Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    When he rebuffs her clumsy advances, Isabella leaves for London, determined to find the man of her dreams and soothe her bruised ego.Michael Linfield, Duke of Blackmore is a legendary, fearsome, war hero; famous for reducing debutantes and their mothers to floods of tears with just one glance. The brooding, giant of a man is hiding a secret however - a debilitating stammer that has haunted him since childhood. When the delightful Miss Peregrine proposes a marriage of convenience to him - with no benefits - Michael is so startled that his stammer reappears and all he can manage to reply is "N-n-no".When news of Isabella's success in London soon reaches his ears, Michael is determined to go to town and win her as his own, if only she'll give him a second chance at love.The Duke’s BrotherCan a Duke's bastard win the heart of a lady?Plucked as an orphan from the slums of St. Giles' by his half-brother the Duke of Blackmore, Sebastian Black soon rises to become one of the richest men in London, and a notorious rake to boot. His time at Eton has left him with a healthy disregard for the aristocracy - that is until he inadvertently becomes involved in the affairs of the prim, proper and snooty Aurelia St Claire.Aurelia's brother, Lord Theodore Epsom, was reported missing after Waterloo, but she is convinced that she has sighted him alive and well in London. The pair join forces to try to discover exactly what happened to Theo and as their sleuthing takes them into London's murky back alleys, they discover that they aren’t so different after all.Can two people overcome their prejudices, their foibles - or even their very history - to find love?A Lady Like No Other“Would my lady care to dance?”“My lady would rather eat a live chicken.”Beautiful, titled, and wealthy to boot, Lady Lydia Beaufort was expected to have a spectacular London Season. There was just one problem; the eccentric daughter of the Earl of Galway had no intention of becoming the ton’s darling. Especially if it involved humouring the awful herds of fortune hunters and greedy second sons, intent on making her their bride.All Lydia wanted was to be left alone in peace, to read her beloved Lord Byron. That is until an incorrigible rogue of a Marquess burst into her life, and turned all her ideas about love upside down.Charming, congenial, and ever so handsome, Gabriel Livingstone, Marquess of Sutherland could have his pick of any of the season’s debutantes, but the only rose he longed to pluck, was the very thorny Lady Beaufort. Just when he thinks he might finally have won her heart, fate, in the form of an Italian Count, a mischievous Gypsy and a political assassination plot, gets in his way.Can this mismatched pair find their happily ever after?

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    Culling over 300 pages of some of today's most thrilling writers, The Best of 2.13.61 Publications hallmarks our company's ten year existence. Excerpts include new material from Henry Rollins and Hubert Selby, Jr, as well as excerpts from Henry Miller's love letters, Nick Zedd's hilarious nihilistic New York urban spelunkings, Ian Shoales' undeniably witty social commentaries and so much more.

    The first of the plays, The Real Inspector Hound, is the longer of the two; here the author has created a looking glass comedy of great suspense and intrigue about two drama critics. The second play, After Magritte, is 'a surrealist comedy in detective form-or is it a comedy in surrealist form? A husband and wife argue whether the figure they saw in the street was a one-legged football player with the ball under his arm, or a man in pajamas with a tortoise under his arm. The play shows that Stoppard is as amusing and clever as always.'

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    In another universe, humanity is overrun by monsters so evil that their very presence dims the light of the stars. In yet another universe, humanity is drawn into an endless battle for dominion over the galaxy. This is not one of those universes. In this universe, humanity is in charge of the Galactic Peace Committee. In theory, the Committee is an unmatched force for good, bringing peace and prosperity to countless worlds and ensuring that conflicts between different races are settled with words and not planet-cracking weaponry or super plagues designed to turn everyone into goo. In theory. Jake Smith is a diplomat. He works for the Committee. This is his story – and it goes about as well as you’d expect. In other words, it doesn’t go very well at all. Can Jake survive petty aliens? Sure. He’s a diplomat. It’s all part of the job. What about angry aliens? Probably. He does have a killer robot for a secretary, and he’s not bad with a shock staff. How about a fleet of aliens out for blood? That… that might be a little bit trickier. The Galactic Peace Committee… keeping peace (sort of) throughout the galaxy.

    Hunter's A Bright New Boise is a earnest comedy about the meager profits of modern faith. In the bleak, corporate break room of a craft store in Idaho, someone is summoning The Rapture. Will, who has fled his rural hometown after a scandal at his Evangelical church, comes to the Hobby Lobby, not only f

    In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    George Orwell's prophetic, nightmarish vision of "Negative Utopia" is timelier than ever-and its warnings more powerful in this three-act adaptation.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    This sidesplitting play, a testimony to David’s great writing talent, is also his first time on Broadway—in fact, his first time acting on stage since eighth grade. In Fish in the Dark Larry David stars as Norman Drexel, a man in his fifties who is average in most respects except for his hyperactive libido. As Norman and his family try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface with hilarious consequences.Fish in the Dark has its world premiere at the Cort Theatre on Broadway on March 5, 2015, starring Larry David.

    He’s taken to hospital for treatment. Then people start trying to assassinate him.The man has to find out why, how to get them to stop, and what the CIA has to do with all this. There’s also the little problem of working out who he used to be, and why that changed. Meanwhile, his girlfriend Piper and best friend Lance are trying to find him…Jonathon Fairfax – still the world’s most socially awkward hero – is back. If only he knew.‘A hugely entertaining novel … a surprising, yet strangely fitting, progression to the Jonathon Fairfax story.’ Scott Pack (former head buyer for Waterstones)Pick up the latest Jonathon Fairfax novel – sequel to two Amazon bestsellers: The Perpetual Astonishment of Jonathon Fairfax (‘A comic gem’ Stylist, ‘You can’t help being tickled’ The Guardian, Bath Novel Award shortlist) and Jonathon Fairfax Must Be Destroyed (‘A funny, daft-yet-relatable, nerve-jangly thriller’ Emerald Street).*That’s a trashcan or dumpster, for American readers.The Jonathon Fairfax novels can be read in any order.

    Both are struggling to escape from lingering parental domination and to establish their own lives and identities. In Janie's case this leads to an inconclusive involvement with a young Jewish doctor who calls her "Monkey"; while Harriet assails the world of big business and has an affair with her hard-driving (and married) boss. Told in a fast-moving series of inventive, alternately hilarious and touchingly revealing scenes, the play explores their parallel stories with uncommon wit and wisdom-resulting, ultimately, in a heightened awareness which, while not providing all the answers, goes a long way toward achieving the maturity and self-assuredness that both protagonists so desperately desire.