Michael Wagner’s lost his hearing and career. Andrew Conagher’s lost his dad, and is struggling to pick up the pieces. All they have is their soldier's support group..and each other. Unexpected love meets helpless angst! If hurt/comfort, arguments, mini-golf, and steamy situations in precarious places is your cup of tea, Falling For His Comrade is the perfect gateway to the hot military men of Buckhorn, Missouri—if you’re willing to let them take control for a little while….

    Unicorns and their magical powers are studied as they appear in legend and literature, including the Bibles of both East and West.

    Haunting and hypnotic, these five novels by Anaïs Nin began in 1946 to appear in quiet succession. Though published separately over the next fifteen years, the five were conceived as a continuous experience—a continuous novel like Proust's, real and flowing as a river. The full impact of Anaïs Nin's genius is only to be found through reading the novels in context and in succession. They form a rich, luminous tapestry whose overall theme Nin has called “woman at war with herself.” Characters, symbols appear and reappear: now one, now another unfolding, gradually revealing, changing, struggling, growing, and Nin had forged an evocative language all her own for the telling.“The diary taught me that there were no neat ends to novels, no neat denouement, no neat synthesis,” she explains. “So I began an endless novel, a novel in which the climaxes consisted of discoveries in awareness, each step in awareness becoming a stage in the growth like the layers in trees.”Cities of the Interior fulfills a long–time desire on the part of readers, publisher, and Anaïs Nin herself to reunite the five novels in a single volume.

    He writes with fresh insight into many Bible passages, and challenges Christians to walk on and take the victory that is already won." -- Faith at Work". . . a very inspiring and helpful book." -- Baptist Standard"This is one of the most helpful treatments of a neglected subject which has come to this reviewer's attention." --The Baptist Bulletin". . . the author evidences keen insight into the definition and activity of the two natures of the believer and the path to victory. This path is explained with refreshing theological objectivity." --The Sunday School Times"A deeply spiritual study of the doctrine of the indwelling Christ. . . . Complete surrender is our need that Christ may live through us. We found the book helpful and enriching." -- The Southern Baptist S.S. Board

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Erth at Stanyon. Unscathed from glory at Waterloo, Gervase expected a hero's welcome - instead he's given a frigid cold shoulder. Upon his return only Theo, a cousin even quieter than himself, is there to greet him--and when he meets his stepmother and half-brother open disdain put a chill on Gervase's welcome, and he detects open regret that he has survived inconveniently two wars. Now he must establish himself as the new head of the house... and ignore his family's rising hostility. Then Gervase's eye is caught by beautiful and charming Mariann Bolderwood, a collector of beaux -- the same young woman already much in favor with his half-brother. Gervase struggles to maintain a gentlemanly balance, but now the brothers are again rivals as they bid for the lady's attentions. But the dangers of the Lincolnshire countryside could never be more unexpected. Gervase finds himself the victim of repeatedly life-threatening accidents. And soon it becomes increasingly clear that someone wants the new Earl cruelly dead. Level-headed Drusilla Morville is captivated by Gervase but knows that she does not stand a chance against the debutantes vying for his affections, until Gervase's life is endangered and free-spirited Drusilla comes to the rescue.

    The first is a sharp analysis: through dialogues, parodies and essays, Burgess sheds new light on what he called 'an apocalyptic codex of our worst fears', creating a critique that is literature in its own right. Part two is Burgess' own dystopic vision, written in 1978. He skewers both the present and the future, describing a state where industrial disputes and social unrest compete with overwhelming surveillance, security concerns and the dominance of technology to make life a thing to be suffered rather than lived. Together these two works form a unique guide to one of the twentieth century's most talented, imaginative and prescient writers. Several decades later, Burgess' most singular work still stands.

    I t was enthusiastically received by the Russian society and remained his least controversial and most widely-read novel until the end of the 19th century. It was turned into a movie by Andrey Konchalovsky in 1969.The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    One of the most popular books of a giant of modern French literature, this is a hymn to the pleasures of life that Gide came so close to losing forever while suffering from tuberculosis -- touch, hearing, smell, sight and, more than anything, taste.

    Ibbotson concentrates on the infinite variety of Great Love--its discovery, development, recognition, loss, and denouement. Her characters, males and females of all ages and professions, are frequently seen during the Christmas season and in prewar Vienna and Russia. In many stories, people find and lose each other--often with an O. Henry twist. Ibbotson, a winner of the Romantic Novelists Association award, writes charmingly about love, forgiveness, loss, and happiness.

    She's given a new pair every week by her father, a sullen man known best for his insistence that the citizens in town wear gloves at all times. A world away, the children of Gulm have been taken. No one knows where they might be, except the mysterious and terrifying leader of the land: The Master. He rules with an iron fist, using two grotesque creatures to enforce his terrible reign. When a peculiar boy named Fargus shows up on Josephine's property and then disappears soon afterward, she follows him without a second thought and finds herself magically transported to Gulm. After Fargus introduces her to his tough-as-nails friend Ida, the three of them set off on an adventure that will test everything Josephine has ever thought about the rules of the universe, leading to a revelation about the truth of the land of Gulm, and of Josephine's own life back home.

    That’s saying a lot, considering how awful the rest of his years had been. He lost the job he went to college for. His fallback career got him shot, which hurled him into a lawsuit against the state which he didn’t want to pursue in the first place, but he felt cornered into it. Not long after that ordeal, his roommate (who he’d been obsessed with for most of his adult life) betrayed him in an unimaginably nightmarish way. His life crumbled around him, and he couldn’t make heads or tails of it anymore. So he left. One cheap acre of land in the middle of nowhere and a second-hand RV later, Randy was off in pursuit of peace and quiet. It seems to be working. The land isn’t the best, but it’ll work for his needs. The RV of course won’t last very long as a primary living space, but he’ll get his house built before winter. That’s the plan, anyway. A small boy sets all of his plans on edge when he lets it slip that his mother is terribly unhappy. Randy, who has never been able to smother his white-knight instinct altogether, checks in on his neighbor for the boy’s sake. He’s relieved to hear that she has family coming, and considers his job done. He returns to his homestead to complete his work. Soon, his neighbor’s home is swarming with her loud, happy family. She invites Randy over to meet them, and he is instantly struck by her brother, Andre. Andre is tall, dark, handsome, and fantastic with his nephews. He makes all those feelings Randy had killed off in the wake of his ex-roommates betrayal come screaming back to life. Suddenly Randy finds himself utterly involved with the big, odd family. But every family has secrets, and Randy can’t outrun his past. A series of coincidences sets him at odds with the family without his knowledge; though soon he has the opportunity to prove his loyalty. Violence and Werewolf Mafia rules descend on the quiet mountain settlement, and all of the peace that Randy had been seeking is stripped from the quiet valley in the claws of resentful werewolves on a mission. The intruding werewolves make Randy an offer. Come back to the city to be king of his own domain; or fight and die beside the family he’d only just come to know? Randy will have to decide what’s more important to him. Money, power, and sex; or the wild, open spaces and honest people he’d been yearning for? ----- This book contains sexually explicit content not suited for those under the age of 18. The book is approximately 50,000 words and does not end in a cliffhanger.

    Warriors, raiders, and rulers, Ragnar and his sons inspired unknown writers to set down their stories over seven centuries ago. This volume presents new and original translations of the three major Old Norse texts that tell Ragnar's story: the Saga of Ragnar Lodbrok, the Tale of Ragnar's Sons, and the Sogubrot. Ragnar's death song, the Krakumal, and a Latin fragment called the List of Swedish Kings, complete the story. Extensive notes and commentary are provided, helping the reader to enter the world of these timeless stories of Viking adventure.

    But when he walks through the door of his apartment, he is transformed into the impassioned lover of Blanca, the beautiful, inscrutable wife he saved from the brink of personal crisis. For the love of Blanca, Mario eats sushi and carpaccio, nods in feigned understanding at experimental films, sits patiently through long conversations with her avant-garde friends, and conceals his disgust at shocking art exhibits.Then, little by little, a strange and ominous threat begins to weigh on the marriage.How can love survive its own disappearance? The desperate answer that Antonio Mu�oz Molina proposes in this short, circular novella is a model of literary strategy and style, a splendid homage to Flaubert.