Her mom is white, and her dad, who died before she was born, was black. She attends a mostly white school where she sometimes feels like a brown leaf on a pile of snow. She’s tired of people asking if she’s adopted. Now that Violet’s eleven, she decides it’s time to learn about her African American heritage. And despite getting off to a rocky start trying to reclaim her dad’s side of the family, she can feel her confidence growing as the puzzle pieces of her life finally start coming together. Readers will cheer for Violet, sharing her joy as she discovers her roots.

    Beginning with "Riot Act," a monologue about the Los Angeles uprising in April 1992, Ai explored racial and sexual politics through the voices of diverse characters.

    . . . Mr. Stampp wants to show specifically what slavery was like, why it existed, and what it did to the American people."--Bruce Catton

    This epic migration continued until after World War II, when some of these tropical colonies became independent black nations and the white colonials were forced -- or chose -- to return to the mother country. Among the descendants of the colonizing powers, however, were some who had become outcasts in the poorest strata of society and, unable to afford the long journey home, were left behind, ignored by both the former oppressed indigenous population and the modern privileged white immigrants. At the dawn of the twenty-first century these lost white tribes still hold out, tucked away in remote valleys and hills or in the midst of burgeoning metropolises, living in poverty while tending the myths of their colonial ancestors. Forced to marry within their own group if they hope to retain their fair-skinned "purity," they are torn between the memory of past privilege and the extraordinary pressure to integrate. All are decreasing in number; some are on the verge of extinction and fighting to survive in countries that ostracize them because of the color of their skin and the traditions they represent. Though resident for generations, these people are permanently out of place, an awkward and embarrassing reminder of things past in newly redefined countries that are eager to forget both them and their historical homelands.In the remote interior and in bustling Sao Paulo, the "Confederados" of Brazil linger on, the descendants of Confederate families that fled the American South to rebuild their society here rather than face victoriousYankees. Wrenchingly poor then and now, these would-be genteel planters cling to their romanticized memory of a proud antebellum past. In Sri Lanka, once Ceylon, the children of Dutch Burghers haunt their crumbling mansions, putting on airs and keeping up appearances. In the steaming jungle of Guadeloupe, the inbred and deformed Matignons Blancs scrape out an existence while claiming the blood of French kings in their veins. On the beaches of Jamaica, a young man with incongruously blond dreadlocks -- the destitute descendant of a shoemaker from the Duchy of Saxony who became an indentured servant to earn passage from Germany to the new world -- still gazes out at the Caribbean over a century and half later. The Poles of Haiti are descended from troops lured over by Napoleon to quell slave rebellions. His promise of independence for their homeland went unfulfilled; they persist in hidden valleys in the island's interior. In the desert expanses of Southwest Africa, the famously devout Basters, the green-eyed, mixed-race Afrikaners, still doggedly pursue vast territorial claims as the continent's new power brokers sweep them aside. These are the lost white tribes.More than an entree into a world we are unfamiliar with, this amazing chronicle opens up a world that we did not even know existed. In his masterful report, Riccardo Orizio has written the final chapter in the history of the postcolonial world, and in him these forgotten peoples have found their unique historian.

    Wells was an African-American woman who achieved national and international fame as a journalist, public speaker, and community activist. This volume collects three pamphlets that constitute her major works during the anti-lynching movement: Southern Horrors: Lynch Law in All Its Phases, A Red Record, and Mob Rule in New Orleans.

    Perfect for fans of Rad Women Worldwide, Women in Science, and Girls Think of Everything. Harriet Tubman guided the way.Rosa Parks sat for equality.Aretha Franklin sang from the soul.Serena Williams bested the competition.Michelle Obama transformed the White House.Black women everywhere have changed the world!Published in partnership with curators from the Smithsonian National Museum of African American History and Culture, this illustrated biography compilation captures the iconic moments of fifty African American women whose heroism and bravery rewrote the American story for the better.They were fearless. They were bold. They were game changers.

    Here's the thing, though: Can he do everything his friends can? Lately, he's not so sure. As a mixed kid, he feels like he's living in two worlds with different rules--and he's been noticing that strangers treat him differently than his white friends . . .So what'll he do? Hold on tight as Stephen swerves in and out of lanes to find out which are his--and who should be with him.Torrey Maldonado, author of the highly acclaimed Tight, does a masterful job showing a young boy coming of age in a racially split world, trying to blaze a way to be his best self.

    In this short period of time, his vision for abolishing racial inequality in the United States underwent a vast transformation. Breaking from the Black Muslims, he moved away from the black militarism prevalent in his earlier years only to be shot down by an assassin's bullet.

    Eminent historian Nell Irvin Painter blends a vivid narrative based on the latest research with a wonderful array of artwork by African American artists, works which add a new depth to ourunderstanding of black history.Painter offers a history written for a new generation of African Americans, stretching from life in Africa before slavery to today's hip-hop culture. The book describes the staggering number of Africans--over ten million--forcibly transported to the New World, most doomed to brutal servitudein Brazil and the Caribbean. Painter looks at the free black population, numbering close to half a million by 1860 (compared to almost four million slaves), and provides a gripping account of the horrible conditions of slavery itself. The book examines the Civil War, revealing that it only slowlybecame a war to end slavery, and shows how Reconstruction, after a promising start, was shut down by terrorism by white supremacists. Painter traces how through the long Jim Crow decades, blacks succeeded against enormous odds, creating schools and businesses and laying the foundations of ourpopular culture. We read about the glorious outburst of artistic creativity of the Harlem Renaissance, the courageous struggles for Civil Rights in the 1960s, the rise and fall of Black Power, the modern hip-hop movement, and two black Secretaries of State. Painter concludes that African Americanstoday are wealthier and better educated, but the disadvantaged are as vulnerable as ever.Painter deeply enriches her narrative with a series of striking works of art--more than 150 in total, most in full color--works that profoundly engage with black history and that add a vital dimension to the story, a new form of witness that testifies to the passion and creativity of theAfrican-American experience.* Among the dozens of artists featured are Romare Bearden, Elizabeth Catlett, Beauford Delaney, Jacob Lawrence, and Kara Walker* Filled with sharp portraits of important African Americans, from Olaudah Equiano (one of the first African slaves to leave a record of his captivity) and Toussaint L'Ouverture (who led the Haitian revolution), to Harriet Tubman and Sojourner Truth, to Martin Luther King, Jr. and Malcolm X

    Her parents and big sister are white, and even though she loves her family very much, Makeda often feels left out. When Makeda's family moves from Maryland to New Mexico, she leaves behind her best friend, Lena―the only other adopted black girl she knows―for a new life. In New Mexico, everything is different. At home, Makeda’s sister is too cool to hang out with her anymore and at school, she can’t seem to find one real friend.Through it all, Makeda can’t help but wonder: What would it feel like to grow up with a family that looks like me?Through singing, dreaming, and writing secret messages back and forth with Lena, Makeda might just carve a small place for herself in the world.

    The book traces the history of African Americans in Tulsa's Greenwood district and chronicles the devastation that occurred in 1921 when a white mob attacked the Black community.News of what happened was largely suppressed, and no official investigation occurred for seventy-five years.

    This is an opportunity for children to learn their ABCs to the sound of words beyond apple, boy, and cat, and an opportunity for young thinkers to prepare for big ideas.

    The product of those studies was the first great empirical book on the Negro in American society.More than one hundred years after its original publication by the University of Pennsylvania Press, The Philadelphia Negro remains a classic work. It is the first, and perhaps still the finest, example of engaged sociological scholarship--the kind of work that, in contemplating social reality, helps to change it.In his introduction, Elijah Anderson examines how the neighborhood studied by Du Bois has changed over the years and compares the status of blacks today with their status when the book was initially published.

    Daddy gathers wood. Mama cooks. Ben and the other slaves go out to work. Each day is the same. Full of grueling work and sweltering heat. Every day, except one, when the bell rings and Ben is nowhere to be found. Because Ben ran. Yet, despite their fear and sadness, his family remains hopeful that maybe, just maybe, he made it North. That he is free.

    This sympathetic yet evenhanded book records for the first time the complete story of SNCC's evolution, of its successes and its difficulties in the ongoing struggle to end white oppression.At its birth, SNCC was composed of black college students who shared an ideology of moral radicalism. This ideology, with its emphasis on nonviolence, challenged Southern segregation. SNCC students were the earliest civil rights fighters of the Second Reconstruction. They conducted sit-ins at lunch counters, spearheaded the freedom rides, and organized voter registration, which shook white complacency and awakened black political consciousness. In the process, Clayborne Carson shows, SNCC changed from a group that endorsed white middle-class values to one that questioned the basic assumptions of liberal ideology and raised the fist for black power. Indeed, SNCC's radical and penetrating analysis of the American power structure reached beyond the black community to help spark wider social protests of the 1960s, such as the anti-Vietnam War movement.Carson's history of SNCC goes behind the scene to determine why the group's ideological evolution was accompanied by bitter power struggles within the organization. Using interviews, transcripts of meetings, unpublished position papers, and recently released FBI documents, he reveals how a radical group is subject to enormous, often divisive pressures as it fights the difficult battle for social change.