talk show Arthur C. Clarke was once asked to name his favorite writer. His answer was "Larry Niven." Countless others agree. The Baltimore Sun and Kirkus Reviews have both dubbed Niven "the premier writer of hard SF," and Gregory Benford has hailed him as "the paradigm of SF personality of the last several decade."Now Larry Niven presents us with his undisputed masterwork. N-Space contains, very simply, the best SF of his career--marvelous fiction, a wealth of anecdotes and gossip, plus Niven's own special brand of wit and excitement.Contents:1 • Introduction: The Maker of Worlds • (1990) • essay by Tom Clancy3 • On Niven • (1992) • essay by Frederik Pohl and Steven Barnes and David Brin and John Hertz and Wendy All and Gregory Benford15 • Dramatis Personae • (1990) • essay by Larry Niven25 • Foreword: Playgrounds for the Mind • (1990) • essay by Larry Niven31 • From World of Ptavvs (excerpt) • (1990) • shortfiction by Larry Niven36 • Bordered in Black • (1966) • shortstory by Larry Niven56 • Convergent Series • (1967) • shortstory by Larry Niven (variant of The Long Night)62 • All the Myriad Ways • [Time Travel - Parallel Universe] • (1968) • shortstory by Larry Niven73 • From A Gift From Earth (Excerpt) • (1990) • shortfiction by Larry Niven90 • The Meddler • (1968) • novelette by Larry Niven112 • Passerby • [State] • (1969) • shortstory by Larry Niven126 • Down in Flames • (1969) • essay by Larry Niven139 • From Ringworld (Excerpt) • (1990) • shortfiction by Larry Niven148 • The Fourth Profession • (1971) • novelette by Larry Niven195 • "Shall We Indulge in Rishathra?" • (1978) • shortfiction by Larry Niven195 •  "Shall We Indulge in Rishathra?" • (1978) • interior artwork by William Rotsler199 • Man of Steel, Woman of Kleenex • (1969) • essay by Larry Niven208 • Inconstant Moon • (1971) • novelette by Larry Niven234 • What Can You Say About Chocolate Covered Manhole Covers? • (1971) • shortstory by Larry Niven245 • Cloak of Anarchy • [Known Space] • (1972) • shortstory by Larry Niven269 • From Protector (excerpt) • (1990) • shortfiction by Larry Niven279 • The Hole Man • (1974) • shortstory by Larry Niven293 • Night on Mispec Moor • [State] • (1974) • shortstory by Larry Niven305 • Flare Time • (1978) • novella by Larry Niven347 • The Locusts • (1979) • novelette by Larry Niven and Steven Barnes389 • From The Mote in God's Eye (excerpt) • (1990) • shortfiction by Larry Niven and Jerry Pournelle394 • Building the Mote in God's Eye • [A Step Farther Out] • (1976) • essay by Larry Niven and Jerry Pournelle420 • Brenda • (1988) • novella by Larry Niven465 • The Return of William Proxmire • (1989) • shortstory by Larry Niven475 • The Tale of the Jinni and the Sisters • (1988) • shortstory by Larry Niven491 • Madness Has Its Place • [Man-Kzin Wars] • (1990) • novelette by Larry Niven519 • Niven's Laws (1990 version) • (1990) • essay by Larry Niven528 • The Kiteman • [Integral Trees] • (1990) • novelette by Larry Niven571 • The Alien in Our Minds • (1987) • essay by Larry Niven580 • Space • (1990) • essay by Larry Niven597 • Bibliography of Larry Niven • (1990) • essay by uncredited

    Here are some of the remarkable features of Barnes & Noble Classics:New introductions commissioned from today's top writers and scholarsBiographies of the authorsChronologies of contemporary historical, biographical, and cultural eventsFootnotes and endnotesSelective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the workComments by other famous authorsStudy questions to challenge the reader's viewpoints and expectationsBibliographies for further readingIndices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. As an adolescent America searched for its unique identity among the nations of the world, a number of thinkers and writers emerged eager to share their vision of what the American character could be. Among their leaders was Ralph Waldo Emerson, whose essays, lectures, and poems defined the American transcendentalist movement, though he himself disliked the term.Emerson advocates a rejection of fear-driven conformity, a total independence of thought and spirit, and a life lived in harmony with nature. He believes that Truth lies within each individual, for each is part of a greater whole, a universal “over-soul” through which we transcend the merely mortal.Emerson was extremely prolific throughout his life; his collected writings fill forty volumes. This edition contains his major works, including Nature, the essays “Self-Reliance,” “The American Scholar,” “The Over-Soul,” “Circles,” “The Poet,” and “Experience,”, and such important poems as “The Rhodora,” “Uriel,” “The Humble-Bee,” “Earth-Song,” “Give All to Love,” and the well-loved “Concord Hymn.”Includes a comprehensive glossary of names.Peter Norberg has been Assistant Professor of English at Saint Joseph’s University in Philadelphia since 1997. A specialist in New England transcendentalism and the history of the antebellum period, he also has published on Herman Melville’s poetry. He currently is writing a history of Emerson’s career as a public lecturer.

    A collection of stories by Sandra Cisneros, the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.The lovingly drawn characters of these stories give voice to the vibrant and varied life on both sides of the Mexican border with tales of pure discovery, filled with moments of infinite and intimate wisdom.

    Men and Cartoons contains eleven fantastical, amusing, and moving stories written in a dizzying array of styles that shows the remarkable range and power of Lethem's vision. Sometimes firmly grounded in reality, and other times spinning off into utterly original imaginary worlds, this book brings together marvelous characters with incisive social commentary and thought provoking allegories. 
      A visionary and creative collection that only Jonathan Lethem could have produced, the Vintage edition features two stories not published in the hardcover edition, "The Shape We're In" and "Interview with the Crab."

    Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability—and responsibility—to save humanity from itself?Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices.

    She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash.As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, “The Opposite of Loneliness,” went viral, receiving more than 1.4 million hits. She had struck a chord.Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assem­blage of Marina’s essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.

    G. Wells, along with Jules Verne, is credited with inventing science fiction. This new volume collects Wells' best-loved and most critically acclaimed works. In each, the author grounds his fantastical imagination in scientific fact and conjecture while lacing his narrative with vibrant action, not merely to tell a “ripping yarn,” but to offer a biting critique on the world around him. “The strength of Mr. Wells,” wrote Arnold Bennett, “lies in the fact that he is not only a scientist, but a most talented student of character, especially quaint character. He will not only ingeniously describe for you a scientific miracle, but he will set down that miracle in the midst of a country village, sketching with excellent humor the inn-landlady, the blacksmith, the chemist’s apprentice, the doctor, and all the other persons whom the miracle affects.”

    Now for the first time in English, all of Borges' dazzling fictions are gathered into a single volume, brilliantly translated by Andrew Hurley. From his 1935 debut with The Universal History of Iniquity, through his immensely influential collections Ficciones and The Aleph, these enigmatic, elaborate, imaginative inventions display Borges' talent for turning fiction on its head by playing with form and genre and toying with language. Together these incomparable works comprise the perfect one-volume compendium for all those who have long loved Borges, and a superb introduction to the master's work for those who have yet to discover this singular genius.

    Nine of his finest stories were selected by Mishima himself for translation in this book; they represent his extraordinary ability to depict, with deftness and penetration, a wide variety of human beings in moments of significance. Often his characters are sophisticated modern Japanese who turn out to be not so liberated from the past as they had thought.In the title story, "Death in Midsummer," which is set at a beach resort, a triple tragedy becomes a cloud of doom that requires exorcising. In another, "Patriotism," a young army officer and his wife choose a way of vindicating their belief in ancient values that is as violent as it is traditional; it prefigured his own death by seppuku in November 1970. There is a story in which the sad truth of the relationship between a businessman and his former mistress is revealed through a suggestion of the unknown, and another in which a working-class couple, touching in their simple love for each other, pursue financial security by rather shocking means.Also included is one of Mishima's "modern Nō plays," remarkable for the impact which its brevity and uncanny intensity achieve. The English versions have been done by four outstanding translators: Donald Keene, Ivan Morris, Geoffrey Sargent, and Edward Seidensticker.Photograph on back cover by T. Kamiya; cover design by David Ford

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    There's An Introduction, But No Footnotes. Well, There's A Footnote In The Introduction, But None In The Story.

    They include supernatural tales, slices of life from Warsaw and the shtetls of Eastern Europe, and stories of the Jews displaced from that world to the New World, from the East Side of New York to California and Miami.

    Semple--first composed for a weekly column in the Chicago Defender and then collected in Simple Speaks His Mind, Simple Takes a Wife, and Simple Stakes a Claim--have been read and loved by hundreds of thousands of readers. In The Best of Simple, the author picked his favorites from these earlier volumes, stories that not only have proved popular but are now part of a great and growing literary tradition.Simple might be considered an Everyman for black Americans. Hughes himself wrote: "...these tales are about a great many people--although they are stories about no specific persons as such. But it is impossible to live in Harlem and not know at least a hundred Simples, fifty Joyces, twenty-five Zaritas, and several Cousin Minnies--or reasonable facsimiles thereof."As Arnold Rampersad has written, Simple is "one of the most memorable and winning characters in the annals of American literature, justly regarded as one of Hughes's most inspired creations."Langston Hughes was born in Joplin, Missouri, went to Cleveland, Ohio, lived for a number of years in Chicago, and long resided in New York City's Harlem. He graduated form Lincoln University in 1929 and was awarded an honorary Litt. D. in 1943. He was perhaps best known as a poet and the creator of Simple, but he also wrote novels, biography, history, plays (several of them Broadway hits), and children's books, and he edited several anthologies. Mr. Hughes died in 1967.

    Whether he's dropping into the lives of two teachers―and their love lost and found―in "Nine Inches", documenting the unraveling of a dad at a Little League game in "The Smile on Happy Chang's Face", or gently marking the points of connection between an old woman and a benched high school football player in "Senior Season", Perrotta writes with a sure sense of his characters and their secret longings.Nine Inches contains an elegant collection of short fiction: stories that are as assured in their depictions of characters young and old, established and unsure, as any written today.

    This collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world - from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters.