L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.

    To find out more, read this book (better still, buy it, then read it) – or contact Dirk Gently’s Holistic Detective Agency. ‘A thumping good detective-ghost-horror-whodunnit-time travel-romantic-musical-comedy epic.’ The author

    It purports to be the true account of the life of the eponymous Moll, detailing her exploits from birth until old age.By 1721, Defoe had become a recognised novelist, with the success of Robinson Crusoe in 1719. His political work was tapering off at this point, due to the fall of both Whig and Tory party leaders with whom he had been associated (Robert Walpole was beginning his rise). Defoe was never fully at home with the Walpole group. Defoe's Whig views are nevertheless evident in the story of Moll. The novel's full title gives some insight into this and the outline of the plot: "The Fortunes & Misfortunes of the Famous Moll Flanders, &c. Who was Born in Newgate, & during a Life of continu'd Variety for Threescore Years, besides her Childhood, was Twelve Year a Whore, five times a Wife (whereof once to her own Brother), Twelve Year a Thief, Eight Year a Transported Felon in Virginia, at last grew Rich, liv'd Honest, & died a Penitent. Written from her own Memorandums."

    The good wit of bad manners, elegantly spiced with irony and deftly controlled malice, has made Saki stories small, perfect gems of the English language. Here for the first time, are the collected writings of Saki--including all of his short stories ("Reginald", "Reginald in Russia", "The Chronicles of Clovis", "Beasts and Super-Beasts" "The Toys of Peace", and "The Square Egg"), his three novels (THE UNBEARABLE BASSINGTON, WHEN WILLIAM CAME and THE WESTMINSTER ALICE), and three plays (THE DEATHTRAP, KARL-LUDWIG'S WINDOW and THE WATCHED POT. You are invited to meet once again Clovis, Reginald, the Unbearable Bassington, and the other memorable characters etched so superbly by the pen of H.H. Munro. "In all literature, he was the first to employ successfully a wildly outrageous premise in order to make a serious point. I love that. And today the best of his stories are still better than the best of just about every other writer around."--Roald Dahl. Introduction by Noel Coward.(less)

    English society was broken apart, its systems turned on their head. What is little known is that a fractured network of guerrilla fighters took up arms against the French occupiers.       In The Wake, a postapocalyptic novel set a thousand years in the past, Paul Kingsnorth brings this dire scenario back to us through the eyes of the unforgettable Buccmaster, a proud landowner bearing witness to the end of his world. Accompanied by a band of like-minded men, Buccmaster is determined to seek revenge on the invaders. But as the men travel across the scorched English landscape, Buccmaster becomes increasingly unhinged by the immensity of his loss, and their path forward becomes increasingly unclear.      Written in what the author describes as “a shadow tongue”—a version of Old English updated so as to be understandable to the modern reader—The Wake renders the inner life of an Anglo-Saxon man with an accuracy and immediacy rare in historical fiction. To enter Buccmaster’s world is to feel powerfully the sheer strangeness of the past. A tale of lost gods and haunted visions, The Wake is both a sensational, gripping story and a major literary achievement.

    When the Queen in pursuit of her wandering corgis stumbles upon a mobile library she feels duty bound to borrow a book. Aided by Norman, a young man from the palace kitchen who frequents the library, the Queen is transformed as she discovers the liberating pleasures of the written word.The author of the Tony Award winner The History Boys, Alan Bennett is one of Britain’s best-loved literary voices. With The Uncommon Reader, he brings us a playful homage to the written word, imagining a world in which literature becomes a subversive bridge between powerbrokers and commoners. By turns cheeky and charming, the novella features the Queen herself as its protagonist. When her yapping corgis lead her to a mobile library, Her Majesty develops a new obsession with reading. She finds herself devouring works by a tantalizing range of authors, from the Brontë sisters to Jean Genet. With a young member of the palace kitchen staff guiding her choices, it’s not long before the Queen begins to develop a new perspective on the world - one that alarms her closest advisers and tempts her to make bold new decisions. Brimming with the mischievous wit that has garnered acclaim for Bennett on both sides of the Atlantic, The Uncommon Reader is a delightful celebration of books and writers, and the readers who sustain them.

    During her uncle's absence in Antigua, the Crawford's arrive in the neighbourhood bringing with them the glamour of London life and a reckless taste for flirtation. Mansfield Park is considered Jane Austen's first mature work and, with its quiet heroine and subtle examination of social position and moral integrity, one of her most profound.

    It depicts the fall and rise of the Primrose family, presided over by the benevolent vicar, the narrator of a fairy-tale plot of impersonation and deception, the abduction of a beautiful heroine and the machinations of an aristocratic villain. By turns comic and sentimental, the novel's popularity owes much to its recognizable depiction of domestic life and loving family relationships.New to this edition is an introduction by Robert L. Mack that examines the reasons for the novels enduring popularity, as well as the critical debates over whether it is a straightforward novel of sentiment or a satire on the social and economic inequalities of the period and the very literary conventions and morality it seems to embody. This edition also includes a new, up-to-date bibliography and expanded notes, and contains reprints of Arthur Friedman's authoritative Oxford English Novels text of the corrected first edition of 1766.

    We had a flood plan in place. We could even have dealt with zombies. Probably.But no one expected the end to be quite so . . . sticky . . . or strawberry scented.

    Freddy and Fredericka—a brilliantly refashioned fairy tale and a magnificently funny farce—only seems like a radical departure of form, for behind the laughter, Helprin speaks of leaps of faith and second chances, courage and the primacy of love. Helprin’s latest work, an extraordinarily funny allegory about a most peculiar British royal family, is immensely mocking of contemporary monarchy and yet deeply sympathetic to the individuals caught in its lonely absurdities.

    A missing professor. Some nefarious men in gray suits. And a dreamworld called the Troposphere? Ariel Manto has a fascination with nineteenth-century scientists--especially Thomas Lumas and The End of Mr. Y, a book no one alive has read. When she mysteriously uncovers a copy at a used bookstore, Ariel is launched into an adventure of science and faith, consciousness and death, space and time, and everything in between. Seeking answers, Ariel follows in Mr. Y’s footsteps: She swallows a tincture, stares into a black dot, and is transported into the Troposphere--a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination?

    The manner is what Goethe called 'a cultured comic language'-a genre which he regarded as not possible in Geman and which he felt Byron managed superbly.

    A dystopian novel about the terrible oppressions of an American oligarchy at the beginning of the Twentieth Century, and the struggles of a socialist revolutionary movement.

    It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues the villagers. The newspaper asks, “Who will be smitten by this fatal madness next?” Through it all, Comyns’ unique voice weaves a narrative as wonderful as it is horrible, as beautiful as it is cruel. Originally published in England in 1954, this “overlooked small masterpiece” is a twisted, tragicomic gem.

    In a profoundly strange country called Inner Horner, large enough for only one resident at a time, citizens waiting to enter the country fall under the rule of the power-hungry and tyrannical Phil, setting off a chain of injustice and mass hysteria.An Animal Farm for the 21st century, this is an incendiary political satire of unprecedented imagination, spiky humor, and cautionary appreciation for the hysteric in everyone.