When Amir and his wife Emily (Heidi Armbruster), a white artist influenced by Islamic imagery, host a dinner party, what starts out as a friendly conversation escalates into something far more damaging.

    'In the time of our life, live - so that in that wondrous time you shall not add to the misery and sorrow of the world, but shall smile to the infinite delight and mystery of it'The Time of Your Life, a rich tapestry of human life, peopled by a profusion of wistful dreamers, pining lonely hearts, and beer-hall-philosophers, is a twentieth century American masterpiece.The Time of Your Life was first presented at The Shubert Theatre, New Haven, USA, on 7 October 1939. It was the first play to win both the New York Drama Critics' Circle award and the Pulitzer Prize. . It has been revived three times on Broadway; was filmed in 1948, starring James Cagney; and twice filmed for TV. It was last seen in the UK in a star-studded Royal Shakespeare Company production in Stratford and London in 1983, and received the following review:'A remarkable play which blazes forth like a brave beacon: warming and full of fire' Daily Mail

    It explores the dynamics of health, family and community with the story of her mother’s extraordinary ability to heal a changing neighborhood, despite her inability to heal herself. In this solo show with other people in it, Kron asks the provocative question: Are we responsible for our own illness? But the answers she gets are much more complicated than she bargained for when the play spins dangerously out of control into riotously funny and unexpected territory.Lisa Kron has received numerous honors, including several OBIE Awards, the Cal Arts/Alpert Award, the Bessie Award and the GLAAD Media Award. Ms. Kron lives in New York City and Los Angeles.

    Three women from different centuries meet in a modern doctor's waiting room. Forgiveness From Heaven is an eighteenth-century Chinese woman whose bound feet are causing her to lose her toes. Victoria is a nineteenth-century tightly corsetted English woman suffering from what is commonly known as "hysteria." Then there is Wanda, a modern gal from New Jersey who is having problems with her silicone breasts. Husbands, doctors, Freud, the drug industry and the FDA all come under examination. The play is a wild ride through medical and sexual politics, including the politics of the ever-present battle with breast cancer.

    She meets and joins up with Lloyd Bophtelophti, a true "original" who has changed his name to avoid alimony payments and who now lives with a paraplegic named Pootie (who also pretends to be deaf in order to get double disability). Thus begins a series of picaresque escapades involving numerous psychiatrists, a TV game show, and, eventually, an ill-fated reunion with her husband. Filled with bizarre characters and events, the play reflects the fractured lifestyles which have become the norm for so many in our tenuous times.

    Visit to a Small Planet was first presented on February 7, 1957 at the Booth Theatre, New York City.The action of the play takes place in the house of Roger Spelding outside Manassas, Virginia.The time is next summer.Act IEarly evening of a summer's day.Act IIScene 1: The next morning.Scene 2: That evening.Act IIIAn hour later.

    Booklet bought for a college class. No internal marking. Looks "like new". Please ask if questions.

    Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre with Stanslasky as Trigorin and was an immediate success. Checkhov's description of the play was characteristically self-mocking: "A comedy - 3F, 6M, four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love".Michael Frayn's translation was commissioned by the Oxford Playhouse Company.

    "Endgame, " originally written in French and translated into English by Beckett himself, is considered by many critics to be his greatest single work. A pinnacle of Beckett's characteristic raw minimalism, it is a pure and devastating distillation of the human essence in the face of approaching death.

    The struggle of the self to remain intact has moved in her work from civil war, into the family, into the couple, into the individual, and finally into the theatre of phychosis: the mind itself. This play was written in 1999 shortly before the playwright took her own life at age 28. On the page, the piece looks like a poem. No characters are named, and even their number is unspecified. It could be a journey through one person's mind, or an interview between a doctor and his patient.

    "What Lenny Bruce was to the 1950s, Bob Dylan to the 1960s, Woody Allen to the 1970s--that's what Eric Bogosian is to this frightening moment of drift in our history."--Frank Rich, The New York Times

    . . the conceit is elegantly of a piece, yet Hwang is able to keep turning it in on itself to reveal new ambiguities, absurdities, subversions and paradoxes."—Chicago Reader"Hwang's plays collectively chart the evolving definition of what it is to be an 'American.' . . . His art has illuminated and anticipated our ongoing national story with a sensibility unlike any other in the American theater."—Frank RichSpringing from the author's personal experiences in China over the past five years, Chinglish follows a Midwestern American businessman desperately seeking to score a lucrative contact for his family's firm as he travels to China only to discover how much he doesn't understand. Named for the unique and often comical third language that evolves from attempts to translate Chinese signs into English, Chinglish explores the challenges of doing business in a culture whose language—and ways of communicating—are worlds apart from our own. David Henry Hwang's "best new work since M. Butterfly, this shrewd, timely and razor-sharp comedy" (Chicago Tribune) received its Broadway premiere in fall 2011.David Henry Hwang is the author of the Tony Award–winning M. Butterfly, the Pulitzer Prize–finalist Yellow Face, Golden Child, FOB, Family Devotions, and the books for musicals Aida (as co-author), Flower Drum Song (2002 Broadway revival), and Tarzan, among other works.

    The eclectic band of citizens that make up this town are portrayed by only two performers, making this satire on life in rural America even more delightful as they depict all of the inhabitants of Tuna -- men, women, children and animals.

    A rhinoceros suddely apears in a small town, tramping through its peaceful streets. Soon there are two, then three, until the "movement" is universal: a transformation of average citizens into beasts, as they learn to "move with the times." Finally, only one man remains. "I'm the last man left, and I'm staying that way until the end. I'm not capitulating!" Rhinoceros is a commentary on the absurdity of the human condition made tolerable only by self-delusion. It shows us the struggle of the individual to maintain integrity and identity alone in a world where all others have succumbed to the "beauty" of brute force, natural energy and mindlessness.

    For each, the chaos of what has come before brings with it a painful legacy.“I have Stayed. I have Stayed – I have Stayed for as long as I possibly can.”