Wrapped in plastic. Dumped on the side of the road. She is the first. There will be more.The serial killer thriller that "refuses to let go until you've read the last sentence."The most recent body was discovered in the grease dumpster behind a Burger King. Dismembered. Shoved into two garbage bags and lowered into the murky oil.Now rookie agent Violet Darger gets the most important assignment of her career. She travels to the Midwest to face a killer unlike anything she's seen. Aggressive. Territorial. Deranged and driven.Another mutilated corpse was found next to a roller rink. A third in the gutter in a residential neighborhood.These bold displays of violence shock the rural community and rattle local law enforcement. Who could carry out such brutality? And why?Unfortunately for Agent Darger, there's little physical evidence to work with, and the only witnesses prove to be unreliable. The case seems hopeless.If she fails, more will die. He will kill again and again.The victims harbor dark secrets. The clues twist and writhe and refuse to keep still. And the killer watches the investigation on the nightly news, gleeful to relive the violence, knowing that he can't be stopped.A page-turning thriller packed with heart-stopping suspense. Fans of John Sandford, Jeffery Deaver, Karin Slaughter, and Lisa Gardner should get to know Violet Darger.

    Gretchen White is a specialist in antisocial personality disorders and violent crimes. She’s helped solve enough prominent cases for detective Patrick Shaughnessy that her own history is often overlooked: Gretchen is an admitted sociopath once suspected of killing her aunt. Shaughnessy still thinks Gretchen got away with murder. It’s not going to happen again.When a high-profile new case lands on Shaughnessy’s desk, it seems open and shut. Remorseless teenager Viola Kent is accused of killing her mother. Amid stories of childhood horrors and Viola’s cruel manipulations, the bad seed has already been found guilty by a rapt public. But Gretchen might be seeing something in Viola no one else does: herself.If Viola is a scapegoat, then who really did it? And what are they hiding? To find the truth, Gretchen must enter a void that is not only dark and cold-blooded, but also frighteningly familiar.

    If only the nightmare had ended when she was rescued. Instead, her real father exploited her tabloid-ready story for fame and profit—until Charlotte finally broke free from her ghoulish past and fled. Just when she thinks she has buried her personal hell forever, Charlotte is swept into a frightening new ordeal. Secretly dosed with an experimental drug, she’s endowed with a shocking new power—but pursued by a treacherous corporation desperate to control her.Except from now on, if anybody is going to control Charlotte, it’s going to be Charlotte herself. She’s determined to use the extraordinary ability she now possesses to fight the kind of evil that shattered her life—by drawing a serial killer out from the shadows to face the righteous fury of a victim turned avenger.

    The killer was caught, but Sarah lost everything: her marriage, her child, and the life she loved.Struggling with PTSD, Sarah changes her name to Olivia West and finds sanctuary working on Broken Bar Ranch. But as her scars finally begin to heal, a cop involved with her horrific case remains convinced the Watt Lake Killer is still out there. He sets a lure for the murderer, and a fresh body is discovered. Now Olivia must face the impossible—could the butcher be back, this time to finish the job?As a frigid winter isolates the ranch, only one person can help Olivia: Cole McDonough, a writer, adventurer, and ranch heir who stirs long-dormant feelings in her. But this time, Olivia’s determination to shut out her past may destroy more than her chance at love. It could cost her her life.

    Scattered Bible verses and the image of a man lying in a pool of blood haunt her memory.The same night of the accident, a young woman is murdered and tossed in a dumpster. Kylie Milliard, Hagen’s only detective, doesn’t immediately recognize the victim, but Kylie soon discovers that Lily and the dead woman share a dark past…if only Lily could remember what it was.Lily and Kylie both want answers. But Kylie has to play by the book. Lily has to play it safe. And the more Lily learns about her identity, the more she fears the truth.

    So when mutilated bodies found deep in the Montana woods leave the cops searching blindly for clues, Theo sees something they missed. Something unnatural. Something only he can stop.As a computational biologist, Theo is more familiar with digital code and microbes than the dark arts of forensic sleuthing. But a field trip to Montana suddenly lands him in the middle of an investigation into the bloody killing of one of his former students. As more details, and bodies, come to light, the local cops determine that the killer is either a grizzly gone rogue… or Theo himself. Racing to stay one step ahead of the police, Theo must use his scientific acumen to uncover the killer. Will he be able to become as cunning as the predator he hunts—before he becomes its prey?

    Denzil and Anni TaylorYoung backpackers Gemma and Hayley arrive at a remote mango farm, out of money and desperate for work. The farm's owner, Tate Llewellyn, welcomes them in with open arms. An enigmatic, wealthy chemist, Tate spends his days running his hobby farm and cultivating rare orchids in his greenhouse.The weeks go on, a blur of fruit-picking with the other international backpackers, parties, campfires and wading beneath waterfalls in the nearby hot springs. Tate calls the girls his orchids...his pretty orchids... Until the night the girls find themselves on a dark highway, bruised and bloodied.How did paradise turn so ugly?Senior Detective Bronwen McKay and psychologist Megan Arlotti question the terrified girls. But Hayley and Gemma are telling two very different stories of what happened to them over the past three months.Which story is the truth and what are the girls covering up?

    All that’s missing is a child. When Janie, an abandoned six-year-old, turns up at their hospital, Christopher forms an instant connection with her, and he convinces Hannah they should take her home as their own.But Janie is no ordinary child, and her damaged psyche proves to be more than her new parents were expecting. Janie is fiercely devoted to Christopher, but she acts out in increasingly disturbing ways, directing all her rage at Hannah. Unable to bond with Janie, Hannah is drowning under the pressure, and Christopher refuses to see Janie’s true nature.Hannah knows that Janie is manipulating Christopher and isolating him from her, despite Hannah’s attempts to bring them all together. But as Janie’s behavior threatens to tear Christopher and Hannah apart, the truth behind Janie’s past may be enough to push them all over the edge.

    Both very private people, they’ve kept their pasts hidden from the world, and each other, until Heath’s escalating nightmares begin to put an undeniable strain on their relationship. Determined to give their impending marriage the best chance of succeeding, Heath insists that Daphne join him on a seven-day retreat with Dr. Matthew Cerny, a psychologist celebrated for getting to the root of repressed memories. Daphne reluctantly agrees—even though the past is the last place she wants to go.The retreat’s isolated and forbidding location increases her unease, as do the doctor’s rules: they must relinquish their keys and phones, they’ll be monitored at all hours by hidden cameras, and they’re never to socialize with the other guests.One sleepless night, Daphne decides to leave her room…and only then does she realize that the institute is not at all what it seems—and that whatever’s crying out from Heath’s past isn’t meant to be heard. It’s meant to be silenced.

    Some fishing, some barbecue, some games...The Fannelli brothers are heading to Crescent Lake too. Some stalking, some kidnapping, some murder, definitely some games...though not necessarily the type of games the Lamberts had in mind. But it doesn't matter. The Lamberts are going to play whether they like it or not.An intense psychological thriller, Bad Games has the dark, mind-bending chills of The Bad Seed combined with the fish-out-of-water dread and suspense of Deliverance. So let Jeff Menapace's highly anticipated suspense thriller keep you up all night as it delves into the mystery of nature versus nurture when comprehending the evil in man, along with the will and determination an innocent family must summon to fight back against horrific odds.

    . .The community along Oregon's Deschutes River is one of successful careers and perfect families. For years, up-and-comers Liz and Owen have admired their good friends and neighbors, Carole and David. They appear to have it all--security, happiness, and a beautiful young son, Charlie.Then Charlie vanishes without a trace, and all that seemed safe is shattered by a tragedy that is incomprehensible--except to Liz.It took one fleeting moment for her to change the lives of everyone she loves--a heartrending accident that can't be undone. Neither can the second-worst mistake of her life: concealing it. As two marriages crack and buckle in grief and fear, Liz retreats into her own dark place of guilt, escalating paranoia--and betrayals even she can't imagine. Because there's another good neighbor who has his own secrets, his own pain, and his own reasons for watching Liz's every move.And only he knows that the mystery of the missing boy on the Deschutes River is far from over.

    A loving wife. And in-laws to die for.Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige – he just doesn’t quite know what he’s signing up for.The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room. Elliot starts to suspect that the Robinsons are hiding a dark secret. And then there are the scars on his wife’s body that she won’t talk about . . .As Elliot’s in-laws become more comfortable in his home, encroaching on all aspects of his life, it becomes clear that they have no intention of moving out. To protect Gemma, and their marriage, Elliot delves into the Robinsons’ past. But is he prepared for the truth?

    Through her neighbor's kitchen window, she sees what appears to be a little girl washing dishes late at night. But the Fleming family doesn't have a child that age, and even if they did, why would she be doing housework at this late hour?It would be easy for Sharon to just let this go, but when eighteen-year-old Niki, a former foster child, comes to live with Sharon, she notices suspicious activity at the Flemings' house as well. When calling social services doesn't result in swift action, the two decide to investigate on their own.

    The former high school queen bee—and wealthy darling of Bloom, Texas—has returned home after all these years, riding on a common bus and bearing two bounced alimony checks. In a town that thrives on gossip, Jennie’s fall from grace has shamed her mother, set the town buzzing, and caused old, jealous enemies to whisper in delight. They say she’s taken a job as a housekeeper, gotten a garage apartment, and might be crushing on Rick Lawson, a simple farmer with modest dreams.As romance starts to bud, Jennie relishes what it means to follow her heart, find real new friends, and finally be herself—regardless of all the lying town chatter. But fate has another twist in store. Rumor has it that Jennie now stands to lose what matters most…unless she can convince Rick of one true thing—and that’s love.

    Nobody knows her father was a notorious serial killer. And she intends to keep it that way.Then Nora discovers one of her young female patients has been murdered. In the same unique and horrific manner that her father used to kill his victims.Somebody knows who Nora is. Somebody wants her to take the fall for this unthinkable crime. But she’s not a killer like her father. The police can’t pin anything on her.As long as they don’t look in her basement.