Both are asleep in their beds.Their cousin, Yuri, is a custodian at the Chernobyl Nuclear Power Plant, where he's fiercely attacking a spill in the hallway with a mop.Alina's best friend, Sofiya, sleeps just a few doors down. Her father is an engineer at the plant, a fact that has always filled her with pride.In five minutes, Reactor No. 4 will explode in a ball of fire. It will expel radiation across their town for nine days before it's finally contained. For the people of Pripyat, it will be far too late.Two young siblings flee the Chernobyl disaster with their parents, but the Communist party is on their heels. Meanwhile, the friends and family they were forced to leave behind must contend with a disinformation campaign that's determined to pretend nothing is wrong-even as deadly radiation spills into the air.

    This deeply affecting memoir will place him in the company of Jeanette Walls and Augusten Burroughs.” — Sara Gruen, author of Water for Elephants“Charming … Connolly recounts growing up a scrappy Montana kid—one who happened to be born without legs... [Double Take] makes for an empowering read.” — PeopleAs featured on 20/20, NPR, and in the Washington Post: Kevin Connolly is a young man born without legs who travels the world—by skateboard, with his camera—on his “Rolling Exhibition,” snapping pictures of peoples’ reactions to him… and finds out along the way what it truly means to be human.

    It created a heroic myth out of the disastrous Charge of the Light Brigade and, in Florence Nightingale, it produced one of history's great heroes. The war was a watershed in world history and pointed the way to what mass warfare would be like in the twentieth century. New weapons were introduced; trench combat became a fact of daily warfare outside Sebastopol; medical innovation saved countless soldiers' lives that would otherwise have been lost. Ultimately, by failing to solve the Eastern Question, the war paved the way for the greater conflagration which broke out in 1914 and greatly prefigured the current situation in Eastern Europe.

    They lived a paradox--unwanted by a repressive Stalinist state, yet forbidden to leave. "When They Come for Us, We'll Be Gone" is the astonishing and inspiring story of their rescue.Journalist Gal Beckerman draws on newly released Soviet government documents as well as hundreds of oral interviews with refuseniks, activists, Zionist "hooligans," and Congressional staffers. He shows not only how the movement led to a mass exodus in 1989, but also how it shaped the American Jewish community, giving it a renewed sense of spiritual purpose and teaching it to flex its political muscle. He also makes a convincing case that the movement put human rights at the center of American foreign policy for the very first time, helping to end the Cold War.In cinematic detail, the book introduces us to all the major players, from the flamboyant Meir Kahane, head of the paramilitary Jewish Defense League, to Soviet refusenik Natan Sharansky, who labored in a Siberian prison camp for over a decade, to Lynn Singer, the small, fiery Long Island housewife who went from organizing local rallies to strong-arming Soviet diplomats. This multi-generational saga, filled with suspense and packed with revelations, provides an essential missing piece of Cold War and Jewish history.

    With the next two albums, Fields of Punishment and Telos, Angelus Mortis cemented a reputation for uncompromising, aggressive music, impressing critics and fans alike. But the road to success is littered with temptation, and over the next decade, Angelus Mortis’s leader, Max, better known as Strigoi, became infamous for bad associations and worse behavior, burning through side-men and alienating fans. Today, at the request of their record label, Max and new drummer Roland are traveling to Ukraine to record a comeback album with the famously reclusive cult act Wisdom of Silenus. What they discover when they get there will go far deeper than the aesthetics of the genre, and the music they create—antihuman, antilife—ultimately becomes a weapon unto itself. Equally inspired by the fractured, nightmarish novels of John Hawkes, the blackened dreamscapes of cosmic-pessimist philosophy, and the music of second-wave black metal bands, author David Peak’s Corpsepaint is an exploration of creative people summoning destructive powers while struggling to express what it means to be human.

    In this deeply personal biography, Zinovieff explores the turbulent, often scandalous life of her grandmother.

    When disaster strikes her hometown and her family is condemned to exile and execution, Zhanna manages to escape the famed Nazi death march to Dorbitsky Yar and uses her rare musical gift to help her survive. Performing and giving concerts for the occupying German troops as they move throughout Europe, Zhanna keeps her true identity a secret until a young American soldier with ties to Julliard adopts her. Upon her emigration to America, Zhanna’s gift flourishes and she becomes one of the first Jewish refugees to enter Julliard.

    Paolo Rumiz traces the path that has twice cut Europe in two--first by the Iron Curtain and then by the artificial scaffolding of the EU--moving through vibrant cities and abandoned villages, some places still gloomy under the ghost of these imposing borders, some that have sought to erase all memory of it and jump with both feet into the West (if only the West would have them). In The Fault Line, he is a sublime and lively guide through these unfamiliar landscapes, piecing together an atlas that has been erased by modern states, delighting in the discovery of communities that were once engulfed by geopolitics then all but forgotten, until now.The farther south he goes, the more he feels he is traveling not along some abandoned Eastern frontier, but right in the middle of things: Mitteleuropa wasn't to be found in Viennese caf�s but much farther east, beyond even Budapest and Warsaw. As in Ukraine, these remain places in flux, where the political and cultural values of the East and West have stared each other down for centuries. Rumiz gives a human face not just to what the Cold War left behind but to the ancient ties of empire and ethnicity that are still at the root of modern politics in flash-point areas such as this.

    Some even dared to declare the end of history, assuming all countries would converge on enlightenment values and liberal democracy.Nothing could be further from the truth. Russia emerged from the 1990s battered and humiliated; the parallels with Weimar Germany are striking. Goaded on by a triumphalist West, a new Russia has emerged, with a large arsenal of upgraded weapons, conventional and nuclear, determined to reassert its national interests in the ‘near abroad’ — Chechnya, Georgia and Ukraine — as well as fighting a proxy war in the Middle East. Meanwhile, NATO is executing large-scale maneuvers and stockpiling weaponry close to Russia’s border.In this provocative new work, Peter Conradi argues that we have consistently failed to understand Russia and its motives and, in doing so, have made a powerful enemy.

    Less well-known is that this savage war (1853-1856) killed almost a million soldiers and countless civilians; that it enmeshed four great empires—the British, French, Turkish, and Russian—in a battle over religion as well as territory; that it fixed the fault lines between Russia and the West; that it set in motion the conflicts that would dominate the century to come.In this masterly history, Orlando Figes reconstructs the first full conflagration of modernity, a global industrialized struggle fought with unusual ferocity and incompetence. Drawing on untapped Russian and Ottoman as well as European sources, Figes vividly depicts the world at war, from the palaces of St. Petersburg to the holy sites of Jerusalem; from the young Tolstoy reporting in Sevastopol to Tsar Nicolas, haunted by dreams of religious salvation; from the ordinary soldiers and nurses on the battlefields to the women and children in towns under siege..Original, magisterial, alive with voices of the time, The Crimean War is a historical tour de force whose depiction of ethnic cleansing and the West's relations with the Muslim world resonates with contemporary overtones. At once a rigorous, original study and a sweeping, panoramic narrative, The Crimean War is the definitive account of the war that mapped the terrain for today's world..

    His journeys take him from his native Poland to Slovakia, Hungary, Romania, Slovenia, Albania, Moldova, and Ukraine. By car, train, bus, ferry. To small towns and villages with unfamiliar-sounding yet strangely evocative names. “The heart of my Europe,” Stasiuk tells us, “beats in Sokolow, Podlaski, and in Husi, not in Vienna.”  Where did Moldova end and Transylvania begin, he wonders as he is being driven at breakneck speed in an ancient Audi—loose wires hanging from the dashboard—by a driver in shorts and bare feet, a cross swinging on his chest. In Comrat, a funeral procession moves slowly down the main street, the open coffin on a pickup truck, an old woman dressed in black brushing away the flies above the face of the deceased. On to Soroca, a baroque-Byzantine-Tatar-Turkish encampment, to meet Gypsies. And all the way to Babadag, between the Baltic Coast and the Black Sea, where Stasiuk sees his first minaret, “simple and severe, a pencil pointed at the sky.”  A brilliant tour of Europe’s dark underside—travel writing at its very best.

    The question no one seems to be able to answer is: what can the West do about it?Central and Eastern European states, however, have been aware of the threat for years. Nina Jankowicz has advised these governments on the front lines of the information war. The lessons she learnt from that fight, and from her attempts to get US congress to act, make for essential reading.How to Lose the Information War takes the reader on a journey through five Western governments' responses to Russian information warfare tactics - all of which have failed. She journeys into the campaigns the Russian operatives run, and shows how we can better understand the motivations behind these attacks and how to beat them. Above all, this book shows what is at stake: the future of civil discourse and democracy, and the value of truth itself.

    German soldiers raid the theater, round up the boys in the audience, and pack them onto a train. After a terrifying journey, Roberto and his best friend Samuele find themselves in a brutal work camp, where food is scarce and horror is everywhere. The boys vow to stay together no matter what. But Samuele has a dangerous secret, which, if discovered, could get them both killed. Lovers of historical fiction will be captivated by this tragic, triumphant, and deeply moving novel.

    Here, he mixes insightful facts with personal anecdotes to examine the region's history, food, languages, sites, stereotypes and drinking habits.

    In the first comprehensive history of the Horde, the western portion of the Mongol empire that arose after the death of Chinggis Khan, Marie Favereau shows that the accomplishments of the Mongols extended far beyond war. For three hundred years, the Horde was no less a force in global development than Rome had been. It left behind a profound legacy in Europe, Russia, Central Asia, and the Middle East, palpable to this day.Favereau takes us inside one of the most powerful sources of cross-border integration in world history. The Horde was the central node in the Eurasian commercial boom of the thirteenth and fourteenth centuries and was a conduit for exchanges across thousands of miles. Its unique political regime―a complex power-sharing arrangement among the khan and the nobility―rewarded skillful administrators and diplomats and fostered an economic order that was mobile, organized, and innovative. From its capital at Sarai on the lower Volga River, the Horde provided a governance model for Russia, influenced social practice and state structure across Islamic cultures, disseminated sophisticated theories about the natural world, and introduced novel ideas of religious tolerance.The Horde is the eloquent, ambitious, and definitive portrait of an empire little understood and too readily dismissed. Challenging conceptions of nomads as peripheral to history, Favereau makes clear that we live in a world inherited from the Mongol moment.