Today, urban art has traveled to nearly every corner of the globe, shifting and morphing into a highly complex and ornate art form. Displaying their art within what is effectively the largest, most open museum in the world, urban artists unveil their beliefs and imaginations to a public unable to avoid their work. Yet, at its best, urban art is not simply an aesthetic based on slogans, political posturing, or personal promotion: it is an art form deeply committed to the diversity of the street and to a spontaneous creativity that is topographically connected to the architecture of the metropolis.From Inkie in Bristol to Steve Powers in Philadelphia, and from JR in Paris to Os Gêmeos in Brazil and Drewfunk in Australia, The World Atlas of Street Art and Graffiti is the definitive reference guide to international urban art. It focuses on the most influential and significant urban artists across the world and identifies the key locations of their work. Organized geographically, the text focuses on the individual practitioners within each country or region and explores the historical background to their works. This book strives toward a more nuanced understanding of what has become a widespread art practice.Since the lives and works of urban artists are inextricably bound to streets and places, this definitive reference locates the meeting point between art and atlas, between urban artists and their personal understanding of public spaces, not via a cartographic bird’s-eye view, but through a more intimate, human-centered perspective that challenges contemporary ideas about the mapping of urban space.

    Beautiful young Princess Margot is summoned to the court of France, where nothing is what it seems and a wrong word can lead to ruin. Known across Europe as Madame la Serpente, Margot’s intimidating mother, Queen Catherine de Médicis, is a powerful force in a country devastated by religious war. Among the crafty nobility of the royal court, Margot learns the intriguing and unspoken rules she must live by to please her poisonous family.Eager to be an obedient daughter, Margot accepts her role as a marriage pawn, even as she is charmed by the powerful, charismatic Duc de Guise. Though Margot's heart belongs to Guise, her hand will be offered to Henri of Navarre, a Huguenot leader and a notorious heretic looking to seal a tenuous truce. But the promised peace is a mirage: her mother's schemes are endless, and her brothers plot vengeance in the streets of Paris. When Margot's wedding devolves into the bloodshed of the St. Bartholomew's Day Massacre, she will be forced to choose between her family and her soul.Médicis Daughter is historical fiction at its finest, weaving a unique coming-of-age story and a forbidden love with one of the most dramatic and violent events in French history.

    In this account of his life, the author has examined every detail of the driver's life - from his very earliest days to the last hours of his existence - as well as the lives of those he left behind.

    For millennia Europeans believed that the world consisted of three parts: Europe, Africa, and Asia. They drew the three continents in countless shapes and sizes on their maps, but occasionally they hinted at the existence of a "fourth part of the world," a mysterious, inaccessible place, separated from the rest by a vast expanse of ocean. It was a land of myth--until 1507, that is, when Martin Waldseemuller and Matthias Ringmann, two obscure scholars working in the mountains of eastern France, made it real. Columbus had died the year before convinced that he had sailed to Asia, but Waldseemuller and Ringmann, after reading about the Atlantic discoveries of Columbus's contemporary Amerigo Vespucci, came to a startling conclusion: Vespucci had reached the fourth part of the world. To celebrate his achievement, Waldseemuller and Ringmann printed a huge map, for the first time showing the New World surrounded by water and distinct from Asia, and in Vespucci's honor they gave this New World a name: America."The Fourth Part of the World "is the story behind that map, a thrilling saga of geographical and intellectual exploration, full of outsize thinkers and voyages. Taking a kaleidoscopic approach, Toby Lester traces the origins of our modern worldview. His narrative sweeps across continents and centuries, zeroing in on different portions of the map to reveal strands of ancient legend, Biblical prophecy, classical learning, medieval exploration, imperial ambitions, and more. In Lester's telling the map comes alive: Marco Polo and the early Christian missionaries trek across Central Asia and China; Europe's early humanists travel to monastic libraries to recover ancient texts; Portuguese merchants round up the first West African slaves; Christopher Columbus and Amerigo Vespucci make their epic voyages of discovery; and finally, vitally, Nicholas Copernicus makes an appearance, deducing from the new geography shown on the Waldseemuller map that the earth could not lie at the center of the cosmos. The map literally altered humanity's worldview.One thousand copies of the map were printed, yet only one remains. Discovered accidentally in 1901 in the library of a German castle it was bought in 2003 for the unprecedented sum of $10 million by the Library of Congress, where it is now on permanent public display. Lavishly illustrated with rare maps and diagrams, "The Fourth Part of the World "is the story of that map: the dazzling story of the geographical and intellectual journeys that have helped us decipher our world.

    The time is A.D. 1250 and the city is Troyes, capital of the county of Champagne and site of two of the cycle Champagne Fairs—the “Hot Fair” in August and the “Cold Fair” in December. European civilization has emerged from the Dark Ages and is in the midst of a commercial revolution. Merchants and money men from all over Europe gather at Troyes to buy, sell, borrow, and lend, creating a bustling market center typical of the feudal era. As the Gieses take us through the day-to-day life of burghers, we learn the customs and habits of lords and serfs, how financial transactions were conducted, how medieval cities were governed, and what life was really like for a wide range of people.For serious students of the medieval era and anyone wishing to learn more about this fascinating period, Life in a Medieval City remains a timeless work of popular medieval scholarship.

    This is the definitive single-volume edition of Wilfred Owen’s poems, whose death in battle a few days before the Armistice was the most disastrous loss to English letters since Keats. Containing the texts of all the finished poems of Owen’s maturity and twelve important fragments and with extensive notes, it derives from Jon Stallworthy’s monumental edition of The Complete Poems and Fragments and is aimed at the student and general reader alike. ‘Others have shown the disenchantment of war, have unlegended the roselight and romance of it, but none with such compassion for the disenchanted or such sternly just and justly stern judgment on the idyllisers.’ Guardian

    Fighting to the last under a relentless bombardment as government troops stormed the city, they died like men too.History has seen many such arts of courage, daring, and self-sacrifice by women like these. These traits are to be found today, in the opening years of the 21st century, in such women as US Army helicopter pilot Major Tammy Duckworth, who lost both her legs when her Black Hawk was shot down in Iraq in 2004 and Colonel Martha McSally who flew A-10 ground-attack missions in Afghanistan and became the first woman to command a United States Air Force combat squadron.

    England had been ravaged for decades by conspiracy, violence, murders, coups and countercoups. Through luck, guile and ruthlessness, Henry VII, the first of the Tudor kings, had clambered to the top of the heap--a fugitive with a flimsy claim to England's throne. For many he remained a usurper, a false king.But Henry had a crucial asset: his queen and their children, the living embodiment of his hoped-for dynasty. Queen Elizabeth was a member of the House of York. Henry himself was from the House of Lancaster, so between them they united the warring parties that had fought the bloody century-long War of the Roses. Now their older son, Arthur, was about to marry a Spanish princess. On a cold November day sixteen-year-old Catherine of Aragon arrived in London for a wedding that would mark a triumphal moment in Henry's reign.In this remarkable book, Thomas Penn re-creates the story of the tragic, magnetic Henry VII--a controlling, paranoid, avaricious monarch who was entering the most perilous years of his long reign.Rich with drama and insight, Winter King is an astonishing story of pageantry, treachery, intrigue and incident--and the fraught, dangerous birth of Tudor England.

     James I of England and VI of Scotland was the first king to rule both countries. He was faced with division between his realms and caught between the religious wars of the Reformation. Spending most of his reign at odds with the religious and parliamentary powers around him, James did little to unite his people. Unable to take a firm stand on critical issues, he spent his life avoiding them. Inside you will read about... ✓ James’ Bride and the Witch Hunt ✓ The Mystery of the Gowrie Plot ✓ Taking over Elizabethan England ✓ King James Bible ✓ The Gunpowder Plot ✓ The King’s Favorite Men And much more! Still, James was not a bad king. He is best remembered for the translation of the Bible into English, making it accessible to all. During the start of the bloody Thirty Years’ War that would engulf Europe, James did his best to keep England out of the turmoil. His descendants, however, brought about a bloody civil war that was to last for several generations. James I and VI continues to have a reputation as a lazy king who gave too much power to his male favorites.

    Drawing on both native and Spanish chronicles, he vividly describes the dramatic story of the conquest, with all its savagery and suspense. This authoritative, exciting history is among the most powerful and important accounts of the culture of the South American Indians and the Spanish Conquest.

    Her life takes a remarkable twist when she is rescued and befriended by the infamous actress Nelly Gwyn. Nelly introduces her to the courtly intrigue, politics, and glamour of the court of King Charles II, as well as to a handsome young man known as Valentine Howard. Eliza is smitten, yet their love cannot be, as she is only a lowly maid and he is an aristocrat.From orange seller to mermaid and to a lady about town, Eliza will take on many remarkable guises, but will she ever find what she yearns to know--a place where she truly belongs?

    Murphy is a superb storyteller, and her fast-paced narrative captures the intrigue, the scandal, the romantic affairs, and the violence that were commonplace in the Florentine court. She brings to life an extraordinary woman, fluent in five languages, a free-spirited patron of the arts, a daredevil, a practical joker, and a passionate lover. Isabella, in fact, conducted numerous affairs, including a ten-year relationship with the cousin of her violent and possessive husband. Her permissive lifestyle, however, came to an end upon the death of her father, who was succeeded by her disapproving older brother Francesco. Considering Isabella's ways to be licentious and a disgrace upon the family, he permitted her increasingly enraged husband to murder her in a remote Medici villa. To tell this dramatic story, Murphy draws on a vast trove of newly discovered and unpublished documents, ranging from Isabella's own letters, to the loose-tongued dispatches of ambassadors to Florence, to contemporary descriptions of the opulent parties and balls, salons and hunts in which Isabella and her associates participated. Murphy resurrects the exciting atmosphere of Renaissance Florence, weaving Isabella's beloved city into her story, evoking the intellectual and artistic community that thrived during her time. Palaces and gardens in the city become places of creativity and intrigue, sites of seduction, and grounds for betrayal. Here then is a narrative of compelling and epic proportions, magnificent and alluring, decadent and ultimately tragic.

    These are the players in a royal drama that ultimate led to Elizabeth's ascension to the throne--one of the most spectacularly successful reigns in English history.

    Combining examples with activities and selected readings it offers a unique resource for teachers and students in cultural studies and related fields as an introduction to this complex and central theme.

    Heralded by Publishers Weekly as one of the best science books of the year, it is a provocative and deeply engaging book that elucidates the ties between a woman's experience of her vagina and her sense of self; her impulses, dreams, and courage; and her role in love and in society in completely new and revelatory ways sure to provoke impassioned conversation.A brilliant and nuanced synthesis of physiology, history, and cultural criticism, Vagina: A New Biography explores the physical, political, and spiritual implications of this startling series of new scientific breakthroughs for women and for society as a whole, from a writer whose conviction and keen intelligence have propelled her works to the tops of bestseller lists, and firmly into the realms of modern classics.