It’s a place to live. And when you’re here, you’ll never want to leave.Paxton never thought he’d be working for Cloud, the giant tech company that’s eaten much of the American economy. Much less that he’d be moving into one of the company’s sprawling live-work facilities. But compared to what’s left outside, Cloud’s bland chainstore life of gleaming entertainment halls, open-plan offices, and vast warehouses…well, it doesn’t seem so bad. It’s more than anyone else is offering. Zinnia never thought she’d be infiltrating Cloud. But now she’s undercover, inside the walls, risking it all to ferret out the company’s darkest secrets. And Paxton, with his ordinary little hopes and fears? He just might make the perfect pawn. If she can bear to sacrifice him. As the truth about Cloud unfolds, Zinnia must gamble everything on a desperate scheme—one that risks both their lives, even as it forces Paxton to question everything about the world he’s so carefully assembled here. Together, they’ll learn just how far the company will go…to make the world a better place. Set in the confines of a corporate panopticon that’s at once brilliantly imagined and terrifyingly real, The Warehouse is a near-future thriller about what happens when Big Brother meets Big Business--and who will pay the ultimate price.

    For Arthur Dent, who has only just had his house demolished that morning, this seems already to be more than he can cope with. Sadly, however, the weekend has only just begun, and the Galaxy is a very very very large and startling place.THE RESTAURANT AT THE END OF THE UNIVERSE.When all questions of space, time, matter and the nature of being have been resolved, only one question remains --- "Where shall we have dinner?" The Restaurant at the End of the Universe provides the ultimate gastronomic experience, and for once there is no morning after to worry about.LIFE, THE UNIVERSE AND EVERYTHING.In consequence of a number of stunning catastrophes, Arthur Dent is surprised to find himself living in a hideously miserable cave on prehistoric Earth. However, just as he thinks that things cannot possibly get any worse, they suddenly do. He discovers that the Galaxy is not only mind-boggling big and bewildering but also that most of the things that happen in it are staggeringly unfair.SO LONG, AND THANKS FOR ALL THE FISH.Just as Arthur Dent's sense of reality is in its dickiest state he suddenly finds the girl of his dreams. He finds her in the last place in the Universe in which he would expect to find anything at all, but which 3,976,000 people will find oddly familiar. They go in search of God's Final Message to His Creation and, in a dramatic break with tradition, actually find it.

    But Holly is no typical teenage runaway: a sensitive child once contacted by voices she knew only as “the radio people,” Holly is a lightning rod for psychic phenomena. Now, as she wanders deeper into the English countryside, visions and coincidences reorder her reality until they assume the aura of a nightmare brought to life.For Holly has caught the attention of a cabal of dangerous mystics—and their enemies. But her lost weekend is merely the prelude to a shocking disappearance that leaves her family irrevocably scarred. This unsolved mystery will echo through every decade of Holly’s life, affecting all the people Holly loves—even the ones who are not yet born.A Cambridge scholarship boy grooming himself for wealth and influence, a conflicted father who feels alive only while reporting from occupied Iraq, a middle-aged writer mourning his exile from the bestseller list—all have a part to play in this surreal, invisible war on the margins of our world. From the medieval Swiss Alps to the nineteenth-century Australian bush, from a hotel in Shanghai to a Manhattan townhouse in the near future, their stories come together in moments of everyday grace and extraordinary wonder.

    But the shooter wasn’t acting alone.Roger Heller was part of something bigger…A conspiracy of scientific experiments, missing citizens, and ancient secrets threatening the island and its people.Behind it all: the enigmatic Blake Conway.Can Jon Conway piece the mystery together before he loses someone else that he loves?Can Roger Heller’s surviving family move on from his heinous actions?Will Cassidy’s addictions destroy her new family with Emma and Jon?Can Milo trust the mysterious Don Bellows?What will happen when Brock Houser launches his own investigation?WhiteSpace is a character-driven, mysterious, sci-fi thriller that would be right at home with superbly scripted TV shows like LOST, The Killing, and Fringe.

    

    She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    She's grown up hidden by her mother in a secret room of the bioship Cyclo until the day her mother is simple gone - along with the entire crew. Cyclo tells her she was abandoned, but she's certain her mother wouldn't leave her there to die. And Hana isn't ready to die yet. She's never really had a chance to live.Fenn is supposed to die. He and a crew of hired mercenaries are there to monitor Cyclo as she expires, and the payment for the suicide mission will mean Fenn's sister is able to live. But when he meets Hana, he's not sure how to save them both.As Cyclo grows sicker by the day, they unearth more secrets about the ship and the crew. But the more time they spend together, the more Hana and Fenn realize that falling for each other is what could ultimately kill them both.

    It is. For behind the town's idyllic facade lies a terrible secret—a secret so shattering that no one who encounters it will ever be the same.At once a masterpiece of psychological suspense and a savage commentary on a media-driven society that values the pursuit of youth and beauty at all costs, The Stepford Wives is a novel so frightening in its final implications that the title itself has earned a place in the American lexicon.

    His chilling mythology established a gateway between the known universe and an ancient dimension of otherworldly terror, whose unspeakable denizens and monstrous landscapes - dread Cthulhu, Yog-Sothoth, the Plateau of Leng, the Mountains of Madness - have earned him a permanent place in the history of the macabre.In Tales of the Cthulhu Mythos, a pantheon of horror and fantasy's finest authors pay tribute to the master of the macabre with a collection of original stories set in the fearsome Lovecraft tradition.Contents:- Iä! Iä! Cthulhu Fhtagn! (1990) by Jim Turner [as by James Turner] - The Call of Cthulhu (1928) by H.P. Lovecraft- The Return of the Sorcerer (1931) by Clark Ashton Smith- Ubbo-Sathla (1933) by Clark Ashton Smith- The Black Stone (1931) by Robert E. Howard- The Hounds of Tindalos (1929) by Frank Belknap Long- The Space-Eaters (1928) by Frank Belknap Long- The Dweller in Darkness (1944) by August Derleth- Beyond the Threshold (1941) by August Derleth- The Shambler from the Stars (1935) by Robert Bloch- The Haunter of the Dark (1936) by H.P. Lovecraft- The Shadow from the Steeple (1950) by Robert Bloch- Notebook Found in a Deserted House (1951) by Robert Bloch- The Salem Horror (1937) by Henry Kuttner- The Terror from the Depths (1976) by Fritz Leiber- Rising with Surtsey (1971) by Brian Lumley- Cold Print (1969) by Ramsey Campbell- The Return of the Lloigor (1969) by Colin Wilson- My Boat (1976) by Joanna Russ- Sticks (1974) by Karl Edward Wagner- The Freshman (1979) by Philip José Farmer- Jerusalem's Lot (1978) by Stephen King- Discovery of the Ghooric Zone (1977) by Richard A. LupoffCover illustration by John Jude Palencar

    A world that exists in the shadows of our own. A conflict we will never see. One woman stands between those determined to control history and those who will risk their lives for freedom.A world that exists in the shadows of our own.A conflict we will never see.One woman stands between those determined to control history and those who will risk their lives for freedom.Maya is hiding in plain sight in London. The twenty-six-year-old has abandoned the dangerous obligations pressed upon her by her father, and chosen instead to live a normal life. But Maya comes from a long line of people who call themselves Harlequins—a fierce group of warriors willing to sacrifice their lives to protect a select few known as Travelers.Gabriel and Michael Corrigan are brothers living in Los Angeles. Since childhood, the young men have been shaped by stories that their late father was a Traveler, one of a small band of prophets who have vastly influenced the course of history. Travelers are able to attain pure enlightenment, and have for centuries ushered change into the world. Gabriel and Michael, who may have inherited their father's gifts, have always protected themselves by living “off the Grid”—that is, invisible to the real-life surveillance networks that monitor people in our modern society.Summoned by her ailing father, Maya is told of the existence of the brothers. The Corrigans are in severe danger, stalked by powerful men known as the Tabula—ruthless mercenaries who have hunted Travelers for generations. This group is determined to inflict order on the world by controlling it, and they view Travelers as an intolerable threat. As Maya races to California to protect the brothers, she is reluctantly pulled back into the cold and solitary Harlequin existence. A colossal battle looms—one that will reveal not only the identities of Gabriel and Michael Corrigan but also a secret history of our time.Moving from the back alleys of Prague to the heart of Los Angeles, from the high deserts of Arizona to a guarded research facility in New York, The Traveler explores a parallel world that exists alongside our own. John Twelve Hawks' stunningly suspenseful debut is an international publishing sensation that marks the arrival of a major new talent.

    Morgan arrived on the scene. He unleashed Takeshi Kovacs–private eye, soldier of fortune, and all-purpose antihero–into the body-swapping, hard-boiled, urban jungle of tomorrow in Altered Carbon, Broken Angels, and Woken Furies, winning the Philip K. Dick Award in the process. In Market Forces, he launched corporate gladiator Chris Faulkner into the brave new business of war-for-profit. Now, in Thirteen, Morgan radically reshapes and recharges science fiction yet again, with a new and unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country . . . or a planet.Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth’s distant, desolate Mars colony. But Marsalis found a way to slip back–and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison–a fate worse than Mars, and much more dangerous.Luckily, his “enhanced” life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He’s another Thirteen–one who’s already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there’s no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane–and alive–long enough to succeed?2007 1st Ed Del Rey 9 8 7 6 5 4 3 2 1

    Mysterious phone calls from San Francisco at odd hours of the night are the only contact she has had with Elizabeth for years. Now, Elizabeth has sent her a plane ticket and reserved a room for her at San Francisco's most luxurious hotel. Yet she has not tried to contact Martha since she arrived, leaving her lonely, confused and a little bit worried. Into the story steps Mayland Long, a distinguished-looking and wealthy Chinese man who lives at the hotel and is drawn to Martha's good nature and ability to pinpoint the truth of a matter. Mayland and Martha become close in a short period of time and he promises to help her find Elizabeth, making small inroads in the mystery before Martha herself disappears. Now Mayland is struck by the realization, too late, that he is in love with Martha, and now he fears for her life. Determined to find her, he sets his prodigious philosopher's mind to work on the problem, embarking on a potentially dangerous adventure.

    That was before the dirty bomb hit Times Square, before his wife was killed, and before the city became a bombed-out shell of its former self. Now he's a hitman.In a New York City split between those who are wealthy enough to "tap into" a sophisticated virtual reality for months at a time and those left to fend for themselves in the ravaged streets, Spademan chose the streets. His clients like that he doesn't ask questions, that he works quickly, and that he's handy with a box cutter. He finds that killing people for money is not that different from collecting trash, and the pay is better. His latest client hires him to kill the daughter of a powerful evangelist. Finding her is easy, but the job quickly gets complicated: his mark has a shocking secret and his client has an agenda far beyond a simple kill. Now Spademan must navigate the dual levels of his world-the gritty reality and the slick fantasy-to finish the job, to keep his conscience clean, and to stay alive.

    It leads from nowhere to nowhere, the mysterious world-spanning structure on which everyone seems to live. Rescued from the sea, devoid of personality or memory, all John Orr knows is the Bridge, his persistent dreams of war, and his desire for Chief Engineer Arrol's provocative daughter, Abberlaine.

    Blaylock"The Giving Mouth" by Ian R. MacLeod "A Sun in the Attic" by Mary Gentle "The God-Clown is Near" by Jay Lake"The Steam Man of the Prairie and the Dark Rider Get Down: A Dime Novel" by Joe R. Lansdale"The Selene Gardening Society" by Molly Brown"Seventy-Two Letters" by Ted Chiang"The Martian Agent, A Planetary Romance" by Michael Chabon"Victoria" by Paul Di Filippo"Reflected Light" by Rachel E. Pollock"Minutes of the Last Meeting" by Stepan Chapman"Excerpt from the Third and Last Volume of Tribes of the Pacific Coast" by Neal Stephenson"The Steam-Driven Time Machine: A Pop Culture Survey" by Rick Klaw"The Essential Sequential Steampunk: A Modest Survey of the Genre within the Comic Book Medium" by Bill Baker