From Walter Pater's study, "The Renaissance to Salome, the truly decadent collaboration between Oscar Wilde and Aubrey Beardsley, Karl Beckson has chosen a full spectrum of works that chronicle the British artistic achievement of the 1890s. In this revised edition of a classic anthology, "The Ballad of Reading Gaol" has been included in its entirety; the bibliography has been completely updated; Professor Beckson's notes and commentary have been expanded from the first edition published in 1966. The so-called Decadent or Aesthetic period remains one of the most interesting in the history of the arts. The poetry and prose of such writers as Yeats, Wilde, Symons, Johnson, Dowson, Barlas, Pater and others are included in this collection, along with sixteen of Aubrey Beardsley's drawings.CONTENTSJohn Barlas - Oblivion / The Memphian Temple / The Dancing Girl / Beauty's Anadems / The Cat Lady / Terrible Love / My Lady's BathAubrey Beardsley - The Ballad Of A Barber / The Story of Venus & Tannhauser (with illustrations)Max Beerbohm - A Defence of Cosmetics / A Letter To The Editor / DiminuendoOlive Custance (Lady Alfred Douglas) - Peacocks (A Mood) / The Masquerade / Hyacinthus / The White Statue / Statues / Candle-LightLord Alfred Douglas - Apologia / Two Loves / Impression De Nuit / Rejected / Ode To My Soul / The Dead PoetErnest Dowson - Nuns Of The Perpetual Adoration / Non Sum Qualis Eram Bonae Sub Regno Cynarae / O Mors! Quam Amara Est Memoria... / Villanelle Of Sunset / Extreme Unction / Exile / Benedictio Domini / Spleen Michael Field - From Baudelaire / The Poet / A Dance Of Death / La Gioconda / A Dying ViperJohn Gray - On A Picture / Poem / A Crucifix / Parsifal Imitated From The French Of Paul Verlaine / Femmes Damnees / The Barber / Le Voyage a Cythere / MishkaLionel Johnson - The Cultured Faun / The Church Of A Dream / Mystic And Cavalier / To A Passionist / In Honorem Doriani Creatorisque Eius / The Destroyer Of A Soul / The Dark Angel / Nihilism / A Decadent's LyricRichard Le Gallienne - To The Reader / The Decadent To His Soul / Beauty Accurst / Sunset In The City / A Ballad Of London / The Boom In YellowArthur Symons - The Decadent Movement In Literature / Emmy / Maquillage / Morbidezza / Prologue: Before The Curtain / Prologue: In The Stalls / To A Dancer / La Melinite: Moulin Rouge / Javanese Dancers / By The Pool At The Third Rosses / Hallucination: I / Violet: Prelude / From Stephane Mallarme: Herodiade / Being A Word On Behalf Of Patchouli / Preface To The Secons Edition Of London NightsOscar Wilde - The Decay Of Lying: An Observation / Salome / Phrases And Philosophies For The Use Of The Young / Symphony In Yellow / The Harlot's House / Impression Du Matin / Helas / The Ballad Of Reading GaolTheodore Wratislaw - Opoponax / Satiety / Frangipani / Palm Sunday / Orchids / White Lilies / Sonnet Macabre / Hothouse FlowersWilliam Butler Yeats - The Lake Isle Of Innisfree / The White Birds / Rosa Mundi / To The Rose Upon The Rood Of Time / O'Sullivan Rua To Mary Lavell / The Secret Rose / The Song Of Wandering Aengus / Aedh Wishes For The Clothes Of HeavenAPPENDIXWalter Pater - from Studies In The History Of The RennaisanceJoris-Karl Huysmans - from AGAINST THE GRAINRobert Smythe Hichens - from THE GREEN CARNATIONMostyn Piggot - The Second Coming Of Arthur (A Satire Of The Yellow Book)from Silverpoints

     This is the dark but humourous tale of Sarah Pemberton, who is not a happy woman. A down to earth, inventive soul who despises her stuck up pompous husband Neil, who believes he is much more intelligent and important than she is. When he refuses her a divorce and emotionally blackmails her into staying with him by threatening to take custody of their daughter, she's decides to make life a little more entertaining for herself, by subtly torturing him at every available opportunity. Creative and adaptable by nature, with a wicked sense of humour, she comes up with more and more ways to ridicule him, without him ever knowing she has a hand in it. ...."During 1993-1994 amongst other things, I cooked him a meat pie with pedigree chum; Stole his car more times than I can count; put chilli powder in his underpants, sent a stripagram to his work (a fat one), and subscribed him to a gay porn mag! (Our paperboy avoided him like the plague after that.)"..... Finding accomplices in the form of her Aunt May, who lives in a crumbling old former hotel which was damaged during WWII, and May's two lodgers, a shy young hippy named Darren, along with his brother Matthew a former life model, they try to get rid of her husband by either 'Plan A', which consists of 'frame him for a crime so that he gets incarcerated', or 'Plan B' drive him to a nervous breakdown. Both plans are designed to discredit Neil in case of a custody battle for their daughter. There is only one little prerequisite for every little torturous idea though, and that is, IT HAS TO MAKE THEM LAUGH! Unbeknown to Sarah at first, she isn't the only one with a vendetta against her husband, his entire workforce hate his guts and exploit any opportunity to make him look bad. When plans A & B go disastrously wrong, Sarah and co set their sights on a new target, her in-laws. Interwoven throughout the story is the tale of Aunt May, the lynch pin of her little make shift family, who harbours secrets of her own that go back to the night the bomb fell on the east wing of the hotel. This is not a tale of a submissive woman suffering at the hands of abuse; this is the tale of a strong courageous woman having one last laugh at other people's expense. Contains very occasional strong language, and scenes that should not be repeated at home. Volume One of 'The Cuckoo' series

    In seven provocative essays, Zipes discusses the importance of investigating oral folk tales in their socio-political context and traces their evolution into literary fairy tales, a metamorphosis that often diminished the ideology of the original narrative. Zipes also looks at how folk tales influence our popular belie

    This collection contains possibly her best works. Her writings, originally penned as cautionary didactic tales for Victorian children, present themselves as a cycle of unique fables of existential dread and alienation, worthy (at their best) of a Kafka or Borges. Ranging from paeans to autism (‘Wooden Tony’ or ‘The Paper Fish’) or surreal horror (‘The New Mother’) this collection asks for Mrs Clifford to be reappraised as a precursor to 20th century and 21st century literature. This collection has been augmented with collages by artist D M Mitchell to show the link to such allegorical artists as Leonora Carrington, Max Ernst and Toyen.

    Try to write the truth. Try to get underneath all the sham, all the excuses, all the lies that you’ve been told. . . . If you’re gonna write fiction, you have to get right on down to it.""Harry Crews cannot refrain from storytelling. These conversations are blessed with countless insights into the creative process, fresh takes on old questions, and always, Crews’s stories: modern-day parables that tell us how it is to live, to work, and to hurt."--Jeff Baker, Oxford American"Harry Crews has indelible ways of approaching life and the craft of writing. This collection shows that he elevates both to a near-religious artform."--Matthew Teague, Oxford AmericanIn 26 interviews conducted between 1972 and 1997, novelist Harry Crews tells the truth--about why and how he writes, about the literary influences on his own work, about the writers he admires (or does not), about which of his own books he likes (or does not), about his fascination with so-called freaks, and about his love of blood sports. Crews reveals the tender side under his tough-guy image, discussing his beloved mother and his spiritual quest in a secular world.Crews also speaks frankly about his failed relationships, the role that writing played in them, and his personal struggles with alcohol and drugs and their impact on his life and work. Those seeking insights into his work will find them in these interviews. Those seeking to be entertained in Crewsian fashion will not be disappointed.Harry Crews on his tattoo and mohawk . . ."If you can’t get past my ‘too’--my tattoo--and my ‘do’--the way I got my hair cut--it’s only because you have decided there are certain things that can be done with hair and certain things that cannot be done with hair. And certain of them are right and proper and decent, and the rest indicate a warped, degenerate nature; therefore I am warped and degenerate. 'Cause I got my hair cut a different way, man? You gonna really live your life like that? What’s wrong with you?"On advice to young writers . . ."You have to go to considerable trouble to live differently from the way the world wants you to live. That’s what I’ve discovered about writing. The world doesn’t want you to do a damn thing. If you wait till you got time to write a novel or time to write a story or time to read the hundred thousands of books you should have already read--if you wait for the time, you’ll never do it. 'Cause there ain’t no time; world don’t want you to do that. World wants you to go to the zoo and eat cotton candy, preferably seven days a week."                                     On being "well-rounded" . . ."I never wanted to be well-rounded, and I do not admire well-rounded people nor their work. So far as I can see, nothing good in the world has ever been done by well-rounded people. The good work is done by people with jagged, broken edges, because those edges cut things and leave an imprint, a design." Harry Crews is the author of 23 books, including The Gospel Singer, Naked in Garden Hills, This Thing Don’t Lead to Heaven, Karate Is a Thing of the Spirit, Car, The Hawk Is Dying, The Gypsy’s Curse, A Feast of Snakes, A Childhood: The Biography of a Place, Blood and Grits, The Enthusiast, All We Need of Hell, The Knockout Artist, Body, Scar Lover, The Mulching of America, Celebration, and Florida Frenzy (UPF, 1982).Erik Bledsoe is an instructor of English and American studies at the University of Tennessee. He has published articles on southern writers and edited a special issue of the Southern Quarterly devoted to Crews. His 1997 interview with Harry Crews from that magazine is included in this collection.

    Observing the crisis of human appetite through the lenses of psychology and science fiction, she's disquieted at a world "ruled by a bi-polar father-god, unconscious, suicidal."The personal meets the collective in these poems: insane rants transform into contemporary oracular speech; a child who once hoarded candy grows into an adult who consumes a planet. Mutation, social media, eco-collapse, a dream of a survivable End Times: no less than the future of the body is at stake, bodies corporeal and political, ecological and spiritual. Was that the soul, wishingwe would invent the bodyout of existence,so many of us nowenthralled by doom...Dana Levin has published three books of poetry, Wedding Day (Copper Canyon), Sky Burial (Copper Canyon), and her first book, In the Surgical Theatre, won the APR/Honickman Award. A teacher of poetry for over twenty years, Levin splits her time between Santa Fe, New Mexico, and Maryville University in St. Louis, where she serves as Distinguished Writer in Residence.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    Collections of interviews with notable modern writers

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a through and readable analysis of each of the novels in question. The books in the series all follow the same structure: a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or television adaptations, literary prizes, and so forth; a wide range of suggestions for further reading, including web sites and discussion forums; and a list of questions for reading groups to discuss.

    His fragile world falls to pieces upon the arrival of a young girl, who possesses a special and familiar talent that threatens to drive Louis over the edge.

    The first book to look broadly at the contemporary scope and purposes of world literature, What Is World Literature? probes the uses and abuses of world literature in a rapidly changing world.In case studies ranging from the Sumerians to the Aztecs and from medieval mysticism to postmodern metafiction, David Damrosch looks at the ways works change as they move from national to global contexts. Presenting world literature not as a canon of texts but as a mode of circulation and of reading, Damrosch argues that world literature is work that gains in translation. When it is effectively presented, a work of world literature moves into an elliptical space created between the source and receiving cultures, shaped by both but circumscribed by neither alone. Established classics and new discoveries alike participate in this mode of circulation, but they can be seriously mishandled in the process. From the rediscovered Epic of Gilgamesh in the nineteenth century to Rigoberta Mench�'s writing today, foreign works have often been distorted by the immediate needs of their own editors and translators.Eloquently written, argued largely by example, and replete with insightful close readings, this book is both an essay in definition and a series of cautionary tales.

    Heinlein was sixty-six, at the height of his literary career; J. Neil Schulman was twenty and hadn't yet started his first novel. Because he was looking for a way to meet his idol, Schulman wangled an assignment from the New York Daily News--at the time the largest circulation newspaper in the U.S.--to interview Heinlein for its Sunday Book Supplement. The resulting taped interview lasted three-and-a-half hours. This turned out to be the longest interview Heinlein ever granted, and the only one in which he talked freely and extensively about his personal philosophy and ideology. "The Robert Heinlein Interview" contains Heinlein you won't find anywhere else--even in Heinlein's own "Expanded Universe." If you wnat to know what Heinlein had to say about UFO's, life after death, epistemology, or libertarianism, this interview is the only source available. Also included in this collection are articles, reviews, and letters that J. Neil Schulman wrote about Heinlein, including the original article written for The Daily News, about which the Heinleins wrote Schulman that it was, "The best article--in style, content, and accuracy--of the many, many written about him over the years." This book is must-reading for any serious student of Heinlein, or any reader seeking to know him better.

    Santos has presented what may well be the essence of those years - the loneliness and hunger of a people who were almost all of them hurt and broken to the bone. But for an ideal, which Santos so eloquently dramatizes in this book, they would have lost their very souls. In this sense YOU LOVELY PEOPLE is a document and at once a portrait of the Filipino heart.

    Written by Harvard students for students, since its inception SparkNotes(TM) has developed a loyal community of dedicated users and become a major education brand. Consumer demand has been so strong that the guides have expanded to over 150 titles. SparkNotes'(TM) motto is Smarter, Better, Faster because: - They feature the most current ideas and themes, written by experts. - They're easier to understand, because the same people who use them have also written them. - The clear writing style and edited content enables students to read through the material quickly, saving valuable time. And with everything covered--context; plot overview; character lists; themes, motifs, and symbols; summary and analysis, key facts; study questions and essay topics; and reviews and resources--you don't have to go anywhere else!

    With citizens fearing to venture outside, the streets of Manhattan have become nearly deserted.When the sniper begins escalating the profile of his targets, higher level government agencies are pulled in. But the shooter always seems to be one step ahead of the law and slips away whenever the authorities get close.As copycat killings begin spreading to other cities across the U.S., the President hatches a dangerous plan to trap the killer. Can Joe and Hannah catch the assassin before he executes the most closely guarded man in history? Catch the excitement — read the reader reviews: "The best thriller I've read in the last 12 months.” "Gripping page turner.” "Nonstop scary thrill ride.” "Couldn't put it down.” "The best of the best.” "McLeay: A star is born.” "A remarkable work.” "You need to read this one.” Get your pulse pounding today with this unputdownable thriller!