In 1905 an unknown 26-year-old clerk at the Swiss Patent Office, who had supposedly failed math in school, burst on to the scientific scene and swept away the hidebound theories of the day. The clerk, Albert Einstein, introduced a new and unexpected understanding of the universe and launched the two great revolutions of twentieth-century physics, relativity and quantum mechanics. The obscure origin and wide-ranging brilliance of the work recalled Isaac Newton’s “annus mirabilis” (miracle year) of 1666, when as a 23-year-old seeking safety at his family manor from an outbreak of the plague, he invented calculus and laid the foundations for his theory of gravity. Like Newton, Einstein quickly became a scientific icon--the image of genius and, according to Time magazine, the Person of the Century.The actual story is much more interesting. Einstein himself once remarked that “science as something coming into being ... is just as subjectively, psychologically conditioned as are all other human endeavors.” In this profile, the historian of science L. Randles Lagerstrom takes you behind the myth and into the very human life of the young Einstein. From family rifts and girlfriend troubles to financial hardships and jobless anxieties, Einstein’s early years were typical of many young persons. And yet in the midst of it all, he also saw his way through to profound scientific insights. Drawing upon correspondence from Einstein, his family, and his friends, Lagerstrom brings to life the young Einstein and enables the reader to come away with a fuller and more appreciative understanding of Einstein the person and the origins of his revolutionary ideas.About the cover image: While walking to work six days a week as a patent clerk in Bern, Switzerland, Einstein would pass by the famous "Zytglogge" tower and its astronomical clocks. The daily juxtaposition was fitting, as the relative nature of time and clock synchronization would be one of his revolutionary discoveries in the miracle year of 1905.

    All headnotes are new or updated, and many footnotes have been added, replaced, or revised. Criticism reflects the recent renaissance in Shelley studies, the greatest renaissance since 1870-92. All twenty-three essays are new to the Second Edition; among them are the work of Harold Bloom, Stuart Curran, Annette Wheeler Cafarelli, Michael Ferber, James Chandler, and Susan J. Wolfson. A Chronology, an updated Selected Bibliography, and an Index of Titles and First Lines are included.

    

    Mark Wrathall unpacks Heidegger’s dense prose and guides the reader through Heidegger’s early concern with the nature of human existence, to his later preoccupation with the threat that technology poses to our ability to live worthwhile lives.Wrathall pays particular attention to Heidegger’s revolutionary analysis of human existence as inextricably shaped by a shared world. This leads to an exploration of Heidegger’s views on the banality of public life and the possibility of authentic anticipation of death as a response to that banality. Wrathall reviews Heidegger’s scandalous involvement with National Socialism, situating it in the context of Heidegger’s views about the movement of world history. He also explains Heidegger’s important accounts of truth, art, and language.Extracts are taken from Heidegger’s magnum opus, Being and Time, as well as a variety of his best-known essays and lectures.

    Now featuring unique visual portfolios and a CD-ROM packed with activities and contextual material, the new edition brings literature to life for students as never before.

    Dive into this classic from the singular mind of Edgar Allan Poe, who is widely regarded as the short story master of horror fiction. "The Fall .. " recounts the terrible events that befall the last remaining members of the once-illustrious Usher clan before it is -- quite literally -- rent asunder. With amazing economy, Poe plunges the reader into a state of deliciously agonizing suspense. It's a must-read for fans of the golden era of horror writing. "The Fall .." is one of Poe's best known short stories - if not the best.Librarian's note: this entry is for the short story, "The Fall of the House of Usher." Collections of short stories by the author, such as "The Fall of the House of Usher and Other Tales," can be found elsewhere on Goodreads.

    Its author, Marguerite Vallette-Eymery (1860-1953), who used the pseudonym Rachilde, was a prolific novelist (over sixty works of fiction), playwright, literary critic and reviewer, and a forceful presence in French literary society of her time. The protagonist of the novel, Eliante Donalger, is in some sense an exaggerated double for her creator--bizarre in appearance, clothing, and interests. Instinctively grasping a medical and psychological truth that the turn-of-the-century scientific world was only beginning to understand, Eliante maintains that there is nothing "natural" about human sexual expression. She claims to be in love with an inanimate (though anthropomorphic and sexually ambiguous) object, a Greek amphora, and the novel traces the rivalry between this faithful partner and an ardent human suitor, a young medical student. It is only through juggling, both literally and metaphorically, that Eliante is able to use her seductive power to maintain desire. The surprise ending challenges the limits of such power in a controversial and surprising twist. Although Rachilde's work has been neglected in the past, the women's movement and feminist criticism have stimulated renewed interest in her fiction. The Juggler is a major rediscovery.

    Cronin has teamed up with some of the top comic book writers and artists of today to present 100 trivia lists, including: - Nine Celebrities That Guest-Starred in Comic Books...without Their Permission- Seven Bands That Got Their Names from Comics- Ten Crazy Items Found on Batman's Utility Belt- Five Comic Book Inventions That Eventually Became Real- Five Stupidest Superhero Origins- And much, much more!From Batman to Spiderman, Aquaman to the X-Men, each list in Why Does Batman Carry Shark Repellent? will entertain and inform whether you're a hardcore geek or a casual fan.

    Filled with murder, ghosts, and dark magic, and featuring a delirious and dizzying plot that almost defies comprehension, "The Necromancer" is one of the strangest horror novels ever written.One of the earliest Gothic bestsellers, "The Necromancer" was first published in 1794, and after more than two centuries still retains the power to thrill and fascinate readers. This edition includes a new preface which reveals for the first time ever the true identity of "The Necromancer"'s author, as well as an original critical essay by Jeffrey Cass, analysing the novel from a modern queer theory standpoint. The complete text of three contemporary reviews and helpful annotations are also included to further enhance this edition.

    One of the most acclaimed novelists of her generation, here, for the first time, her work as a journalist and critic is collected.Angela Carter is a great traveller, on many fronts. Long autobiographical pieces on her life in South Yorkshire and South London are followed by highly individual inspections of home and abroad. Some of her most brilliant writing is devoted to Japan, that strange and unfathomable country—exotically and erotically described here—so perfectly suited to the Carter pen. Domestically, Angela Carter used her mordant wit and accurate eye to inspect England and Englishness as it manifested itself throughout the land. On the home front, she writes on Zoos and Fun Fairs, on fashion and make-up, on sexual fads and fripperies, on film and television—and Britain in the gone-but-not-forgotten 60s and 70s springs to life. Finally she turns her attention to her own craft, and her book reviews are masterpieces—at last Katherine Mansfield and Colette are assessed by their equal; Linda Lovelace, Gay Talese and Judith Krantz get a literary spanking where it hurts most; D.H. Lawrence may rise again, but it seems unlikely.Critics have always used superlatives to describe the work of Angela Carter. What these writings show is that she is also one of the funniest, most perceptive critics of our age, a maverick who has lived through our life and times, and hasn't missed a thing.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    The second edition features many additional terms, both traditional and recent, with a greater array of examples that make it an even more useful and informative reference than before.

    But what exactly is it, and how is it applied? It is a discipline that claims not to be a discipline - a radical critical approach for understanding racial, national, social and gender identities. Introducing Cultural Studies provides an incisive tour through the minefield of this complex subject, charting its origins in Britain and its migration to the USA, Canada, France, Australia and South Asia, examining the ideas of its leading exponents and providing a flavour of its use around the world. Covering the ground from Gramsci to Raymond Williams, postcolonial discourse to the politics of diaspora, feminism to queer theory, technoculture and the media to globalization, it serves as an insightful guide to the essential concepts of this fascinating area of study. It is essential reading for all those concerned with the quickening pulse of old, new and emerging cultures.

    Also included is The Trouble with Nigeria, Achebe's searing outpouring of his frustrations with his country. GREAT IDEAS. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

    Aristotle wrote an important treatise on it and Demosthenes remains famous to this day for his skills as a rhetorician. But skill with rhetoric today is no longer admired. Rhetoric is often seen as a synonym for shallow, deceptive language-empty words, empty rhetoric--and therefore as something quite negative. But if we view rhetoric in more neutral terms, as the art of persuasion, it is clear that we are all forced to engage with it at some level, if only because we are constantly exposed to the rhetoric of others. In this Very Short Introduction, Richard Toye explores the purpose of rhetoric. Rather than presenting a defense of it, he considers it as the foundation-stone of civil society, and an essential part of any democratic process. Using wide-ranging examples from ancient Greece, medieval Islamic preaching, the wartime speeches of Winston Churchill, and modern cinema, Toye considers why we should all have an appreciation of the art of rhetoric.About the Series:Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.