The song of birds, the thunder of rain clouds, and the glow of the morning sun revealed life's secrets to Satyakama. Coming face to face with the lord of death, Nachiketa found the key to immortality. The lessons the two seekers learned were priceless, for they opened to others the door to eternal bliss.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    When the cremation rites are complete, Ronojoy is handed a letter from his mother that is not so much a farewell as a confession. As before, it is left to him to decide whether to share the disturbing contents with his brother, whom he has always sought to protect.Thus, begins another tumultuous cycle in the lives of the two brothers who already carry deep scars from their childhood; their fragile minds ever at risk of succumbing to the dark.Written in spare, stark prose, Dark Circles deftly weaves past and present, offering tantalizing glimpses of bottled truths buried deep in the recesses of repressed memory; brilliantly exposing the dark undercurrents that swirl under the seemingly placid lives of families.

    Theravada (or Hinayana) is found especially in Sri Lanka, Burma, and Thailand; Mahayana is found in Japan, China, Korea, and Indochina. Zen, a more recent form of Buddhism, is found throughout the world. Some believe Buddhism is not properly understood as a religion, though this presentation describes its religious qualities: a belief in transcendent reality, sacred scriptures, monastic life, and views on an afterlife and the goal of human existence.The Religion, Scriptures, and Spirituality series describes the beliefs, religious practices, and spiritual and moral commitments of the world's great religious traditions. It also describes a religion's way of understanding scripture, identifies its outstanding thinkers, and discusses its attitude and relationship to society.

    In Part I Guenon clears away certain ingrained prejudices inherited from the 'Renaissance', with its adulation of the Greco-Roman culture and its compensating depreciation-both deliberate and instinctive-of other civilizations. In Part II he establishes the fundamental distinctions between various modes of thought and brings out the real nature of metaphysical or universal knowledge-an understanding of which is the first condition for the personal realization of that 'Knowledge' which partakes of the Absolute. Words like 'religion', 'philosophy', 'symbolism', 'mysticism', and 'superstition', are here given a precise meaning. Part III presents a more detailed examination of the Hindu doctrine and its applications at different levels, leading up to the Vedanta, which constitutes its metaphysical essence. Lastly, Part IV resumes the task of clearing away current misconceptions, but is this time concerned not with the West itself, but with distortions of the Hindu doctrines that have arisen as a result of attempts to read into them, or to graft onto them, modern Western conceptions. The concluding chapter lays down the essential conditions for any genuine understanding between East and West, which can only come through the work of those who have attained, at least in some degree, to the realization of 'wisdom uncreate'-that intellective, suprarational knowledge called in the East jana, and in the West gnosis.

    His many works include texts addressed to lay audiences, letters of advice to kings, and a set of penetrating metaphysical and epistemological treatises. His greatest philosophical work, the Mulamadhyamikakarika—read and studied by philosophers in all major Buddhist schools of Tibet, China, Japan, and Korea—is one of the most influential works in the history of Indian philosophy. Now, in The Fundamental Wisdom of the Middle Way, Jay L. Garfield provides a clear and eminently readable translation of Nagarjuna's seminal work, offering those with little or no prior knowledge of Buddhist philosophy a view into the profound logic of the Mulamadhyamikakarika.Garfield presents a superb translation of the Tibetan text of Mulamadhyamikakarika in its entirety, and a commentary reflecting the Tibetan tradition through which Nagarjuna's philosophical influence has largely been transmitted. Illuminating the systematic character of Nagarjuna's reasoning, Garfield shows how Nagarjuna develops his doctrine that all phenomena are empty of inherent existence, that is, than nothing exists substantially or independently. Despite lacking any essence, he argues, phenomena nonetheless exist conventionally, and that indeed conventional existence and ultimate emptiness are in fact the same thing. This represents the radical understanding of the Buddhist doctrine of the two truths, or two levels of reality. He offers a verse-by-verse commentary that explains Nagarjuna's positions and arguments in the language of Western metaphysics and epistemology, and connects Nagarjuna's concerns to those of Western philosophers such as Sextus, Hume, and Wittgenstein.An accessible translation of the foundational text for all Mahayana Buddhism, The Fundamental Wisdom of the Middle Way offers insight to all those interested in the nature of reality.

    Composed by an anonymous master of the school of the great sage Shankara, it is a book of practical advice for seekers of wisdom as well as an ecstatic expression of the experience of enlightenment. In this simple, aphoristic version, the translator conveys the clarity and lyricism of the Sanskrit original with fluency and precision.

    The popularity of the book is so great that it has run into forty two impressions ever since it was originally published in the year 1951

    This is the second time that Mr. Bhyrappa is tackling an epic. Forty years ago, he wrote ‘Parva’, a retelling of the Mahabharata. Parva is in the form of personal reflections of some of the principal characters of the epic.

    She is known as a lost river and seen as a singular goddess, never as part of a couple, such as Shiva-Parvati or Lakshmi-Narayan. In Sarasvati's Gift, Kavita Kane brings to light Sarasvati's story-the goddess of art, music and knowledge-told in the voices of nameless celestials, powerful gods and lesser mortals. The book explores her relationship with her Creator, Brahma, and their unusual marriage-a union of fiercely independent minds and the most non-conforming, unconventional of the Triumvirate couples. As these peripheral figures and silent catalysts take centre stage, we get a glimpse of an extraordinary woman and her remarkable story, obscured and buried under myths and legends.

    K. Narayan has produced his own versions of tales taken from the Ramayana and the Mahabarata. Carefully selecting those stories which include the strongest characters, and omitting the theological or social commentary that would have drawn out the telling, Narayan informs these fascinating myths with his urbane humor and graceful style."Mr. Narayan gives vitality and an original viewpoint to the most ancient of legends, lacing them with his own blend of satire, pertinent explanation and thoughtful commentary."—Santha Rama Rau, New York Times"Narayan's narrative style is swift, firm, graceful, and lucid . . . thoroughly knowledgeable, skillful, entertaining. One could hardly hope for more."—Rosanne Klass, Times Literary Supplement

    The Fonseca family gathers in the Carvalho mansion for the birthday of Savio Fonseca. for his 75th birthday, Savio Fonseca's two daughters Joanna and Carol, who are settled abroad, come down to celebrate his birthday with Savio's son-in-law Sam. On this occasion, Eduardo, who is Savio's cousin drops in with his wife.On the night before Savio's birthday, when the family is spending time together, the electricity fails, because of which the entire place is in darkness. In this dark setting, the occasion seems right for sharing ghost stories. Soon the entire family starts to swap ghost stories, which revolve around the history of the Fonseca family. These stories range from mysterious sightings to lonely buildings and magic spells.The stories are split up into two sections and every character has a story to narrate. These stories have their roots in the Fonseca family and give readers a look into the happenings of the family members in the past. The hopes, dreams, personalities and traits of all the members of this family are revealed through the course of this book. Even the family name is a topic of speculation, with Savio's wife Lillian being keener on safeguarding its honor than Savio himself. This interest raises a number of doubts. The secret that Savio and his wife have been guarding from their daughters is soon to be unravelled.

    All these creative talents come into play in delightful, unexpected ways in his new bilingual collection Green Poems, which celebrates his innate connection with nature.Gulzar writes about rivers, forests, mountains; snow, rain, clouds; the sky, the earth and space; a familiar tree, a disused well; Kullu, Chamba, Thimpu. Like glimpses of nature, the poems are often short, an image captured in a few words. And sometimes the image gives rise to a striking thought: 'When I pass through the forest I feel my ancestors are around me ...'.For those new to Gulzar's work as well as his many fans, Green Poems will prove to be a true joy.

    No less than a god to his own people, he is the sheer embodiment of evil to his enemies. This arrogant demon brooks no hindrance to snatching his heart's desire, and his terror seems unstoppable to gods and humans alike. But he makes a mistake when he abducts the wife of Lord Rama, the exiled divine ruler of Ayodhya.Ravana is a story of a demon, who dared to challenge the gods, and almost got away with it. Ravana's tale is one that will incite awe and fear simultaneously. Whose side was this enigma on, good or evil? The obvious answer seems to be but one: his own. Or was he really? This graphic novel seeks to explore that question, and others.

    The usually venerated characters of this ancient Indian epic are here subjected to a rational enquiry that places them in context, unravels their hopes and fears, and imbues them with wholly human motives, thereby making their stories relevant and astonishing to contemporary readers. Irawati Karve, thus, presents a delightful collection of essays, scientific in spirit, yet appreciative of the literary tradition of the Mahabharata. She challenges the familiar and formulates refreshingly new interpretations, all the while refusing to judge harshly or venerate blindly.