I was caught upon a chessboard, a helpless pawn in a game of life and death, and the green rook was hunting me. That tall rook of green-black yew who had it in his power to destroy the king and end the game..." When Eve North returns to Athmore after three years' separation from her husband Justin, she finds the great estate-and Justin himself-vastly changed. Eve too has changed. She knows now the mistakes she made in her marriage in the past, and she now dares to win back the love of her own husband. Like another Eve, she wanders into the gardens of Athmore, unsuspecting. Yet she has reason to fear. Justin's brother Marc had once before placed her in a compromising position in that place of secrets-the green velvet room. Justin had believed Marc and never forgiven her. Now Marc waits for her at Athmore. Then, too, she has been warned that Justin has made up his mind at last to divorce her in order to marry Alicia Daven-the cool, serene Alicia whose quiet assurance comes from generations at Grovesend, and who has always taunted the American Eve with her tempting of Justin. Old Daniel-just before he is sent to his death-tries to warn Eve. It is he who carved from the green-black yew a topiary garden, one of the marvels of Athmore. The dark trees are clipped into the shape of chessmen, at a game forever in play. The black rook stands poised in readiness, like a hunter ready for the kill, challenging the white king. Daniel cries to Eve, "It's the black rook's play!"--but he dies before Eve can learn his fateful meaning. Eve finds herself entrapped on a chessboard of evil, unsure of her next move, yet aware that the black rook will move again-this time to destroy her.

    Then something would bring it back or it would return in a dream. The dream always began in the same way.She and her mother would be climbing the stairs, following Heather’s lead through the bedroom to what was on the other side, not a bathroom in the dream but a chamber floored and walled in marble. In the middle of it was a glassy lake. The white thing in the water floated towards her, its face submerged, and her mother said, absurdly, “Don’t look!”The dead man was Ismay’s stepfather, Guy. Now, nine years on, she and her sister, Heather, still live in the same house in Clapham. But it has been divided into two self-contained flats. Their mother had lived upstairs with her sister, Pamela. And the bathroom, where Guy had drowned, had disappeared.Ismay worked in public relations, and Heather in catering. They got on well. They always had. They never discussed the changes to the house, still less what had happened that August day. . .But even lives as private as these, where secrets hang in the air like dust, intertwine with other worlds and other individuals. And, with painful inevitability, the truth will emerge.

    . . An Unpardonable Sin? England, 1919. Verity Kent’s grief over the loss of her husband pierces anew when she receives a cryptic letter, suggesting her beloved Sidney may have committed treason before his untimely death. Determined to dull her pain with revelry, Verity’s first impulse is to dismiss the derogatory claim. But the mystery sender knows too much—including the fact that during the war, Verity worked for the Secret Service, something not even Sidney knew. Lured to Umbersea Island to attend the engagement party of one of Sidney’s fellow officers, Verity mingles among the men her husband once fought beside, and discovers dark secrets—along with a murder clearly meant to conceal them. Relying on little more than a coded letter, the help of a dashing stranger, and her own sharp instincts, Verity is forced down a path she never imagined—and comes face to face with the shattering possibility that her husband may not have been the man she thought he was. It’s a truth that could set her free—or draw her ever deeper into his deception . . .

    K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.

    Now, following the death of their grandmother, they have returned to the grand, imposing house in Wiltshire, England. Unable to stem the tide of childhood memories that arise as she sorts through her grandmother’s belongings, Erica thinks back to the summer her cousin Henry vanished mysteriously from the estate, an event that tore their family to pieces. It is time, she believes, to lay the past to rest, bring her sister some peace, and finally solve the mystery of her cousin’s disappearance.But sifting through remnants of a bygone time is bringing a secret family history to light—one that stretches back over a century, to a beautiful society heiress in Oklahoma, a haunting, savage land across the ocean. And as past and present converge, Erica and Beth must come to terms with two shocking acts of betrayal . . . and the heartbreaking legacy they left behind.

    When the biographer Russell Graves, who Daniel is helping defend, is sentenced to execution for the murder of his wife, Daniel's Pitt-family investigative instincts kick in, and he sets out to find the real killer. With only twenty-one days before Graves is to be executed, Daniel learns that Graves is writing a biography of Victor Narraway, the former head of Special Branch and a close friend of the Pitts. And the stories don't shed a positive light. Is it possible someone is framing Graves to keep him from writing the biography--maybe even someone Daniel knows in Special Branch? The only answer, it seems, lies in the dead woman's corpse. And so, with the help of some eccentric new acquaintances who don't mind bending the rules, Daniel delves into an underground world of dead bodies and double lives, unearthing scores of lies and conspiracies. As he struggles to balance his duty to the law with his duty to his family, the equal forces of justice and loyalty pull this lawyer-turned-detective in more directions than he imagined possible. And amidst it all, his client's twenty-one days are ticking away.

     This taut psychological thriller begins when Karen and her nine-year- old daughter, Alice, pick up Rex from a ten-year stint in prison for murder. Flash back to the sultry summer in 1990s London when Karen, a straight-A student on the verge of college graduation, first meets the exotic, flamboyant Biba and joins her louche life in a crumbling mansion in Highgate. She begins a relationship with Biba's enigmatic and protective older brother, Rex, and falls into a blissful rhythm of sex, alcohol, and endless summer nights. Naively, Karen assumes her newfound happiness will last forever. But Biba and Rex have a complicated family history-one of abandonment, suicide, and crippling guilt-and Karen's summer of freedom is about to end in blood. When old ghosts come back to destroy the life it has taken Karen a decade to build, she has everything to lose. She will do whatever it takes to protect her family and keep her secret. Alternating between the fragile present and the lingering past with a shocker of an ending, "The Poison Tree" is a brilliant suspense debut that will appeal to readers of Kate Atkinson, Donna Tartt, and Tana French."

    Sixty years later, Catherine Bailey became one of the first historians allowed inside. What she discovered when she began reading through the duke's letters was a mystery involving one of the most powerful families in British society in the turbulent days leading up to World War I. The 9th Duke, who had devoted his entire adult life to organizing and cataloging several hundred years' worth of family correspondence, had carefully erased three periods of his life from the record. But why? Filled with fascinating real-life characters, a mysterious death, family secrets, and affairs aplenty. The Secret Rooms is an enthralling, page-turning true story that reads like an Agatha Christie novel.

    Once a lecturer in medieval French, now a confidential agent, D is a scarred stranger in a seemingly casual England, sent on a mission to buy coal at any price. Initially, this seems to be a matter of straightforward negotiation, but soon, implicated in murder, accused of possessing false documents and theft, held responsible for the death of a young woman, D becomes a hunted man, tormented by allegiances, doubts and the love of others.

    He was educated in a country school and, later, attended briefly the University of Kansas before enlisting in the Navy where he served for two years. After he left the Navy in 1908, Rex Stout began writing freelance articles, but made his fortune devising and implementing a school banking system that was adopted in four hundred cities and towns throughout the country. In 1927 he retired from the world of finance and, with the proceeds, left for Paris to write serious fiction. Before turning to detective fiction, he wrote three novels that received favorable reviews, but it was writing detective fiction, and as creator of the Nero Wolfe character, that he become famous as a writer. The first Nero Wolfe novel, Fer-de-Lance, appeared In 1934. It was followed by many others, which established Nero Wolfe on a par with Erle Stanley Gardner’s famous Perry Mason. "Cordially invited to Meet Murder," published originally in "The American Magazine" in 1942, is also known as "Invitation to Murder," but should not be confused with a novella by the same name that appeared in the same magazine in 1953. This is a leasurly-paced story in the Christie tradition, featuring an American version of the English Manorhouse setting with an unusual household.

    In Full Dark House, Christopher Fowler tells the story of both their first and last case--and how along the way the unlikely pair of crime fighters changed the face of detection.A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer's identity, May finds his old friend's notes of their very first case and becomes convinced that the past has returned...with a killing vengeance.It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits--and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant's unorthodox techniques and John May's dogged police work to catch a criminal whose ability to escape detection seems almost supernatural--a murderer who even decades later seems to have claimed the life of one of them...and is ready to claim the other.Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer.

    Though rumored to be haunted, Alexandrina and her lady's maid, Pooki, have no choice but to take the Queen up on her offer.     Aside from the ghost sightings, Hampton Court doesn't seem so bad. The princess is soon befriended by three eccentric widows who invite her to a picnic with all the palace's inhabitants, for which Pooki bakes a pigeon pie. But when General-Major Bagshot dies after eating said pie, and the coroner finds traces of arsenic in his body, Pooki becomes the #1 suspect in a murder investigation.      Princess Alexandrina isn't about to let her faithful servant hang. She begins an investigation of her own, and discovers that Hampton Court isn't such a safe place to live after all.     With her trademark wit and charm, Julia Stuart introduces us to an outstanding cast of lovable oddballs, from the palace maze-keeper to the unconventional Lady Beatrice (who likes to dress up as a toucan—don't ask), as she guides us through the many delightful twists and turns in this fun and quirky murder mystery. Everyone is hiding a secret of the heart, and even Alexandrina may not realize when she's caught in a maze of love.

    Black Death ravages London. A killer stalks the streets in a plague doctor’s hood and mask...When a girl is gruesomely murdered, thief taker Charlie Tuesday reluctantly agrees to take on the case. But the horrific remains tell him this is no isolated death. The killer’s mad appetites are part of a master plan that could destroy London – and reveal the dark secrets of Charlie’s own past.Now the thief taker must find this murderous mastermind before the plague obliterates the evidence street by street. This terrifying pursuit will take Charlie deep into the black underbelly of old London, where alchemy, witchcraft and blood-spells collide.In a city drowned in darkness, death could be the most powerful magic of all.

    He has come to love the quiet routine of his job as a care assistant at a nursing home, where he has forged a close relationship with its most ill-tempered resident, Dr Paulsen. But when Oscar is lured into the chapel at King’s College by the ethereal sound of an organ, he meets and falls in love with Iris Bellwether, a beautiful and enigmatic medical student. He follows her into a world of scholarship, wealth, and privilege, and soon becomes embroiled in the machinations of her older brother, Eden. A charismatic but troubled musical prodigy, Eden persuades his sister and their close-knit circle of friends into a series of disturbing experiments. He believes that music — with his unique talent to guide it — has the power to cure, and will stop at nothing to prove himself right. As the line between genius and madness blurs, Oscar fears the danger that could await them all.

    Increasingly, he feels like a fish out of water among the concrete buildings of the University of Barchester, where he works as an English professor. His one respite is his time spent nestled in the library, nurturing his secret obsession with the Holy Grail and researching his perennially unfinished guidebook to the medieval cathedral.But when a beautiful young American named Bethany Davis arrives in Barchester charged with the task of digitizing the library's manuscripts, Arthur's tranquility is broken. Appalled by the threat modern technology poses to the library he loves, he sets out to thwart Bethany, only to find in her a kindred spirit with a similar love for knowledge and books and a fellow Grail fanatic.Bethany soon joins Arthur in a quest to find the lost Book of Ewolda, the ancient manuscript telling the story of the cathedral's founder. And when the future of the cathedral itself is threatened, Arthur and Bethany's search takes on grave importance, leading the pair to discover secrets about the cathedral, about the Grail, and about themselves.