Like a bizarro-world Norman Rockwell, he created magazine covers of Frankenstein, the Creature from the Black Lagoon. the Phantom of the Opera, and countless others in horrifying yet dazzling images throughout the 1960s and '70s. His intense colour and bold, impressionistic brushwork gave a unique sense of drama and sophistication to these iconic characters. Today, collectors fight over his original art--but, with this book, every fan can own glowing full-colour reproductions of his most famous work as well as many previously unpublished paintings and drawings.

    This honor catapulted her into contact with both high society and the greatest artists and writers of the day. Marie Antoinette, Catherine the Great, Benjamin Franklin, and Lord Byron were only a few of her vast and prestigious clientele. While describing her life as an artist, Vigee Lebrun also provides an exciting account of the dramatic events of her day, particularly the French Revolution and the Terror, from which she barely escaped.

    Beginning in the thirteenth century and making its way towards today, this historically accurate story is the eagerly anticipated debut from Vincent Mahé.Vincent Mahé is fast being established as one of the most exciting illustrators to come out of France. As well as his contribution to Nobrow 8: Hysteria he has been widely commissioned across the world to illustrate for publications such as the New York Times and XXI Magazine.

    It is a rich and compassionate debut, a novel that encourages us to explore the depths of love and memory, of life and of art.Unable to escape the pain of her unrequited love for Max Segal, Marie Prévost travels to Paris in order to study the writing of her other great amour: the novelist Marcel Proust. Marie is bilingual and works as a simultaneous translator in Montreal, and believes that reading Proust’s original papers will give her insights into love and loss that just may mend her broken heart. But when Marie arrives in Paris, Marcel remains as elusive as Max: the strict officials at the Bibliotèque Nationale only allow her access to the peripheral papers of File 263 -- a much ignored and poorly catalogued collection of the diaries kept by Jeanne Proust, Marcel’s mother. Despite the head librarian’s opinion that they contain only the “natterings of a housewife,” Marie begins to translate them, and discovers that Jean Proust’s diary is as illuminating for what is not said as what is there.Entwined with Marie’s story are the diary entries that she has translated: Jeanne Proust’s records of day-to-day life in her Paris household, which make up the second strand of this novel. Jeanne’s diary includes all aspects of life at 9 Boulevard Malesherbes, everything from the difficulties of cutting rich desserts from the dinner menu to the latest Parisian headlines to her fears for the health and literary ambitions of Marcel. She’s a worrier, Madame Proust, but also ferociously protective and supportive of her frail son, and the trials of her small world come across as powerfully as the goings-on outside her doors. Madame Proust’s diary entries, particularly those from the height of the Dreyfus Affair, also convey her experiences as a Jewish woman within a prominent Catholic family and a privileged social class. And it is this thread that makes Marie recognize the difficulties of finding the woman’s true voice, given the atrocities to come during the Second World War.As she continues her work, Marie increasingly explores the devastation of the Holocaust and wonders about our collective responsibility to remembering -- and recording -- it’s truths. Her explorations of Paris, first limited to the Proustian tour, begin to include memorial sites such as the one at Drancy, a transit camp on the route to Auschwitz. During her travels she comes across references to Max’s mother’s family, the Bensimons, and begins to make connections between the overbearing mother Max so often complains about and Madame Proust. She also starts to recognize the horrible burden Sarah Segal must carry.Sarah’s story is the third strand of this novel. Sarah Segal -- née Bensimon, then Simon -- was sent to Canada from France at age twelve, just as the Nazis were beginning to round up Parisian Jews. Growing up with her foster family in Toronto, she is never able to escape the loss of her parents, and as a young woman she travels back to Paris to discover that they did, in fact, die at Auschwitz. But despite -- and perhaps due to -- finding out what happened to them, Sarah is unable to fully adjust to her life in Canada. She doesn’t know how to communicate with her son or her husband, and finds even the most mundane domestic events overwhelming. It is only when she retreats to her kitchen, determined to fuse her French and Jewish histories by mastering a kosher version of classic French cuisine, that she begins to face her sorrow head on. Mme Proust and the Kosher Kitchen is Kate Taylor’s first novel, and has been highly praised by reviewers. Most comment on Taylor’s wonderful ability to weave together three distinct stories in such a way that the larger truths emerge from among their combined details, and on the subtle way she is able to meld history and fiction. As one literary critic has stated, “Mme Proust and the Kosher Kitchen marks the stunning emergence of a writer from whom we can expect much in the future.”

    Where Camille lived, the sunflowers grew so high they looked like real suns. One day a man arrived in Camille's town. Camille meets the man, and they become friends. This man is the painter named Vincent van Gogh.Parents, teachers, and gift givers will find: gorgeous illustrations and reproductions of works by the artistsa fun and educational story for home or the classrooma great series to be used for home school materialsa whole series of books for children to learn about important artists!Author and illustrator Laurence Anholt recalls memorable and sometimes amusing moments when the lives of the artists were touched by children. Anholt's fine illustrations appear on every page and include reproductions of works by the artists.

    A Mad Love offers a spirited and indispensable tour of opera's eclectic past and present, beginning with Monteverdi's L'Orfeo in 1607, generally considered the first successful opera, through classics like Carmen and La Boheme, and spanning to Brokeback Mountain and The Death of Klinghoffer in recent years. Musician and critic Vivien Schweitzer acquaints readers with the genre's most important composers and some of its most influential performers, recounts its long-standing debates, and explains its essential terminology.Today, opera is everywhere, from the historic houses of major opera companies to movie theaters and public parks to offbeat performance spaces and our earbuds. A Mad Love is an essential book for anyone who wants to appreciate this living, evolving art form in all its richness.

    Drawing on experience, psychological insight, and wisdom ancient and modern, Westney shows how to trust yourself and set your own musicality free. He offers healthy alternatives for lifelong learning and suggests significant change in the way music is taught. For example, playing a wrong note can be constructive, useful, even enlightening. The creator of the acclaimed Un-Master Class(R) workshop also explores the special potential of group work, outlining the basics of his revelatory workshop that has transformed the music experience for participants the world over. Practicing, in Westney's view, is a lively, honest, adventurous, and spiritually rewarding enterprise, and it can (and should) meet with daily success, which empowers us to grow even more. Teachers, professionals, and students of any instrument will benefit from this unique guide, which brings artistic vitality, freedom, and confidence within everyone's reach

    The year is 1777 and the four Weber sisters, daughters of a musical family, share a crowded, artistic life in a ramshackle house. While their father scrapes by as a music copyist and their mother secretly draws up a list of prospective suitors in the kitchen, the sisters struggle with their futures, both marital and musical--until twenty-one-year-old Wolfgang Mozart walks into their lives. Bringing eighteenth-century Europe to life with unforgiving winters, yawning princes, scheming parents, and the enduring passions of young talent, Stephanie Cowell's richly textured tale captures a remarkable historical figure--and the four young women who engage his passion, his music, and his heart.

    By situating artists' books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within its pages, she explores more than two hundred individual books in relation to their structure, form, and conceptualization. This latest edition of the book features a new preface by Drucker and includes an introduction by New York Times senior art critic Holland Cotter.Prior praise for Johanna Drucker's The Century of Artists' Books: -[Drucker] locates the artists' book, in all of its multitudinous aspects, within every significant modern movement and draws on an extensive bibliography of scholarly references to reveal the philosophical and artistic connections among the several emerging avant-garde movements of the early twentieth century.... The book vastly expands our understanding of the interdependence of structure and meaning in artists' books.---Buzz Spector, Art Journal-A folded fan, a set of blocks, words embedded in lucite: artists' books are a singular form of imaginative expression. With the insight of the artist and the discernment of the art historian, Drucker details over 200 of these works, relating them to the variety of art movements of the last century and tracing their development in form and concept. This work, one of the first full-length studies available of artists' books, provides both a critical analysis of the structures themselves and a basis for further reflection on the philosophical and conceptual roles they play. From codex to document, from performance to self-image, the world of artists' books is made available to student and teacher, collector and connoisseur. A useful work for all art collections, both public and academic.- Paula Frosch, Metropolitan Museum of Art Library, Library Journal

    It includes stories by Charles Dickens, Wilkie Collins, M. R. James, W. W. Jacobs, and L. P. Hartley, among other masters of the fine art of making the flesh creep, all accompanied by Gorey's inimitable illustrations.ALGERNON BLACKWOOD, "The Empty House"W.F. HARVEY, "August Heat"CHARLES DICKENS, "The Signalman"L.P. HARTLEY, "A Visitor from Down Under"R.H. MALDEN, "The Thirteenth Tree"ROBERT LOUIS STEVENSON, "The Body-Snatcher"E. NESBIT, "Man-Size in Marble"BRAM STOKER, "The Judge's House"TOM HOOD, "The Shadow of a Shade"W.W. JACOBS, "The Monkey's Paw,"WILKIE COLLINS, "The Dream Woman"M.R. JAMES, "Casting the Runes"

    The story of these remarkable sisters — and their central role in shaping the thinking of their day — has never before been fully told. Twenty years in the making, Megan Marshall's monumental biograpy brings the era of creative ferment known as American Romanticism to new life. Elizabeth, the oldest sister, was a mind-on-fire thinker. A powerful influence on the great writers of the era — Emerson, Hawthorne, and Thoreau among them — she also published some of their earliest works. It was Elizabeth who prodded these newly minted Transcendentalists away from Emerson's individualism and toward a greater connection to others. Mary was a determined and passionate reformer who finally found her soul mate in the great educator Horace Mann. The frail Sophia was a painter who won the admiration of the preeminent society artists of the day. She married Nathaniel Hawthorne — but not before Hawthorne threw the delicate dynamics among the sisters into disarray. Marshall focuses on the moment when the Peabody sisters made their indelible mark on history. Her unprecedented research into these lives uncovered thousands of letters never read before as well as other previously unmined original sources. The Peabody Sisters casts new light on a legendary American era. Its publication is destined to become an event in American biography. This book is highly recommended for students and reading groups interested in American history, American literature, and women's studies. It is a wonderful look into 19th-century life.

    At the age of forty, with no particular musical background, he took up the cello. His touching and hilarious account of his passionate second career demolished the myth that one must start an instrument (or a sport, or a language) in early childhood, and will inspire any reader who dreams of taking up a new skill.

    When Mary accompanied her husband to diplomatic duty in Turkey, she changed history. She helped bring the smallpox vaccine to the Middle East, struck a seemingly impossible deal with Napoleon, and arranged the removal of famous marbles from the Parthenon. But all of her accomplishments would be overshadowed, however, by her scandalous divorce. Drawing from Mary's own letters, scholar Susan Nagel tells Mary's enthralling, inspiring, and suspenseful story in vibrant detail.

    From award-winning musician turned communications expert Peter Himmelman, science-based techniques and simple exercises to get unstuck and unlock your creative potential.Do you want to stop procrastinating? Would you love to be more creative? Is there an idea you've dreamt of making a reality? Whether it's learning ragtime piano, losing 30 pounds, or starting an organic jellybean company, Himmelman's unique, inspiring methods will give you the tools and confidence you need to harness your fear and take steps to make your goals a reality.Using practices mined from his years as a successful musician, Himmelman shows you how to open your mind and unite left AND right-brained thinking through powerful and deceptively easy exercises that will enable you to:-Create more fearlessly, whether it's an ad campaign, a song, or a new business -Communicate more effectively -Finish projects that have stayed in the bits and pieces phase forever -Make your ideas take shape in the real worldThe perfect tool for anyone in a mental rut, Let Me Out will force you to stop listening to the negative thoughts that hold you back and achieve the professional and personal success you deserve.*SILVER WINNER OF 2016 NAUTILUS AWARD in Inner Prosperty/Right Livelihood*

    He introduces characters and incidents with his unusual literary style and grace, bringing to the fore those that have "Puritans as Democrats," "The Monarch's Revolution," "The Artist Prophet and Jester" -- show the recurrent role of great themes throughout the eras.The triumphs and defeats of five hundred years form an inspiring saga that modifies the current impression of one long tale of oppression by white European males. Women and their deeds are prominent, and freedom (even in sexual matters) is not an invention of the last decades. And when Barzun rates the present not as a culmination but a decline, he is in no way a prophet of doom. Instead, he shows decadence as the creative novelty that will burst forth -- tomorrow or the next day.Only after a lifetime of separate studies covering a broad territory could a writer create with such ease the synthesis displayed in this magnificent volume.