Each poet's work is illustrated by a different artist such as Emma Chichester Clark, Fritz Wegner and Korky Paul.Brian Patten came to public attention with the publication of THE MERSEY SOUND in 1967. He is a very popular performance poet, always in demand for conferences and school visits. Collections of his own poetry are published in Puffin and he is the editor of the PUFFIN BOOK OF TWENTIETH CENTURY VERSE. Brian lives in London.This collection features poems and illustrations from:Spike Milligan; Kit Wright; Michael Rosen; Charles Causley; Roger McGough; Benjamin Zephaniah; Brian Patten; Jackie Kay; John Agard; Allan Ahlberg; Emma Chichester Clark; Korky Paul; Alison Jay; Lydia Monks; Ali Chatterton; David Mostyn; Sue Williams; Sheila Moxley; Fritz Wegner

    The poem started out as a simple observation of the snow in moonlight, and turned into a poem with more to offer. I'm offering it free to my readers. I've had it on my blog, where it's gotten much response, and wanted to give everyone another way to access it.

    In AM/PM, impish humor and cutting insight are on full display. Readers tour the lives of 23 characters across 120 stories full of lizard tails, Schrödinger boxes, and volcano love. June wakes up one morning covered in seeds; Leonard falls in love with a chaise lounge; Betty insists everything except flowers are a symbol of her love for her husband; Andrew talks to his house in times of crisis. Written every morning and night for two months, these brief vignettes (50 to 100 words) recall Donald Barthelme in their whimsy and subtle yet powerful emotions. An intermittent love story as seen through a darkly comic lens, AM/PM mixes poetry and prose, humor and hubris to create a truly original work of fiction.

    For the special edition slipcase please go here.You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America. This year's slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

    Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

    Zooming in across our cast of characters, we share moments that span everything from hoping to make it to the end of the week, facing it, fitting in, finding friends and falling out, to loving lessons, losing it, and worrying, wearing it well and worshipping from afar.In Everything All At Once, Steven Camden's poems speak to the kaleidoscope of teen experience and life at secondary school.'All together. Same place.Same walls. Same space.Every emotion under the sunFaith lost. Victories won.It doesn't stop. Until the bell. Now it's heavenNow it's hell.Who knows?Not meI just wrote what I can seeSo what's it about? Here's my responseIt's about everythingAll at once.'

    The book is a compilation of the series of episodes published in tamil magazine 'Chaavi'

    Of The Babies, poet Claudia Rankine writes, “Rarely do we encounter poems that are so precisely framed, though on their surface seemingly whimsical and erratic. These poems are gorgeous, intelligent, and disturbing.”

    Alyssa Karr's beautiful words fill the reader with inspiration and hope to turn darkness into light.

    . . a contemporary genius with the language itself . . . There is simply no contemporary poet like him.” —David Baker, The Kenyon Review Albert Goldbarth has created an unmistakable signature style—learned, copious, hilarious, and heartbreaking—which has so far spanned an award-winning career of thirty-five years. The Kitchen Sink brings together forty new poems with a rich selection of earlier poetry, ranging from the brief, flickering lyric to the long, narrative sequence. In both forms, Goldbarth exerts a wild showmanship and an ever-widening scope to illustrate the complex character and interconnectedness of humanity, history, and art. The Kitchen Sink is the definitive book by one of America’s most original and entertaining poets.

    Wily, witty and weird, often haunting, sometimes heartbreaking, [Frey's] poems…dive deep, for all their individual brevity.

    He's a narcissistic, judgmental snob who rates women's looks from one to ten; a racist, homophobic megalomaniac who makes fun of people's weight; a cheating, lying, manipulative jerk who sees his older girlfriend as nothing more than an adornment. His only real friend, besides his dog, is a loser who belongs to a pick-up artist group. Guy is completely oblivious to his own lack of empathy, and his greatest talent is hiding it all...until he meets someone who challenges him in a way he's never been challenged before. Darkly funny and utterly offensive, "Guy" is a brilliant and insightful character study that exposes the twisted thoughts of the misogynist bro next door.

    Gun law is out of control. Organized gangs are fighting for supremacy in clubland and the lucrative supply of narcotics. Younger, more ruthless gangs are moving in. Ged, Moby and Ratter, three South End villains, are old-fashioned highwaymen with two decades of meticulously planned jobs behind them. But times are tough. It’s Christmas and Ged is planning a job to see the boys through until spring. As usual, he won’t give them any details until the morning of the job. Until then, they have to stay off the street and keep out of trouble.But Moby loves to go out – girls love him, guys send drinks over – he could live like this forever. And Ratter wants out – he’s invested his loot in the booming property sector. As the heist approaches, Ged needs to summon all his street savvy and killer instinct just to survive.

    

    Translated by Helen Lane.