thousand miles southwest, deep within the embattled and newly independent Republic of Texas. The fate of the Union lies within the mysterious contents of that sealed letter, but that is only the beginning . . .     Three hundred years later, in the dystopian city-state of the Texas Republic, Zeke Thomas has just received news of the death of his grandfather, an esteemed Chicago senator. The world has crumbled. Paper documents are banned, citizens are watched, and dissenters are thrown over the walls into "the rot." When Zeke inherits—and then loses—a very old, sealed letter from his grandfather, Zeke finds himself and the women he loves at the heart of a conspiracy whose secrets he must unravel, if it doesn't destroy his relationship, his family legacy, and the entire republic first.     The two propulsive narratives converge through a wildly creative assortment of documents, books within books, maps, notes, illustrations, and more. Zach Dodson has created a gorgeous work of art and an eye-popping commercial adventure for the 21st century.From the Hardcover edition.

    This murder sets Beth and her friends on a path of escalating violence and vengeance as they realize many other young women in the world need protecting too.2022: Determined to use time travel to create a safer future, Tess has dedicated her life to visiting key moments in history and fighting for change. But rewriting the timeline isn’t as simple as editing one person or event. And just when Tess believes she's found a way to make an edit that actually sticks, she encounters a group of dangerous travelers bent on stopping her at any cost.Tess and Beth’s lives intertwine as war breaks out across the timeline--a war that threatens to destroy time travel and leave only a small group of elites with the power to shape the past, present, and future. Against the vast and intricate forces of history and humanity, is it possible for a single person’s actions to echo throughout the timeline?

    With the Nazis recently defeated, Stalin gathers half a dozen of the top Soviet science fiction authors in a dacha in the countryside. Convinced that the defeat of America is only a few years away—and equally convinced that the Soviet Union needs a massive external threat to hold it together—Stalin orders the writers to compose a massively detailed and highly believable story about an alien race poised to invade the earth. The little group of writers gets down to the task and spends months working until new orders come from Moscow to immediately halt the project. The scientists obey and live their lives until, in the aftermath of Chernobyl, the survivors gather again, because something strange has happened: the story they invented in 1946 is starting to come true.

    Murder is obsolete. Death is just the beginning.In 1938, death is no longer feared but exploited. Since the discovery of the afterlife, the British Empire has extended its reach into Summerland, a metropolis for the recently deceased.Yet Britain isn’t the only contender for power in this life and the next. The Soviets have spies in Summerland, and the technology to build their own god.When SIS agent Rachel White gets a lead on one of the Soviet moles, blowing the whistle puts her hard-earned career at risk. The spy has friends in high places, and she will have to go rogue to bring him in.But how do you catch a man who’s already dead?

    Most victims die, others experience physical or psychic changes: aces have useful powers, deuces minor maybe entertaining abilities, jokers uglified, disabled, relegated to ghettos.

    But idle sometime-musician George has little talent for clockwork. And when a shadowy figure tries to steal an old device from the premises, George finds himself embroiled in a mystery of time travel, music and sexual intrigue. A genuine lost classic, a steampunk original whose time has come.

    The Separation suggests an alternate history lying along a road not taken in World War II. But there are complications. In 1999, history author Stuart Gratton is intrigued by a minor mystery of the European war which ended on 10 May 1941. The British-German armistice signed that month has had far-reaching consequences, including a resettlement of European Jews in Madagascar. In 1936, the identical twin brothers Joe and Jack Sawyer win a rowing medal for Britain in the Berlin Olympics: it's presented to them by Rudolf Hess. The brothers are separated not only by a twin's fierce need "to be treated as a separate human being", but by sexual rivalry and even ideology. When war breaks out Jack becomes a gung-ho bomber pilot, Joe a conscientious objector. Still they're inescapably linked, and sometimes confused. Both suffer injuries and hauntingly similar ambulance journeys. Churchill writes a puzzled memo (later unearthed by Gratton) about the anomaly of a registered-pacifist Red Cross worker flying planes for Bomber Command. Hess has significant, eventually incompatible meetings with both men. Contradictions are everywhere. As in his magical 1995 novel The Prestige Priest is fruitfully fascinated by the legerdemain of twins, doubles, impostors, symmetrical roles. Churchill's double briefly appears. So does the famous conspiracy theory that the Hess who flew to Britain with his quixotic peace deal wasn't the real Hess ring true? Clearly The Separation was impressively, extensively researched. Its evocations of bombing raids--from either side of the bomb sites--are memorable. The unfolding story strands become increasingly disorienting and hallucinatory; the easy escape route of dismissing one strand as delusion is itself subtly undermined. The Separation is filled with a sense of the precariousness of history; of small events and choices with extraordinary consequences. --David Langford