Marion Abbott is summoned to Brawders House asylum to collect the body of her sister, Alice. She’d been found dead after falling four stories from a steep-pitched roof. Officially: an accident. Confidentially: suicide. But Marion believes a third option: murder.Returning to her family home to stay with her brother and his second wife, the recently widowed Marion is expected to quiet her feelings of guilt and grief—to let go of the dead and embrace the living. But that’s not easy in this house full of haunting memories.Just when the search for the truth seems hopeless, a stranger approaches Marion with chilling words: I saw her fall.Now Marion is more determined than ever to find out what happened that night at Brawders, and why. With no one she can trust, Marion may risk her own life to uncover the secrets buried with Alice in the family plot.

    Rattled by the discovery, Gillian attempts to unravel the truth behind the photos, setting her off on an epic journey through the past…1939. England is on the brink of war as Vivian Hughes falls in love with a handsome British official, but when bombs begin to fall and Vivian’s happy life is destroyed in the blitz, she will do whatever it takes to protect those she loves…As Gillian learns more about her grandmother’s past, the old photo begins to make more sense. But for every question answered, a new one takes its place. Faced with a truth that is not at all what she expected, Gillian attempts to shine a light not only on the mysteries of her family’s past but also on her own future.This gorgeously written multigenerational saga is a heart-wrenching yet hopeful examination of one woman’s struggle to survive, perfect for fans of The Nightingale and Beneath a Scarlet Sky.

    Seen through the lens of four families who've been a part of one another's lives since their kids were born over a decade ago, the story reveals not only the lengths that some adults are willing to go to get ahead, but the effect on the group's children, sibling relationships, marriages, and careers, as simmering resentments come to a boil and long-buried, explosive secrets surface and detonate. It's a humorous, keenly observed, timely take on ambitious parents, willful kids, and the pursuit of prestige, no matter the cost.

    The novel explores two historical strands, bringing together an abused housewife from the 1970s and a young girl from the early 1940s in a story of love, loss and unexpected consequences.The Letter follows the life of Tina in the 1970s who seeks respite from her abusive marriage by volunteering at a charity shop. One day, while sorting through the pockets of a second-hand suit, she comes across an old letter. It is still firmly sealed and un-franked. Unable to resist the pull of curiosity, Tina opens the letter. It was written on 4th September 1939. She is so moved by the contents and bemused as to why the letter was never delivered, she embarks on a quest to find out what became of the writer and his intended recipient.The mystery of how this love letter ended up in Tina’s hands is also uncovered through Billy’s story from the early 1940s. He writes a letter that will change his life forever, unaware that it will not be read for another 34 years, and then by a complete stranger.With a swift pace, memorable characters and a wonderful conceptual depth, Hughes’ novel is one that simply can’t be put down.

    For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.

    Instead, the victim turns out to be a woman he'd had an affair with before breaking it off to save his marriage. But there's a bigger problem: Liam has no memory of where he was or what he did on the night of the murder.Panicked, Liam turns to his brother, Sean, a homicide detective. Sean has his back, but incriminating evidence keeps piling up. From fingerprints to DNA, everything points to Liam, who must race against time and his department to uncover the truth - even if that truth is his own guilt. Yet as he digs deeper, dark secrets come to light, and Liam begins to suspect the killer might actually be Sean ...When the smoke clears in this harrowing family drama, who will be left standing?

    A discovered life.What if you only had one day to find out who you really were?When Sabrina Boggs stumbles upon a mysterious collection of her father’s possessions, she discovers a truth where she never knew there was a lie. The familiar man she grew up with is suddenly a stranger to her.An unexpected break in her monotonous daily routine leaves her just one day to unlock the secrets of the man she thought she knew. A day that unearths memories, stories and people she never knew existed. A day that changes her and those around her forever.The Marble Collector is a thought-provoking novel about how the most ordinary decisions we make can have the most extraordinary consequences for how we live our lives. And how sometimes it’s only by shining on a light on someone else, that you can truly understand yourself.

    Theatre script, playbook

    Until the person she blames for her heartache is assigned as her new client. Cade doesn’t take life seriously, finding it easier to drink his problems away than deal with them. But when Francesca steps back into his life, he’s forced to revisit the past. Can he bring himself to tell her the truth about her sister’s death? Will the truth bring them back together, or push them further apart?

    Hearing that Clym Yeobright is to return from Paris, she sets her heart on marrying him, believing that through him she can leave rural life and find fulfilment elsewhere. But she is to be disappointed, for Clym has dreams of his own, and they have little in common with Eustacia’s. Their unhappy marriage causes havoc in the lives of those close to them, in particular Damon Wildeve, Eustacia’s former lover, Clym’s mother and his cousin Thomasin. The Return of the Native illustrates the tragic potential of romantic illusion and how its protagonists fail to recognize their opportunities to control their own destinies.

    Lewis yearns for his absent father, befriending the only other fatherless kids: Jimmy and Rose. One afternoon, Jimmy goes missing. The neighborhood in the era of the Cold War, bomb scares, and paranoia seizes the opportunity to further ostracize Ava and her son. Lewis never recovers from the disappearance of his childhood friend. By the time he reaches his twenties, he's living a directionless life, a failure in love, estranged from his mother. Rose is now a schoolteacher in another city, watching over children as she was never able to watch over her own brother. Ava is building a new life for herself in a new decade. When the mystery of Jimmy's disappearance is unexpectedly solved, all three must try to reclaim what they have lost.

    . .The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady's maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives--presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave.

    OBSESSION. REVENGE. Years after she fell out with her best friend, Laura remains terrified of the past coming back to haunt her… Laura, the only child of doting parents, is at the centre of what seems a perfect family. Daughter of a well-known television personality, she spends her time between their idyllic Northumberland farmhouse and summers on the Amalfi coast. New girl, Evelyn, arrives at Laura’s prestigious boarding school desperate to escape her miserable home life. The two quickly become friends, inseparable, and Evelyn relishes the chance to become close to Laura’s family. But when Laura discovers her friend has betrayed her and her family she calls an immediate end to their friendship with devastating consequences. Decades later, Laura is forging a successful career as a journalist, happily married and keen to leave the past firmly behind her. Evelyn, however, filled with resentment and blighted by their estrangement, believes she paid a price that should have been shared… It’s time to settle the score.

    . . as well as his own. Now fans of the movie can journey back even further—to the 16th century, when the Bard of Avon unveils his latest masterpiece: William Shakespeare’s Get Thee Back to the Future! Every scene and line of dialogue from the hit movie is re-created with authentic Shakespearean rhyme, meter, and stage directions. This reimagining also includes jokes and Easter eggs for movie fans, from Huey Lewis call-outs to the inner thoughts of Einstein (the dog). By the time you’ve finished reading, you’ll be convinced that Shakespeare had a time-traveling DeLorean of his own, speeding to our era so he could pen this time-tossed tale.

    R. James.Casting the Runes, adapted by Stephen GallagherWhen academic Jo Harrington (Anna Maxwell Martin) is sent a paper—The Truth of Alchemy, by Anton Karswell—for peer review, she pulls no punches. Jo writes that the paper has no place in a serious academic publication and that Karswell is a half-bright fool. When the editor writes a rejection note to Karswell, he inadvertently includes Jo’s entire email. Occultist Karswell (Reece Shearsmith) doesn’t take kindly to criticism.On the tube home with her partner Edward Dunning (Tom Burke), Jo spots a poster with her name on it. It reads: "In memory of Joanne Harrington, MLitt, PhD, died September eighteenth, three days were allowed." Is there anything that Edward can do to save Jo from this curse?Lost Hearts, adapted by A. K. BenedictTeenager Stephanie Elliot (Rosa Coduri) is taken to Aswarby House to be fostered by Mrs. Bunch (Susan Jameson). Stephanie strikes up a friendship with Ben (Bill Milner), the adopted son of charismatic community leader Mr. Abney (Jeff Rawle). He tells her that Mr. Abney is a good man—he even took in a child refugee last year, but she stole from him and ran away. Stephanie is troubled by voices and visions of a dead girl clutching at her chest, and when Ben disappears she begins to suspect that all is not right in Aswarby House.The Treasure of Abbot-Thomas, adapted by Jonathan BarnesWhen former Somerton school pupil Greg Parsbury (Robert Bathurst) meets history teacher Mika Chantry (Pearl Mackie) at a memorial service for schoolmaster Sam Abbot-Thomas, he begs for her help. Greg has been sent a postcard by the estate of the mysterious and charismatic Abbot-Thomas. On it is a strange inscription in Latin, which he believes to be an inaugural clue in a treasure hunt much like the elaborate treasure hunts Abbot-Thomas used to set back in the 1970s. There were rumors that Abbot-Thomas possessed a hidden fortune, and Parsbury and Chantry set out to find it.A View from a Hill, adapted by Mark MorrisComedian and podcaster Paul Fanshawe (Andy Nyman) and his wife, Sarah (Alice Lowe), visit the Cotswolds on holiday, trying to rebuild their lives after the death of their young son, Archie. While out walking, they spot a beautiful abbey across the valley on Gallows Hill, but when they reach it, they find the building is little more than rubble. While Sarah explores, Paul records commentary for his podcast. Sarah thinks she hears children’s laughter, but there’s no one there. Later that night, she listens to the recording and hears a child’s voice whisper, "Mummy." Sarah is convinced that Archie is trying to reach them and wants to return to the ruins. But something far worse is waiting for them on Gallows Hill.