Munro) stands alongside Anton Chekhov and O Henry as a master of the short story. His extraordinary stories are a mixture of humorous satire, irony and the macabre, in which the stupidities and hypocrisy of conventional society are viciously pilloried. This collection includes Sredni Vastar and The Unrest Cure. 'We all know that Prime Ministers are wedded to the truth, but like other married couples they sometimes live apart'[Description from back cover]

    It is about a girl called Jane who gets a badly-paid job in a draper’s shop in the early years of the last century. Yet the title of the book is based on a Carlyle quotation – ‘Experience doth take dreadfully high wages, but she teacheth like none other’ – and Jane, having saved some money and been lent some by a friend, opens her own dress-shop.As Jane Brocket writes in her Persephone Preface: the novel ‘is a celebration of the Lancastrian values of hard work and stubbornness, and there could be no finer setting for a shop-girl-made-good story than the county in which cotton was king.’

    We cannot quote Shakespeare to describe a headache. We must, Woolf says, invent language to describe pain. And though illness enhances our perceptions, she observes that it reduces self-consciousness; it is "the great confessional." Woolf discusses the cultural taboos associated with illness and explores how illness changes the way we read. Poems clarify and astonish, Shakespeare exudes new brilliance, and so does melodramatic fiction!On Being Ill was published as an individual volume by Hogarth Press in 1930. While other Woolf essays, such as A Room of One’s Own and Three Guineas, were first published by Hogarth as individual volumes and have since been widely available, On Being Ill has been overlooked. The Paris Press edition features original cover art by Woolf’s sister, the painter Vanessa Bell. Hermione Lee’s Introduction discusses this extraordinary work, and explores Woolf’s revelations about poetry, language, and illness.

    Elyot and Amanda, once married and now honeymooning with new spouses at the same hotel, meet by chance, reignite the old spark and impulsively elope. After days of being reunited, they again find their fiery romance alternating between passions of love and anger. Their aggrieved spouses appear and a roundelay of affiliations ensues as the women first stick together, then apart, and new partnerships are formed.

    His sheltered childhood in the home he loves has not prepared Vernon for the harsh reality of his adult years, and in order to write the great masterpiece of his life, he has to make a crucial decision with no time left to count the cost. But there is a high price to be paid for his talent, especially by his family and the two women in his lifee - the one he loves and the one who loves him. Young Nell Vereker had always loved Vernon, loved him with a consuming passion that was alien to the proper social world in which she lived. But when Vernon sought solace in the arms of Jane Harding, a stranger and enigmatically beautiful older woman, Nell felt she could endure no greater pain. But Fate had only begun to work its dark mischief on this curious romantic triangle -- for before their destinies were sealed, one would live, one would die, and one would return from the grave to be damned…

    At the beginning of the novel she's returned after a long absence to the fictional town of Radstowe (which is a thinly disguised portrait of Bristol). Miss Mole is not getting along well with her current employer and after a few days in a boarding house, gets a new job via her cousin Lilla, who is from the wealthier side of the family and has some good contacts. Without revealing the family connection, Lilla recommends her for a job as a housekeeper of sorts for a rather stuffy, pompous minister named Robert Corder, whose wife has recently passed away. The household consists of Reverend Corder, a nonconformist; daughter Ethel, who's rather desperately looking for a man so she can escape the house; young Ruth, who is still in school and longing for a mother figure; and their sassy cousin Wilfred, who's attending medical school nearby. Wilfred's presence in the house is rather awkward and raises a few eyebrows, but his mother is wealthy and the Reverend can't risk offending her. A spinster housekeeper/chaperone is exactly what they need to keep the house respectable -- or so they think. Miss Mole moves in and simultaneously elevates their lives and yet turns things upside-down. She's comforting and yet slyly subversive, and Reverend Corder doesn't quite know if he should appreciate her or fear her, as Hannah is smarter than he is. Wilfred takes to her instantly, recognizing her sharp with, and Ruth grows to love her. Eventually, though, there are whispers about Miss Mole's background which much be addressed, and we learn the real reason for her long absence from her hometown.

    This charming, delightful and extremely funny book about daily life in a frugal English household was named by booksellers as the out-of-print novel most deserving of republication.This is a gently self-effacing, dry-witted tale of a long-suffering and disaster-prone Devon lady of the 1930s. A story of provincial social pretensions and the daily inanities of domestic life to rival George Grossmith's Diary of a Nobody.

    Maurois's talent is made of proportion, sanity and balance, and his style of a sure skill in the movement and order of ideas. What a picture he gives us of an age, not yet so remote but that our own grandparents or great-grandparents may have figured in it' The Times Literary Supplement

    Once beautiful, she was taken care of by men. Now, after being dropped by her latest lover, Mr. Mackenzie, Julia is running out of luck and chances. A visit to London to see her ailing mother might offer an opportunity to start over—but it also brings her face to face with her distrustful sister, Norah, who can’t help but feel that Julia has only changed for the worse in the years since they last saw one another. And it proves difficult to escape the desultory romantic entanglements of Paris when a suitor follows her to England.Nowhere is Jean Rhys’s talent for fully inhabiting the minds of her characters more apparent than in After Leaving Mr. Mackenzie, her masterful second novel. Rhys lays bare the desires and contradictions of the mercurial Julia, and all those trapped in her orbit, in this haunting depiction of life after the end of a tumultuous affair.

    Galsworthy states in a foreword that "They have all been written since Swan Song was finished but in place they come between the Saga and the Comedy…" By way of explanation he says that "It is hard to part suddenly and finally from those with whom one has lived so long; and these footnotes do really, I think, help to fill in and round out the chronicles of the Forsyte family".Contents:The Buckles of Superior Dosset, 1821-1863 Sands of Time, 1821-1863 Hester's Little Tour, 1845 Timothy's Narrow Squeak, 1851 Aunt Juley's Courtship, 1855 Nicholas Rex, 1864 A Sad Affair, 1867 Revolt at Roger's, 1870 June's First Lame Duck, 1876 Dog at Timothy's, 1878 Midsummer Madness, 1880 The Hondekoeter, 1880 Cry of Peacock, 1883 Francie's Fourpenny Foreigner, 1888 Four-In-Hand Forsyte, 1890 The Sorrows of Tweetyman, 1895 The Dromios, 1900 A Forsyte Encounters the People, 1917 Soames and the Flag, 1914-1918

    The lasting fascination of all three books lies in the contrast between the natural hopefulness of their young author and the economic hopelessness of the scene to which he has committed his life.

    Her father is an exquisite dilettante; her brother, Dick, a competent artist and polished adventurer with the ladies; her sister, Elizabeth, the writer of fine essays. But Ann is disappointed in the "rhododendron pies" that are served on her birthday, dishes which are filled with flowers to gladden the eye instead of fruit to be eaten. And she also happens to fall in love with a solid bank clerk from a neighboring town.The rebellion and excited antics which Ann's suitor arouses in the Laventies' precious existence marks the high point in this gaily amusing novel of English life in town and country - a tale which pointedly contrasts the aesthetic and practical viewpoints.Rhododenron Pie, one of Margery Sharp's rarest and most sought-after novels, was her debut, reportedly written in one month while Sharp worked as a typist and shared a flat in Paddington with two other girls. But it already shows all the charm, humour, and sophistication that characterizes Sharp's beloved later work. First published in 1930, it has, inexplicably, never been reprinted. Until now. This new edition features an introduction by twentieth-century women's historian Elizabeth Crawford.

    "I wish I'd known this morning. I shouldn't have been so nervous for you. Mr. Cousin or Mr. Orcham might have told me, I think." The head-housekeeper's respect for her subordinate had increased as much as the intimacy. After all there was a glamour about managing a large country mansion for a celebrity that even the Imperial Palace could not offer. Silence fell for a moment.

    The tale of Francis Herries, the "rogue" of the title. A violent and impetuous man, a faithless husband and a capricious father, the Borrowdale valley (his home for 40 years) and his unrequited love for gypsy Mirabell Starr are the two forces which drive him.

    “He couldn’t have done that in falling. Some one must have—” Sir Adam Braid, the distinguished artist, was a cantankerous old man. Not well-liked by most of his family and associates, he was about to add one more enemy to the list by changing his will … but not before death paid a visit to his London flat, and Sir Adam was found stabbed through the neck.Chief-Inspector Fenn takes charge of the case and soon notices the butler seems more frightened than shocked – but what if anything, did the butler do? After all, there is a plethora of suspects, including mercenary relatives and some curious occupants of the neighbouring flats. Fenn must put the clues together, and bring a murderer to justice in this classic golden age mystery. This new edition, the first in many decades, includes an introduction by crime fiction historian Curtis Evans.