Aubyn's wonderful, wry, and profound Patrick Melrose Cycle, follows five-year-old Patrick through a single day, as the Melrose family awaits the arrival of guests. Bright and imaginative, young Patrick struggles daily to contend with the searing cruelty of his father and the resignation of his embattled mother. But on this day he must endure an unprecedented horror—one that splits his world in two. In Never Mind, St. Aubyn renders this vivid tragedy with profound grace and precision, and introduces us to the unforgettable, complex figure of Patrick Melrose.

    Unsuited to a quiet life, Alda attempts to orchestrate -- with varying degrees of success -- the love affairs of her neighbours. Her unwilling subjects include an Italian POW, a Communist field-hand, a battery-chicken farmer and her intelligent friend Jean.

    After 25 years of their marriages, the four still enjoy each other's company. May's husband, George, is a highly successful businessman; June's Robert is a far from successful writer. May and George are ever generous, and when they move from their London flat to a country house they persuade June and Robert to accept, rent free, a cottage on the place, which is in a park of a great decaying house whose occupants are enigmatic.The two families, thoroughly enjoying their new experiences, are joined by two likable and appealing grandparents. The young people come down on weekends from London, and the three generations share idyllic weeks complete with lilacs, nightingales, and the creature comforts May provides. A problem puppy and an awkward girl from the great house underline the delights of living. But there is a hidden danger in the close proximity, for the first time, of the families, and an unwelcome aunty proves to be both a catalyst and a fairy godmother in reverse.

    This is the English village of Fairacre: a handful of thatch-roofed cottages, a church, the school, the promise of fair weather, friendly faces, and good cheer -- at least most of the time. Here everyone knows everyone else's business, and the villagers like each other anyway (even Miss Pringle, the irascible, gloomy cleaner of Fairacre School). With a wise heart and a discerning eye, Miss Read guides us through one crisp, glistening autumn in her village and introduces us to a cast of unforgettable characters and a world of drama, romance, and humor, all within a stone's throw of the school. By the time winter comes, you'll be nestled snugly into the warmth and wit of Fairacre and won't want to leave.

    At thirty-four she finds that her external life of dreary routine fails to match up to her lush, wistful and dreamy internal life. Norah, her energetic and chaotic friend, is equally settled in her own marriage to an irritable university professor.Then Hugh Miller and his sister Claire descend upon the quiet town. On all four, the hypnotic charm of these two visitors exerts an enchanting spell. And after their departure, life - having been violently disrupted - will never be quite the same again . . .

    I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmont to bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach." Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances...

    And, as practical as she is, Ruth doesn't know what to do. Or how to feel. Because knowing and loving Clio Campbell was never straightforward.To Neil, she was his great unrequited love. He'd known it since their days on picket lines as teenagers. Now she's a sentence in his email inbox: Remember me well.The media had loved her as a sexy young starlet, but laughed her off as a ranting spinster as she aged. But with news of her suicide, Clio Campbell is transformed into a posthumous heroine for politically chaotic times.Stretching over five decades, taking in the miners' strikes to Brexit and beyond; hopping between a tiny Scottish island, a Brixton anarchist squat, the bloody Genoa G8 protests, the poll tax riots and Top of the Pops, Scabby Queen is a portrait of a woman who refuses to compromise, told by her friends and lovers, enemies and fans.As word spreads of what Clio has done, half a century of memories, of pain and of joy are wrenched to the surface. Those who loved her, those who hated her, and those that felt both ways at once, are forced to ask one question: Who was Clio Campbell?

    Beautiful divorcee Tory is painfully involved with her neighbour, Robert, while his wife Beth, Tory's best friend, is consumed by the worlds she creates in her novels, oblivious to the relationship developing next door. Their daughter Prudence is aware, however, and is appalled by the treachery she observes. Mrs Bracey, an invalid whose grasp on life is slipping, forever peers from her window, constantly prodding her daughters for news of the outside world. And Lily Wilson, a lonely young widow, is frightened of her own home. Into their lives steps Bertram, a retired naval officer with the unfortunate capacity to inflict lasting damage while trying to do good.

    Morvern's reaction is both intriguing and immoral. What she does next is even more appalling. Moving across a blurred European landscape-from rural poverty and drunken mayhem of the port to the Mediterranean rave scene-we experience everything from Morvern's stark, unflinching perspective.Morvern is utterly hypnotizing from her very first sentence to her last. She rarely goes anywhere without the Walkman left behind as a Christmas present by her dead boyfriend, and as she narrates this strange story, she takes care to tell the reader exactly what music she is listening to, giving the stunning effect of a sound track running behind her voice.In much the same way that Patrick McCabe managed to tell an incredibly rich and haunting story through the eyes of an emotionally disturbed boy in The Butcher Boy, Alan Warner probes the vast internal emptiness of a generation by using the cool, haunting voice of a female narrator lost in the profound anomie of the ecstasy generation. Morvern is a brilliant creation, not so much memorable as utterly unforgettable."

    Now one of her most endearing classics is being reissued for a new generation of readers. China Court is the story of the hours and days of a country house in Wales and five generations of the family who inhabited it.

    “If only the Seamarks had left it alone …” Hester Clifford has come to Mingham to recover from pneumonia, at the invitation of her godmother, Cecily Hutton, an eccentric painter with a predilection for ruins. Hester determines to bring order to the Huttons’ easygoing lives, not to mention those of the villagers—including elderly Mrs. Hyde-Ridley, attempting to enforce her Edwardian standards of behaviour, Mrs. Merlin, the Rector’s wife, equally determined to share the joys of country dance with an unenthusiastic parish, and Thomas Seamark, a classic example of the wealthy, brooding widower. Amidst conflict, manipulation, matchmaking, and general hilarity, Hester clearly has her work cut out for her.Furrowed Middlebrow is delighted to make available, for the first time in over half a century, all six of Elizabeth Fair’s irresistible comedies of domestic life. These new editions all feature an introduction by Elizabeth Crawford.“Miss Fair’s understanding is deeper than Mrs. Thirkell’s and her humour is untouched by snobbishness; she is much nearer to Trollope, grand master in these matters.”--Stevie Smith“Miss Fair makes writing look very easy, and that is the measure of her creative ability.”--Compton Mackenzie

    We are shown the two Marwood girls, who are nearly grown-up, their father, the widower Major Marwood, and their aunt; then, as soon as their lives have been described, the Major proposes marriage to a woman much younger than himself - and many changes begin.

    J. Cronin. The story is set in 1879, in the fictional town of Levenford, on the Firth of Clyde. The plot revolves around many characters and has many subplots, all of which relate to the life of the hatter, James Brodie, whose narcissism and cruelty gradually destroy his family and life.

    Both are duped, however, by their son Sigismund -- the Blessing of the title -- a juvenile Machiavelli who mixes Gallic cunning with Saxon thoroughness to become one of Mitford's most memorable characters.

    But when Kate Herrick returns to her childhood home she uncovers a web of intrigue as tangled as the rambling roses in its garden. It is the summer of 1947. Kate, widowed in the War and comfortably settled in London, travels to Rose Cottage to retrieve some family papers for her grandmother. Curious as to the changes and the welcome she'll find, she is relieved when, at first glance, everything seems just as she remembers it. But she soon finds disturbing evidence of a break-in. The papers are missing. The village is alive with gossip. Did her elderly neighbors, suspected of being witches, really see nighttime prowlers and ghosts in the cottage garden? Kate's search for the truth brings her together with many childhood friends and neighbors, some suspicious of her return, but most eager to help. It also leads her down a trail of family bitterness, jealousy, and revenge - and into an exploration of her own past.