Thomas and Michael Damian ThomasHenosis / short story by N. K. JemisinClearly Lettered in a Mostly Steady Hand / short story by Fran WildeThough She Be But Little / short story by C.S.E. CooneyDown and Out in R'lyeh / novelette by Catherynne M. ValenteFandom for Robots / short story by Vina Jie-Min PrasadAt Cooney's / novelette by Delia ShermanGhost Town / short story by Malinda LoMy Voice-Over Life / essay by Sophie AldredLet Me Tell You / essay by Cecilia TanI'm Not the Only One: Why Wonder Woman Doesn't Need to Stand Alone in Order to Stand Tall / essay by Sarah KuhnResistance 101: Basics of Community Organizing for SF/F Creators and Consumers— Volume Four: "Don't Let Him Catch You With Your Work Undone"—Activism for the Long Haul / essay by Sam J. Miller and Jean RiceChangeable Skins, Consummate Catchphrases / essay by Sabrina VourvouliasToo Much Dystopia? / poem by Jo WaltonBirth, Place / poem by Brandon O'BrienA Lovesong from Frankenstein's Monster / poem by Ali TrottaThe Golem of the Gravestones / poem by Gwynne GarfinkleInterview: C. S. E. Cooney / interview by Julia RiosInterview: Delia Sherman / interview by Julia Rios

    In Doors of His Face, The Lamps of His Mouth, Zelazny's rare ability to mix the dream-like, disturbing imagery of fantasy with the real-life hardware of science fiction is on full display. His vivid imagination and fine prose made him one of the most highly acclaimed writers in his field.Contents:· The Doors of His Face, the Lamps of His Mouth · nv F&SF Mar ’65 · The Keys to December · nv New Worlds Aug ’66 · Devil Car [Sam Nurdock] · ss Galaxy Jun ’65 · A Rose for Ecclesiastes · nv F&SF Nov ’63 · The Monster and the Maiden · vi Galaxy Dec ’64 · Collector’s Fever · vi Galaxy Jun ’64 · This Mortal Mountain · nv If Mar ’67 · This Moment of the Storm · nv F&SF Jun ’66 · The Great Slow Kings · ss Worlds of Tomorrow Dec ’63 · A Museum Piece · ss Fantastic Jun ’63 · Divine Madness · ss Magazine of Horror Sum ’66 · Corrida · ss Anubis v1 #3 ’68 · Love Is an Imaginary Number · ss New Worlds Jan ’66 · The Man Who Loved the Faioli · ss Galaxy Jun ’67 · Lucifer · ss Worlds of Tomorrow Jun ’64

    Search for "Tommy Orange Reads Louise Erdrich".

    Readers cannot resist journeying with her into realms-dangerously dark or illuminatingly revelatory-they could never imagine without her as their guide. From ghost stories in the tradition of M. R. James to darkly poetic tales to moving fictional examinations of the most basic of human emotion-fear, love, hate, loneliness-Monette's pen produces stories that are invariably unforgettable . . .

    Minh is part of the generation that first moved back up to the surface of the Earth from the underground hells, to reclaim humanity's ancestral habitat. She's spent her entire life restoring river ecosystems, but lately the kind of long-term restoration projects Minh works on have been stalled due to the invention of time travel. When she gets the opportunity take a team to 2000 BC to survey the Tigris and Euphrates rivers, she jumps at the chance to uncover the secrets of the shadowy think tank that controls time travel technology.

    Then, he dies. Soren wakes to find himself cast by a God he has never heard of into a Hell whose dimensions he can barely grasp: a vast library he can only escape from by finding the book that contains the story of his life.In this haunting existential novella, author, philosopher, and ecologist Steven L. Peck explores a subversive vision of eternity, taking the reader on a journey through the afterlife of a world where everything everyone believed in turns out to be wrong.

    Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street gathering the fey and the wild and the poor and the lost. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the grey harbor waters and fill the cold night with their song.Contents:Uncle Dobbin's Parrot FairThe Stone DrumTimeskipFreewheelingThat Explains PolandRomano DromThe Sacred FireWinter Was HardPity the MonstersGhosts of Wind and ShadowThe Conjure ManSmall DeathsThe Moon is Drowning While I SleepIn the House of My EnemyBut for the Grace Go IBridgesOur Lady of the HarbourPaperjackTallulah

    Perchance to Dream contains a selection of Beaumont’s finest stories, including five that he later adapted for Twilight Zone episodes.Beaumont dreamed up fantasies so vast and varied they burst through the walls of whatever box might contain them. Supernatural, horror, noir, science fiction, fantasy, pulp, and more: all were equally at home in his wondrous mind. These are stories where lions stalk the plains, classic cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. With dizzying feats of master storytelling and joyously eccentric humor, Beaumont transformed his nightmares and reveries into impeccably crafted stories that leave themselves indelibly stamped upon the walls of the mind. In Beaumont’s hands, nothing is impossible: it all seems plausible, even likely.

    A man awakens, adrift in deep space, with little memory of who he is – only to discover that he is the commander of a space mission; the rest of the crew is gone; and he is apparently a writer of some small renown named Neil Gaiman.

    In the forest there is not a big gap between the two."A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate metaphor for the Chinese diaspora.Straddling the worlds of the mundane and the magical, Spirits Abroad collects ten science fiction and fantasy stories with a distinctively Malaysian sensibility.

    Other than that his life is pretty normal. But when Caleb starts experiencing mood swings that are out of the ordinary for even a teenager, his life moves beyond “typical.”Caleb is an Atypical, an individual with enhanced abilities. Which sounds pretty cool except Caleb's ability is extreme empathy—he feels the emotions of everyone around him. Being an empath in high school would be hard enough, but Caleb's life becomes even more complicated when he keeps getting pulled into the emotional orbit of one of his classmates, Adam. Adam's feelings are big and all-consuming, but they fit together with Caleb's feelings in a way that he can't quite understand.Caleb's therapist, Dr. Bright, encourages Caleb to explore this connection by befriending Adam. As he and Adam grow closer, Caleb learns more about his ability, himself, his therapist—who seems to know a lot more than she lets on—and just how dangerous being an Atypical can be."What if the X-Men, instead of becoming superheroes, decided to spend some time in therapy?" (Vox on The Bright Sessions)

    . . that’s how the old stories always begin.Once upon a time there was a king of a fallen kingdom. He was just and he was beloved. Or so the numbers said. One day, he gathered together the greatest, wisest minds in all the land—not sorcerers, but scientists—and he bade them fashion him a son. A prince. A perfect prince to embody his father’s legacy.The scientists each brought the prince a gift: beauty, strength, ambition, intellect, pride. But they must have forgotten something because when he saw the mermaids dance at the Cirque de la Mer, he ran away to join them.For a year, he trained them, performed with them, thought he was happy. For a year he thought he was free. But then Nerites came: A merman who refused to be tamed. A captive from another kingdom. A beast in a glass cage.The old stories always end with happy ever after. But this isn’t one of the old stories. This is a story of princes and monsters. Author note: This is available as a freebie for new subscribers to my newsletter.

    Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.Inspired by a song produced by the rap group Clipping for the This American Life episode “We Are In The Future,” The Deep is vividly original and uniquely affecting.

    But Nathan was apparently straight, and Owen was too busy with other guys to take his crush seriously. When Nathan moves back to Bristol after a year away, Owen hears that Nathan has come out of the closet, and he propositions him. Nathan doesn’t want to be just another notch on Owen’s bedpost, though, so he challenges Owen to prove he can be serious: five dates before they have sex.Owen doesn’t think that sounds too difficult. He’s expecting Nathan to find his charms irresistible anyway. But as they grow closer, Owen begins to care more about proving himself to Nathan than he does about getting him into bed.Word count: 31,000 approx

    Speculative fiction is the literature of questions, of challenges and imagination, and what better to question than the ways in which gender and sexuality have been rigidly defined, partitioned off, put in little boxes? These seventeen stories explore the ways in which identity can go beyond binary from space colonies to small college towns, from angels to androids, and from a magical past to other worlds entirely, the authors in this collection have brought to life wonderful tales starring people who proudly define (and redefine) their own genders, sexualities, identities, and so much else in between.