That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? . . . My life begins at the Y." So opens Marjorie Celona's highly acclaimed and exquisitely rendered debut about a wise-beyond-her-years foster child abandoned as a newborn on the doorstep of the local YMCA. Swaddled in a dirty gray sweatshirt with nothing but a Swiss Army knife tucked between her feet, little Shannon is discovered by a man who catches only a glimpse of her troubled mother as she disappears from view. That morning, all three lives are forever changed. Bounced between foster homes, Shannon endures abuse and neglect until she finally finds stability with Miranda, a kind but no-nonsense single mother with a free-spirited daughter of her own. Yet Shannon defines life on her own terms, refusing to settle down, and never stops longing to uncover her roots — especially the stubborn question of why her mother would abandon her on the day she was born.Brilliantly and hauntingly interwoven with Shannon's story is the tale of her mother, Yula, a girl herself who is facing a desperate fate in the hours and days leading up to Shannon's birth. As past and present converge, Y tells an unforgettable story of identity, inheritance, and, ultimately, forgiveness. Celona's ravishingly beautiful novel offers a deeply affecting look at the choices we make and what it means to be a family, and it marks the debut of a magnificent new voice in contemporary fiction.

    When his father dies, Anil becomes the de facto head of the Patel household and inherits the mantle of arbiter for all of the village’s disputes. But he is uneasy with the custom, uncertain that he has the wisdom and courage demonstrated by his father and grandfather. His doubts are compounded by the difficulties he discovers in adjusting to a new culture and a new job, challenges that will shake his confidence in himself and his abilities.Back home in India, Anil’s closest childhood friend, Leena, struggles to adapt to her demanding new husband and relatives. Arranged by her parents, the marriage shatters Leena’s romantic hopes and eventually forces her to make a desperate choice that will hold drastic repercussions for herself and her family. Though Anil and Leena struggle to come to terms with their identities thousands of miles apart, their lives eventually intersect once more—changing them both and the people they love forever.

    Now Aunt Becky, the eccentric old matriarch of the clan, has bequeathed her prized possession: a legendary heirloom jug. But the name of the jug's new owner will not be revealed for one year. In the next twelve months beautiful Gay Penhallow's handsome fiancé Noel Gibson leaves her for sly and seductive Nan Penhallow; reckless Peter Penhallow and lovely Donna Dark, who have hated each other since childhood, are inexplicably brought together by the jug; Hugh and Joscelyn Dark, separated on their wedding night ten years ago for reasons never revealed, find a second chance—all watched over by the mysterious Moon Man, who has the gift of second sight. Then comes the night when Aunt Becky's wishes will be revealed...and the family is in for the biggest surprise of all.

    In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    Since their birth, Rose and Ruby Darlen have been known simply as "the girls." They make friends, fall in love, have jobs, love their parents, and follow their dreams. But the Darlens are special. Now nearing their 30th birthday, they are history's oldest craniopagus twins, joined at the head by a spot the size of a bread plate. When Rose, the bookish sister, sets out to write her autobiography, it inevitably becomes the story of her short but extraordinary life with Ruby, the beautiful one. From their awkward first steps--Ruby's arm curled around Rose's neck, her foreshortened legs wrapped around Rose's hips-- to the friendships they gradually build for themselves in the small town of Leaford, this is the profoundly affecting chronicle of an incomparable life journey.As Rose and Ruby's story builds to an unforgettable conclusion, Lansens aims at the heart of human experience--the hardship of loss and struggles for independence, and the fundamental joy of simply living a life. This is a breath taking novel, one that no reader will soon forget, a heartrending story of love between sisters.

    His name is Jakob Beer. He is only seven years old. And although by all rights he should have shared the fate of the other Jews in his village, he has not only survived but been rescued by a Greek geologist, who does not recognize the boy as human until he begins to cry. With this electrifying image, Anne Michaels ushers us into her rapturously acclaimed novel of loss, memory, history, and redemption.   As Michaels follows Jakob across two continents, she lets us witness his transformation from a half-wild casualty of the Holocaust to an artist who extracts meaning from its abyss. Filled with mysterious symmetries and rendered in heart-stopping prose, Fugitive Pieces is a triumphant work, a book that should not so much be read as it should be surrendered to.

    Both tender and bold in its delivery, Away from Everywhere cuts no corners in telling the story of their crushing childhood, the reasons the brothers become different men, and the unthinkable act of love that tears them apart. Part warped love story, part family tragedy, Away from Everywhere is a heart-stomping pageturner.This novel has been adapted into a film starring Jason Priestley, Shawn Doyle, and Joanne Kelly.Winner of the ArtsNL CBC Emerging Artist of the Year award.Shortlisted for the Canadian Authors’ Association Emerging Writer of the Year award.Shortlisted for the 2010 ReLit Award

    He is a compulsive liar, a sickly weakling in a town famous for begetting brutish giants. Then Lucy accepts employment assisting the majordomo of the remote, foreboding Castle Von Aux. While tending to his new post as undermajordomo, he soon discovers the place harbours many dark secrets, not least of which is the whereabouts of the castle's master, Baron Von Aux. Thus begins a tale of polite theft, bitter heartbreak, domestic mystery, and cold-blooded murder.Undermajordomo Minor is an ink-black comedy of manners, an adventure, and a mystery, and a searing portrayal of rural Alpine bad behaviour, but above all it is a love story. And Lucy must be careful, for love is a violent thing.

    "Another""What It Means When a Crowd in a Faraway Nation Takes a Soldier Representing Your Own Nation, Shoots Him, Drags Him from His Vehicle and Then Mutilates Him in the Dust""The Only Meaning of the Oil-Wet Water""On Wanting to Have Three Walls Up Before She Gets Home""Climbing to the Window, Pretending to Dance""She Waits, Seething, Blooming""Quiet""Your Mother and I""Naveed""Notes for a Story of a Man Who Will Not Die Alone""About the Man Who Began Flying After Meeting Her""Up the Mountain Coming Down Slowly""After I Was Thrown in the River and Before I Drowned"From the Trade Paperback edition.

    You watch three seasons of Keeping Up with the Kardashians in two days. You get a pet turtle. You absent-mindedly paint what ends up looking like your high school’s football coach, but naked. You go backpacking in Australia for a few months. You try speaking with a New York accent in public, just to see if people like that version of you better. The comment still haunts you. An “indoor kind of girl.” You feel like you’re that person, but you’re not that person. In Frankie Barnet’s exquisite and funny debut collection of stories, characters stumble through their daily existence, frequently feeling confused, rejected, bored, disillusioned or misunderstood. Metatron is proud to present these five stunningly imaginative tales, which signal the arrival of a gifted writer. Frankie Barnet is a Montreal- based writer. Her work has appeared in publications such as Joyland, Lemonhound and Papirmasse, and she is the author of the 2012 chapbook Something Disgusting Happening. She is a graduate of the Creative Writing program at Concordia University.“An Indoor Kind Of Girl veers from fading friendships to scheming call centres with an occasional sense of absurdity and also a kind of hyper-real real. Barnet’s narrators have a sharp eye for all that goes around them and they judge their own actions and others’ with a combination of ruthless honesty and vulnerability.”– MELISSA BULL, AUTHOR OF RUE “As I read, everything hit me at once; the quick prose and real characters, the humour of it, and this sort of sadness, loneliness.”– SOLILOQUIES ANTHOLOGY “A very powerful writer”– THE LINK

    Since, he's found increasing opportunities to take his show on the road. In An Embarrassment of Critch's, the star of CBC's This Hour Has 22 Minutes revisits some of his career's--and the country's--biggest moments, revealing all the things you might not know happened along the way: A wishful rumour spread by Mark's father results in his big break; two bottles of Scotch nearly get him kicked out of a secret Canadian airbase in the United Arab Emirates; and for anyone wondering how to get an interview with the Prime Minister and Bono (yes, that Bono) on the same evening, Critch might recommend a journey to the 2003 Liberal Convention.Critch's top-secret access to all of the funniest behind-the-scenes moments involve many of the charismatic and notorious politicians we love to see blush, including fearless leaders Justin Trudeau, Stephen Harper, Paul Martin, and Jean Chr�tien, celebrities such as Pamela Anderson and Robin Williams, and other colourful figures he's met over years of pulling off daring skits at home and abroad. Remember when MP Carolyn Parrish took her boot to George W. Bush's head in an interview? Or when Critch asked Justin Trudeau where the best place to smoke pot on Parliament Hill was before pulling out a joint for them to share? There's more to each of those stories than you know. Though Critch has spent years crisscrossing the country--and the globe--with the explicit aim of causing trouble everywhere he goes, like the best journeys, this one takes him right back home.

    No longer able to linger over her beloved books or gaze at the paintings that move her spirit, she fills the void with music and memories of her family—a past that suddenly becomes all too present when her late father's journals are found amid the ruins of an old shipwreck.With the help of Morgan, a delinquent teenager performing community service, Elizabeth goes through the diaries, a journey through time that brings the two women closer together. Entry by entry, these unlikely friends are drawn deep into a world far removed from their own—to Porphyry Island on Lake Superior, where Elizabeth’s father manned the lighthouse seventy years before.As the words on these musty pages come alive, Elizabeth and Morgan begin to realize that their fates are connected to the isolated island in ways they never dreamed. While the discovery of Morgan's connection sheds light onto her own family mysteries, the faded pages of the journals hold more questions than answers for Elizabeth, and threaten the very core of who she is.

    Illustrated throughout with photos and snatches of dialogue from Rick’s encounters and exploits across Canada. “[Mercer’s] trademark one-camera rants against the Canadian parliamentary machine are more concise, and more believable, than any campaign ads.” —The Globe and Mail “The comedian of choice for viewers who read.” —Toronto Life “Canada’s hottest TV comic.” —Maclean’s "Week after week, Mercer continues to delight with his alternately giddy and cutting political humour.” —The Canadian Press “Canada’s leading political satirist.” —The New York Times  “A good rant is cathartic. Ranting is what keeps me sane.They always come from a different place. Take the prime minister, for example. Sometimes when I rant about him, I am angry; other times, I am just severely annoyed—it’s an important distinction.”—Rick Mercer, from his introduction Within these pages you’ll find every rant that Rick has so brilliantly and blisteringly delivered since the publication of his previous bestseller, Rick Mercer Report: The Book. Together these rants form a chronicle of human folly, mostly featuring politicians, of course, but with honorable mentions going to people who don’t know how to use escalators and Canadian drivers who don’t think they need snow tires.   Is Mercer getting better or are the fools among us getting worse? Whatever the inspiration—Rick Mercer’s ranting has never been stronger or more on target.   There is a loud, cathartic laugh to be found on almost every page here—with the exception of Rick’s impassioned rant on bullying in schools, words that touched thousands of Canadians, went viral and helped widen the debate on a major problem. Also reprinted here is the rant encouraging students to vote, which resulted directly in a campus ballot and outrage in Ottawa.  (People still are still standing on the left on escalators, and the prime minister is still very much the man he was, but you can’t win them all.) In addition, Rick has authored three new essays specially for this book: the hilarious behind-the-scenes story of his meeting with Rick Hansen, a hero who absolutely was not a disappointment in real life; a heartfelt reflection on public reaction to his bullying rant; and an account of his response—mystified, followed by delighted—to the news that he’d inspired a “vote mob.” Illustrated throughout with photographs and dialogue from Rick’s travels across Canada, A Nation Worth Ranting About will make you proud, will make you think, will make you almost as angry as Rick, and over and over again will make you laugh out loud.

    The titular story revolves around an aging English professor who, mourning the loss of his wife, robs other people's homes of their sentimental knick-knacks. In "Free Ham," a young dropout wins a ham after her house burns down and refuses to accept it. “Has my ham done anything wrong?” she asks when the grocery store manager demands that she claim it. In "Carry Me Home, Sisters of Saint Joseph," a failed commercial writer moves into the basement of a convent and inadvertently discovers the secrets of the Sisters of Saint Joseph. A girl, hoping to talk her brother out of enlisting in the army, brings Bob Dylan home for Thanksgiving dinner in the quiet, dreamy "North Of." In “The Idea of Marcel,” Emily, a conservative, elegant girl, has dinner with the idea of her ex-boyfriend, Marcel. In a night filled with baffling coincidences, including Marcel having dinner with his idea of Emily, she wonders why we tend to be more in love with ideas than with reality. In and out of the rooms of these gritty, whimsical stories roam troubled, funny people struggling to reconcile their circumstances to some kind of American Ideal and failing, over and over.  The stories of Safe as Houses are magical and original and help answer such universal and existential questions as: How far will we go to stay loyal to our friends? Can we love a man even though he is inches shorter than our ideal? Why doesn’t Bob Dylan ever have his own smokes? And are there patron saints for everything, even lost socks and bad movies? All homes are not shelters. But then again, some are. Welcome to the home of Marie-Helene Bertino.

    Between jobs and marriages, states of sobriety, joy and anguish; between who they are and who they want to be. Kris Bertin's unforgettable debut introduces us to people at the tenuous moment before everything in their lives changes, for better or worse.Kris Bertin's stories have appeared in the Walrus, the Malahat Review, the New Quarterly, PRISM International, and other magazines. He lives and writes in Halifax, Nova Scotia.