The Glass Demon bridges the world of the traditional Grimm fairytale with the darker world of Angela Carter's adult fairytales. The first deathSeventeen-year-old Lin Fox finds a body in an orchard. As she backs away in horror, she steps on broken glass.The second deathThen blood appears on her doorstep - blood, and broken glass.The third deathSomething terrible is found in the cemetery. Shards of broken glass lie by a grave.Who will be next?As the attacks become more sinister, Lin doesn't know who to trust. She's getting closer to the truth behind these chilling discoveries, but with each move the danger deepens.Because someone wants Lin gone - and won't give up until he's got rid of her and her family. Forever.Helen Grant's first teen novel The Vanishing of Katharina Linden was shortlisted for the Carnegie Medal; her other darkly thrilling young adult novels, The Vanishing of Katharina Linden and Wish Me Dead, are also available from Penguin.

    Although it looks like a regular boarding school, Amy learns that Drearcliff girls are special, the daughters of criminal masterminds, outlaw scientists and master magicians. Several of the pupils also have special gifts like Amy’s, and when one of the girls in her dormitory is abducted by a mysterious group in black hoods, Amy forms a secret, superpowered society called the Moth Club to rescue their friend. They soon discover that the Hooded Conspiracy runs through the School, and it's up to the Moth Club to get to the heart of it.

    Jack Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Shelley, Stevenson, Stoker, and Wilde to contemporary horror film exemplified by such movies as Silence of the Lambs, Texas Chainsaw Massacre, and Candyman, Skin Shows understands the Gothic as a versatile technology, a means of producing monsters that is constantly being rewritten by historically and culturally conditioned fears generated by a shared sense of otherness and difference.Deploying feminist and queer approaches to the monstrous body, Halberstam views the Gothic as a broad-based cultural phenomenon that supports and sustains the economic, social, and sexual hierarchies of the time. She resists familiar psychoanalytic critiques and cautions against any interpretive attempt to reduce the affective power of the monstrous to a single factor. The nineteenth-century monster is shown, for example, as configuring otherness as an amalgam of race, class, gender, and sexuality. Invoking Foucault, Halberstam describes the history of monsters in terms of its shifting relation to the body and its representations. As a result, her readings of familiar texts are radically new. She locates psychoanalysis itself within the gothic tradition and sees sexuality as a beast created in nineteenth century literature. Excessive interpretability, Halberstam argues, whether in film, literature, or in the culture at large, is the actual hallmark of monstrosity.

    Few in the town of Cypress Creek even remember the house and what had occurred inside its walls decades before. In the present time, author Rob Hooper and his wife, Janet, are looking for a quiet place to live. The grandiose, isolated Victorian-style relic is everything they could want. A mysterious, widowed owner offers them a deal that can't be passed up. But they quickly discover that some things are too good to be true.

    How Stoker became the creator of the mysterious, seductive count from a castle (and coffin) in Transylvania was a story in and of itself. Over the past century, Dracula has never been out of print and has become its own cultural phenomena, starting with Bela Lugosi’s famed rendition in 1931, to Mel Brooks, Francis Ford Coppola, Christopher Lee, Buffy, Anne Rice’s Vampire Chronicles and the hugely popular Twilight series. This generously illustrated documentary collection explores in full the scope of the Dracula phenomenon, from the folkloric origins of the vampire legend to its unending legacy as a vital influence on the literary and performing arts, not to mention the Romanian tourist industry. Nor does it overlook Bram Stoker himself, and includes his working notes and exceptional primary documents.

    Their honeymoon was idyllic and Liz is blissfully happy—at first. But she feels increasingly uneasy in her lavish new home. Huntington House and its staff still seem to be in the thrall of David’s first wife. In fact, the housekeeper, Mrs. Hoffman, has made it clear that Liz can never measure up to the stunning, sophisticated, deceased, Dominique. Though Dominique drowned in a yachting accident, Liz still senses her spirit in the house. She hears unexplained noises…sees shadowy figures vanishing down the long corridors. The scent of Dominique’s favorite flowers fills the air. But Liz’s fears are more than insecurity. Two young women connected to Huntington House have already met terrible deaths. More will die—and soon. Because behind the house’s polished façade is an unimaginable secret and a love turned to twisted, unnatural obsession…Praise for William Patterson’s The Inn "The Conjuring meets The Shining in William Patterson's deliciously creepy thriller.  Fast-paced, horror-filled, clever and impossible-to-predict, this heart-pounding tale will leave you breathless." --Kevin O’Brien, New York Times bestselling author

    His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results.

    A curse. A dangerous summer.Leo has invited Kate and a few friends to spend the summer at his inheritance, Darkmere Castle: as wild and remote as it is beautiful. Kate thinks it will be the perfect place for her and Leo to get together - but instead, she's drawn into the dark story of a young nineteenth-century bride who haunts the tunnels and towers of the house. And whose curse now hangs over them all.

    Born into the era of the Black Plague in medieval Italy, Lucy is chosen as a mate by the sinister vampire Sebastianus against her will. Struggling to survive in a modern world she cannot identify with, Lucy isn't looking for attention.Welcome to Forever Fifteen, where a lonely girl seeks refuge in a world awash in everyday brutality, a world where only blood and death can sate her hunger. Journey into Lucy's past as you experience the terror of the Black Death and the harsh reality of womanhood in the Middle Ages. Enter Forever Fifteen, the fast-paced thrill ride that is redefining vampire horror.

    A sympathetic werewolf, a vampire and an Egyptian princess brought to life when her tomb is opened make this a comedy that has everything."Far and away the funniest two hours on a New York stage....What more meaningful gift could Ludlam bequeath [audiences

    He hungers for his upcoming life as a student at the prestigious new university, almost as much as he longs to marry his beloved Elmira Royster. However, on the brink of his departure, all his plans go awry when a macabre Muse named Lenore appears to him. Muses are frightful creatures that lead Artists down a path of ruin and disgrace, and no respectable person could possibly understand or accept them. But Lenore steps out of the shadows with one request: “Let them see me!”

    A manhunt ensues—though the authorities aren’t sure if it’s a man they should be looking for.Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family—their personal fortune and the local economy having moved on from Pittsburgh steel—where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he’s a werewolf. Or perhaps it’s Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia. At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right—and Brian McGreevy the talent and ambition to enthrall us for years to come.

    Her parents are still uptight and disinterested, her bedroom is exactly the way she left it, and the outcast Gavin Timothy still looks like he’s crawled out of one of her dark, twisted drawings.Delilah is instantly smitten.Gavin has always lived in the strange house: an odd building isolated in a stand of trees where the town gives in to mild wilderness. The house is an irresistible lure for Delilah, but the tall fence surrounding it exists for good reason, and Gavin urges Delilah to be careful. Whatever lives with him there isn’t human, and isn’t afraid of hurting her to keep her away.

    Throw in some vampires and a plot to overthrow the British monarchy, and what you have is the thrilling account that Charles Dickens was too scared to share with the world.From the brilliant mind of novelist and comic book veteran Peter David, Artful is the dark, funny, and action-packed story of one of the most fascinating characters in literary history.With vampires.

    For months, she could stay in a cabin in the middle of the Yukon wilderness with only a pack of sledge dogs to care for. But from the moment she arrives in the isolated dog yard, something is terribly wrong. She can feel it watching her from the woods. She can hear them whispering to her in the silence. But she is sure it is just a trick of her mind. Until the night they arrive. Three children appear on her doorstep in the middle of the night; each one with pitch black eyes. They plead with her to let them inside, but her rejection draws her into a war of wills against the demonic forces. Isolated in a terrain she doesn’t understand, and trapped by an oncoming blizzard, Ruby will have to decide how far she’s willing to go to survive. She’ll soon learn that it’s hard to keep the devil out when you’ve already opened the door.